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Spain | America | International

Artículos sobre ‘Angenieux’

El MicroSalón AEC 2025 abre sus puertas con el apoyo de 40 empresas y un amplio programa de actividades

The AEC 2025 MicroSalon opens its doors with the support of 40 companies and an extensive program of activities
12 December 2025

[+]

On December 12 and 13, La Nave Madrid hosts the VIII AEC MicroSalón, which in its 2025 edition will offer talks, demonstrations and...

La fotografía de ‘Muertos S.L.’ y ‘Machos Alfa’ (Contubernio): la libertad y valentía visual en la comedia

The photography of ‘Muertos S.L.’ and ‘Machos Alfa’ (Contubernio): freedom and visual bravery in comedy
19 September 2024

[+]

Juan Luis Cabellos, director of photography of the successful 'Muertos S.L.' (Movistar Plus+) and 'Machos Alfa' (Netflix) by Contubernio, reflects on applied cinematography...

El sistema de seguimiento de cámara ZEISS CinCraft Scenario se adapta a entornos broadcast

ZEISS CinCraft Scenario Camera Tracking System Adapts to Broadcast Environments
23 May 2024

[+]

Zeiss CinCraft Scenario software version 2.0 expands its compatibility to lenses outside the Zeiss and Arri/Zeiss ecosystem, expanding its possibilities...

La premiada serie documental ‘Welcome to Wrexham’, rodada con la URSA Mini Pro 12K de Blackmagic

The award-winning documentary series 'Welcome to Wrexham', shot with Blackmagic's URSA Mini Pro 12K
16 February 2024

[+]

'Welcome to Wrexham', a documentary that tells the story of the football club that was acquired and directed by actors Ryan Reynolds and Rob...

La 6ª temporada de ‘Beyond Belief: Fact or Fiction’ revive el look 90s con la URSA Mini Pro 12K de Blackmagic

The 6th season of 'Beyond Belief: Fact or Fiction' revives the 90s look with the URSA Mini Pro 12K from Blackmagic
13 November 2023

[+]

Holger Frick, co-founder of Superama Filmproduktions, and cinematographer Edward Salerno Jr. opted for Blackmagic's URSA Mini Pro 12K...

En los recovecos del true crime: el caso de ‘Lucía en la telaraña’ (RTVE Play)

In the recesses of true crime: the case of 'Lucía en la web' (RTVE Play)
10 February 2022

[+]

Sofía Urwitz, director and director of photography of Lucía en la Telaraña (RTVE Play), reveals all the keys to the production, putting it in context...

Kazunali Tajima impresiona con el uso de brazos robóticos y cámaras URSA Mini Pro 4.6K G2 en la Semana de la Moda de París

Kazunali Tajima impresses using robotic arms and URSA Mini Pro 4.6K G2 cameras at Paris Fashion Week
20 October 2021

[+]

Photographer and cinematographer Kazunali Tajima shot the kolor brand's spring/summer 2022 collection with URSA Mini digital cinema cameras...

Ed Sheeran graba un concierto virtual con cámaras URSA Mini Pro 12K de Blackmagic

Ed Sheeran records a virtual concert with Blackmagic URSA Mini Pro 12K cameras
2 August 2021

[+]

Ed Sheeran performed 10 songs in a virtual concert recorded at the Electric Light Studio (ELS) agency in London using a work dynamic...

Jerome Dolbert rueda con una RED Epic y ópticas Angenieux ‘Las selvas tropicales de Perú bajo amenaza’

Jerome Dolbert shoots with a RED Epic and Angenieux optics 'Peru's rainforests under threat'
22 December 2014

[+]

For the production of this documentary, the director had a camera team that together weighed about twelve kilos made up of a...

Lentes Angenieux fotografiaron las primeras imágenes de la Luna en 1964

Angenieux lenses photographed the first images of the Moon in 1964
1 August 2014

[+]

Fifty years ago now, on July 31, 1964, Ranger 7 took the first images of our satellite. To do this, he used glasses...

Angénieux estrena en NAB su nueva línea Optimo 24-290 y 28-340

Angénieux debuts its new Optimo 24-290 and 28-340 line at NAB
4 April 2014

[+]

Integradas en la línea Optimo, estos objetivos de medio presupuesto, han sido diseñados con los más estrictos desarrollos para mejorar su ergonomía y versatilidad ...

Ovide amplia su stock en ópticas

Ovide expands its stock in optics
13 February 2014

[+]

Ovide makes a clear commitment to quality optics, both PL and EF mounts. In addition to increasing the stock in large optics,...

Angénieux recibe el premio ‘Patrimonio vivo’ otorgado por el Gobierno francés

Angénieux receives the 'Living Heritage' award from the French Government
18 January 2013

[+]

EL fabricante de lentes es galardonado con el “Enterprise du Patrimoine Vivant” (“Compañía de Patrimonio vivo”), concedido por el Gobierno de Francia. Thales Angenieux, ...

Angénieux Optimo 3D Ready Lens Package, todo listo para rodar en 3D

Angénieux Optimo 3D Ready Lens Package, everything ready to shoot in 3D
19 June 2012

[+]

This ready-to-use pack consists of two paired Optimo DP lenses of 16-42mm and/or 30-80mm, with their corresponding accessories. Thinking about facilitating...

Dos nuevos objetivos zoom Optimo de Angénieux

Two new Angénieux Optimo zoom lenses
8 May 2012

[+]

Con una focal de imagen de hasta una diagonal de 31.4mm, son ideales para las películas S35 y las cámaras con sensor de gran ...

‘Blue Bloods’ de CBS, rodada con RED One MX y Angenieux

‘Blue Bloods’ de CBS, rodada con RED One MX y Angenieux
27 May 2011

[+]

The popular North American CBS series 'Blue Bloods' is being filmed with RED One MX cameras and Angeniux Optimo lenses of 15-40, ...

Redcam incorpora otra ARRI Alexa a su catálogo de alquiler

Redcam adds another ARRI Alexa to its rental catalog
10 February 2011

[+]

Redcam, a specialist in ultra-high definition digital cinema, has just added its second ARRI Alexa to its rental catalogue, which will come...

Cine Gear Expo, los Estudios Paramount acogen un año más este interesante encuentro

Cine Gear Expo, Paramount Studios hosts this interesting meeting for another year
3 June 2010

[+]

Created by professionals for professionals, today the 14th edition of Cine Gear Expo begins at Paramount Studios in Los Angeles, one of the...

Angénieux 19×7.3: un objetivo multipropósito para SD y HD

Angénieux 19×7.3: a multipurpose lens for SD and HD
22 January 2010

[+]

Ideal for shooting wide panoramas, this multipurpose lens is designed for both ENG and EFP environments. With anti-shock system, assisted internal focus, positions...

‘El cónsul de Sodoma’, atmósfera envolvente en Super 16mm

'The Consul of Sodom', immersive atmosphere in Super 16mm
20 January 2010

[+]

With photography by José David Montero, Sigfrid Monleón's new film was shot in Super 16mm with Kodak Vision film. EPC supplied...

EPC en las películas finalistas a los Goya

EPC in the Goya finalist films
13 January 2010

[+]

Many of the films that will compete at the XXIV edition of the Goya Awards have used EPC equipment in their filming. 'After', 'The...

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50 years SAPEC


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