Sony bets on Las Vegas to facilitate creativity and the workflow of creators

Among the highlights of Sony At this NAB 2022, new developments focused on visualization, cloud and IP workflows in broadcast, production and cinema stand out. Among the manufacturer's highlights at NAB are the new 4K HDC-3200 and Venice 2 cameras.

Theresa Alesso, President of Imaging Products & Solutions Americas de Sony Electronics, ha destacado en la rueda de prensa que inaugura la primera jornada de NAB 2022 que “nuestros clientes han confiado aún más en la tecnología para ayudarles a conectarse y a colaborar, así como a facilitar el funcionamiento remoto. En la feria NAB, estamos deseando volver a conectar con el sector, dar visibilidad a la transformación de Sony, compartir nuestras últimas tecnologías y destacar las tendencias, incluidos el look cinemático y la producción virtual, mientras trabajamos de forma conjunta para preparar a los creadores de forma innovadora para el futuro”.

HDC-3200

Con la incorporación de la nueva HDC-3200, Sony está ampliando su cartera y cubriendo necesidades con un sistema 4K más asequible.

La HDC-3200 es una cámara de estudio basada en fibra rentable que comparte muchas de las características comunes de la serie HDC de Sony, entre las que se incluyen un sensor de imagen 3CMOS de tipo 2/3″ con obturador global, 4K y HDR, y compatibilidad con numerosos formatos de señal. Es compatible con la gama existente de visores, adaptadores de objetivo de estudio y sistemas de transmisión IP de Sony. Está previsto que esté disponible en mayo de 2022.

Sony también estrena en Las Vegas dos nuevos adaptadores de objetivo de estudio: el HDLA-3505 and the HDLA-3501. The rugged HDLA-3505 can be used with the HDVF-EL70. It is equipped with an LCD panel that offers assignable settings at the touch of a button and easy monitoring via the SDI input. The HDLA-3501 complements the new HDC-3200, providing a cost-effective 4K system. It is designed for use with the HDVF-L750 viewfinder and allows easy access to the camera head as well as supporting rear panel operation. Both options offer a wireless interface to Sony systems and instant camera mounting and dismounting. They are scheduled to be available in June 2022.

Likewise, the 4K HDR monitors in the series PVM-X from Sony, available in 18, 24 and 32-inch models, will receive further improvements with the release of firmware version 4.0, scheduled for August 2022. New features include two new optional licenses to enable signal conversion. Additionally, 3D LUT, timecode and audio output capabilities will be added to the enhanced monitor output. The firmware will also add in-monitor display, parallel connection for remote control, Chrome UP feature, and subtitle support.

With the rise of cinematic storytelling, the CineAlta VENICE camera continues to capture the action in live multi-camera productions, feature films and sports.

Venice 2, in Las Vegas

Following the success of the original Venice camera, Sony has expanded its Cinema Line range with the addition of the flagship Venice 2 camera, which is currently on display at its stand in Las Vegas. It features an 8.6K Full Frame CMOS image sensor and internal X-OCN recording, 4K Apple ProRes 4444 and 422 HQ in a more compact body.

The Venice 2 offers impressive 16 steps of dynamic range, ability to record in extreme low light situations, bright areas with excellent transitions and natural skin tones. Additionally, the Venice 2 features a dual-base ISO range of 800/3200, 8 stops of built-in ND filters, and is available now.

On the other hand, the studio camera HDC-F5500, which incorporates a 4K Super 35mm CMOS image sensor with global shutter, also enables creative expression with a cinematic look. Thanks to its shallow depth of field, high frame rate of 4K 120 fps, and ability to integrate seamlessly with other Sony studio cameras, it has been used in high-profile sporting events and the most influential film and music awards, among other uses.

To complement the imaging solutions, Sony is updating the series of UWP-D wireless microphones 4th generation: the dual channel receiver URX-P41D and the comfortable package UWP-D27. El nuevo receptor portátil ofrece un funcionamiento simplificado, funciones fáciles de usar y una interfaz de audio digital mediante el adaptador de zapata de interfaz múltiple (MI) SMAD-P5, compatible con varios camcorders de Sony.

