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Articles about 'RED'

RED anuncia la versión Super35 de sus cámaras V-Raptor y V-Raptor XL

RED announces the Super35 version of its V-Raptor and V-Raptor XL cameras
8 March 2023

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RED's V-Raptor 8K and V-Raptor 8K cinema cameras receive new Super35 versions, built around a new 8K S35 sensor. He ...

Anuncios publicitarios: una aproximación desde la dirección de fotografía

Advertisements: an approach from photography direction
24 November 2022

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Pablo Hernández Smith, director of photography specialized in advertising who has recorded spots for brands such as Nissan, Peugeot, Mercedes, Pantene, Garnier, Huawei, Coca Cola, ...

RED propone workflows 8K para broadcast con RED Connect en IBC 2022

RED propone workflows 8K para broadcast con RED Connect en IBC 2022
13 September 2022

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As the industry moves firmly towards 4K, RED has proposed at IBC 2022 to take a leap into the future with a ...

La cámara V-Raptor TM XL y Connect, ejes de la experiencia de RED en IBC 2022

The V-Raptor TM XL and Connect camera, axes of the RED experience at IBC 2022
2 September 2022

[+]

RED's booth at IBC 2022 will host the world debut of the V-Raptor TM XL 8K VV camera system and streaming service...

RED amplía su sistema de cámaras DSMC3 con la V-Raptor XL 8K VV

RED expands its DSMC3 camera system with the V-Raptor XL 8K VV
24 August 2022

[+]

The new V-Raptor XL, which takes advantage of the V-Raptor 8K VV + 6K S3 multi-format sensor but places it in an XL camera body,...

La propuesta colaborativa y cloud de Editshare alcanzará cotas inéditas en NAB 2022

Editshare's collaborative and cloud proposal will reach unprecedented heights at NAB 2022
21 March 2022

[+]

The Flow software, key to Editshare's remote proposal, will receive multiple improvements that will be presented at NAB 2022. For the first time, the tools ...

Fox Sports lleva el look cinematográfico a ‘Field of Dreams’ (MLB) con la ayuda del FS-HDR de AJA

Fox Sports Brings Cinematic Look to ‘Field of Dreams’ (MLB) with the Help of AJA FS-HDR
28 February 2022

[+]

AJA FS-HDR has helped Fox Sports achieve a cinematic look for the broadcast of the Field of Dreams special match of ...

Ovide reforzará su catálogo invirtiendo cerca de 2 millones de euros en 2022

Ovide will strengthen its catalog by investing close to 2 million euros in 2022
25 February 2022

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The catalog of Ovide, a filming equipment rental company, will grow in 2022 thanks to a budgeted investment of around 2 million...

Televisión Canaria y la cobertura del volcán de La Palma: la historia desde dentro

Canarian Television and coverage of the La Palma volcano: the story from within
27 January 2022

[+]

Óscar Fernández, production director of Televisión Canaria, reveals all the details about how the coverage of the eruption of the volcano of ...

El ganador del Emmy Stephen McGee pone a prueba las ópticas de Fujinon

Emmy winner Stephen McGee puts Fujinon optics to the test
13 January 2022

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Fujifilm has produced a piece in which cinematographer Stephen McGee shares how he uses Fujinon MK18-55 T2.9 and MK50-135 optics...

El director de fotografía Philip Grossman lleva el U-TAP SDI de AJA a los rincones más remotos de Europa

Cinematographer Philip Grossman takes AJA's U-TAP SDI to the remotest corners of Europe
12 January 2022

[+]

AJA's U-TAP SDI solution is used by cinematographer Philip Grossman on his adventures, which take him to ...

La NASA comienza a realizar conexiones en directo en 4K con la Estación Espacial Internacional

NASA begins to make live connections in 4K with the International Space Station
17 November 2021

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Carlos Fontanot, imagery manager of the International Special Station (ISS) and part of NASA, addresses the latest innovations in UHD in the ...

RED desvela su nueva cámara cinematográfica DSMC3 V-Raptor 8K VV

RED unveils its new DSMC3 V-Raptor 8K VV cinema camera
2 September 2021

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RED's new range of DSMC3 solutions writes its first page with the V-Raptor 8K VV camera, now available. RED rates the new...

