ARRI e IMAX trabajan en el desarrollo de una cámara IMAX partiendo de la Alexa 65 con soporte para este formato panorámico. Impulsar el formato IMAX con una cámara digital que ...
The Goya acknowledge the difficulty of an assembly that achieves the balance between action and contemplation
8 February 2015
For the winner of the Goya for Best Editing for 'The minimum Island' 'one of the challenges of this production was the use of large amount of air planes. " José M. G. Moyano ...
< a href = "http://translate.googleusercontent.com/translate_c?depth=1 & hl = fr & prev=/search?q=canal+plus+4k+frequency&rlz=1C1ASRM_enFR571FR571&espv=2&biw=1680&bih=949 & rural = translate. google. fr sl = at & u = http://www.panoramaaudiovisual.com/en/2014/06/18/Ovide-shows-all-the-creative-possibilities-of-new-documentary-style-of-arri-camera-amirala/ & usg=ALkJrhhdnI5EdIpxBMkP_jjY_a9lpuXR4A"> Ovide shows all the creative possibilities of Amira, the new documentary style of ARRI camera "
18 June 2014
Ovide gathers in Madrid and Barcelona to numerous directors of photo and producers to show them the possibilities provided by this versatile camera that combines exceptional image quality and...
Pau Esteve: ' opted in 'Cannibal' by the ARRI Alexa because it gives you many possibilities of color correction "
10 February 2014
Winner of a Goya, Esteve previously directed the successful photography and claustrophobic Buried. The only Goya obtained by the film Cannibal due to his photography, work ...
'The most complicated was rolling in the Puerta del Sol,"recognizes Carlos Bernases, production manager of ' the witches...'
10 February 2014
The Academy awards the 2014 Goya for Best Production Management Carlos Bernases for his work on 'Witching & Bitching'. When Álex de la Iglesia proposed to ...