La gama Bolt 4K de Teradek se amplía con los módulos de monitor 1500 TX/RX

Teradek's Bolt 4K range expands with 1500 TX/RX monitor modules
2 September 2021

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Teradek has launched the Bolt 4K 1500 TX and 1500 RX monitor modules, compatible with SmallHD Smart 7 monitors and all...

Teradek habilita el control remoto de cámaras con el Bolt 4K Monitor Module TX

Teradek enables remote camera control with the Bolt 4K Monitor Module TX
1 July 2021

[+]

Teradek's Bolt family continues to grow with the Bolt 4K Monitor Module TX that will allow cameras to be controlled remotely. The Bolt 4K Monitor Module...

Samcam.film y 1T2K, primeros usuarios de Shotover B1 en Europa

Samcam.film and 1T2K, first users of Shotover B1 in Europe
18 May 2021

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Sam Gyger (Samcam.film) and Mikko Paillot (1T2K) have been the first European companies to use the Shotover B1 system. Gyger and Paillot, with more...

Dos de las películas oscarizadas, ‘Mank’ y ‘Lo que el pulpo me enseñó’, rodadas con RED

Two of the Oscar-winning films, 'Mank' and 'What the Octopus Taught Me', shot with RED
28 April 2021

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The winners of the Oscar for best photography (Mank) and best documentary (What the Octopus Taught Me) used two of ...

La NASA enviará señales 4K en directo desde la Estación Espacial Internacional

NASA will send live 4K signals from the International Space Station
18 November 2020

[+]

At the moment, video on board the ISS is captured in 4K, sending the file packets to Earth, and broadcasting in...

RED inicia la comercialización de su nueva cámara Komodo 6K

RED begins marketing its new Komodo 6K camera
14 October 2020

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Komodo offers features designed for professional filmmakers and content creators who want high-quality images in an easy-to-use camera,...

La Unidad de Historia Natural de BBC adquiere un Shotover M1 para tomas geoestabilizadas

BBC Natural History Unit acquires Shotover M1 for geostabilized footage
26 June 2020

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The Shotover M1 is capable of housing the Canon Cine-Servo 50-1000mm lens and a wide range of professional cameras, including the popular RED DSMC2. ...

‘Lost in Space’ encuentra el contraste en la oscuridad con la RED Monstro y lentes Cooke 5/i

‘Lost in Space’ finds contrast in the dark with the RED Monstro and Cooke 5/i lenses
2 June 2020

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Director of photography Sa McCurdy shot the first season with RED Helium cameras and Leica Summilux C lenses, but has opted for a...

Las lentes Cooke miniS4/i y la cámara RED Helium capturan imágenes únicas para ‘Seven Worlds, One Planet’

Cooke miniS4/i lenses and RED Helium camera capture unique images for 'Seven Worlds, One Planet'
17 December 2019

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Director of photography Mark MacEwen traveled from Antarctica to the Congo to film spectacular shots for the new BBC series. ...

Alan Piper, nuevo director general de RED Digital Cinema

Alan Piper, new general director of RED Digital Cinema
11 November 2019

[+]

Piper was previously CEO of Take 2, the largest RED rental provider in the UK and held a number of management positions...

La NASA pone a prueba el nuevo equipamiento de cara a la próxima misión lunar

NASA tests new equipment for the next lunar mission
7 November 2019

[+]

Carlos Fontanot, Imagery Manager of ISS (NASA), once again stars in one of the most interesting presentations at the world summit on Ultra...

Caracol Tv: referencia en producción 4K en América Latina

Caracol TV: reference in 4K production in Latin America
7 November 2019

[+]

Eymard Cabrales, technical director of Caracol Televisión, has shared with the professionals attending the 4K-HDR Summit his vision of 4K and ...

RED publica un impresionante reel con material en 8K

RED publishes an impressive reel with 8K material
18 June 2019

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To show the full potential of these sensors, the manufacturer has just released a reel that over 2'30” compiles impressive...

RED lanza el kit DSMC2 Gemini, listo para rodar

RED launches the DSMC2 Gemini kit, ready to roll
5 June 2019

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RED offers a complete kit designed for cinematographers who shoot in a wide variety of environments. RED launches the...

Atomos y RED cierran un acuerdo de licencia basado en royalties

Atomos and RED close a royalty-based licensing agreement
25 January 2019

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Both companies are now more aligned to make the most advanced video recording technology more affordable without compromising the freedom...

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