Furthermore, the PXW-Z750, el camcorder 4K HDR de hombro insignia de Sony, que se expone en NAB, ha tenido una gran acogida por parte de la comunidad de la telerrealidad. Lo seleccionaron recientemente en el programa Survivor de CBS, uno de los programas de telerrealidad más longevos y famosos, junto con la FX6 de Sony, entre otras, con un total de casi 50 cámaras de Sony. Desde el principio, las tecnologías de Sony han sido una parte intrínseca de la producción de Survivor, ya que han adoptado nuevos formatos y resoluciones. Ahora, el PXW-Z750 desempeñará un papel fundamental en la producción compatible con HDR de la temporada 43, que se prevé que se estrenará en otoño.

El potencial del IP

Sony is developing its portfolio of solutions that enable content creators to design, deploy and manage environments on-premises, in a geographic region or in the cloud.

Nevion, a media organization platform company VideoIPath Sony, recently announced that it is adding broadcast control, which includes Tally distribution, save buttons, alias assignment, terminal grouping and destination monitoring. This enables cost-effective and easy support across the entire production lifecycle, ideal for managing IP-based broadcast installations, virtual routing, production units and mobile units.

Additionally, the update adds support for Sony's IP-based NS-BUS management protocol to the extensive list of equipment interfaces that already support VideoIPath, including Sony hardware panels and connection management for Sony XVS series mixers and SDI-IP converters. Sony also offers a powerful solution for production organization and facility management: Live Element Orchestrator.

Work in the cloud

The cloud is increasingly important in providing secure accessibility, improving multimedia workflows, and facilitating enhanced collaboration. The Ci Media Cloud Services Sony, an ecosystem of cloud-based applications developed for multimedia organizations to collect, organize, collaborate, distribute and archive multimedia assets, continues to improve its offering to create a more valuable solution for various applications.

In terms of post-production, the Ci Workflow application provides functionality for a secure VFX extraction workflow that allows VFX frames to be sent directly to VFX studios by simply sending a Release Decision List (EDL) to Ci.

First, productions must upload the original camera files (OCF) to Ci, where preview proxies will be created. To start the VFX extraction workflow, an EDL is sent to Ci. Ci locates the referenced OCF and converts the indicated clips to the desired output format. The generated frames are dynamically supplied to the VFX provider, who is notified when delivery is complete. Benefits of the app include increased speed and lower operating expenses, as well as helping to solve common accessibility and ownership challenges.

Ci's collaboration enhancements, which can benefit editing and sports users and more, include in-app commenting, clipping and live streaming, simplifying how creative teams review and collaborate on content and enabling faster social media publishing. Additionally, Ci is integrated with Sony's Hawkeye technology to receive live feeds from sports venues, allowing referees to review, score and collaborate on decisions in near real-time, regardless of their location. This workflow makes content available to license holders and image rights owners.

Additional Ci enhancements include an iOS and Android app for viewing content, as well as an Apple TV app for casting content, greater granular BYOS3 control, six times faster live stream ingestion, and Japanese localization.

Camera-to-cloud capabilities provide greater freedom and flexibility for efficient productions from the field or on the front lines. Sony's next-generation camera-to-cloud solution, C3 Portal (C3P), ofReceive cost-effective file operations by seamlessly integrating remote operations and Sony capture devices. C3P enables remote camera control, remote file access, and efficient and secure file transfer to Ci or the destination of your choice. C3P's new mobile app streamlines the file transfer process using cameras and mobile devices. Flexible metadata workflows support automated, custom metadata tagging of camera clips, simplifying search and identification and enabling fast content retrieval.

Virtual production

Virtual production has transformed the world of broadcast and film by offering new ways to bridge the virtual and physical worlds in real time. This technology combines movie cameras, LED screens and game engine technology to enhance freedom, flexibility and efficiency on set.

The series B de Crystal LED from Sony has been tailor-made for virtual production. Our B series is scalable, available with a pixel pitch of 1.26 or 1.58 mm, and allows productions to create LED volumes with the size and resolution that meets their needs. With incredible brightness, each panel is equipped with an anti-reflective glass coating, a wide 170-degree viewing angle and an extensive color gamut.

Combined with Sony's Venice camera series, these technologies make it possible for content creators to enjoy flexible and precise color matching between the camera and the wall, as well as incredible resolution and dynamic range that deliver lifelike images.

To better serve the virtual production community and other emerging markets, such as eSports, Sony has recently launched a specialized group that brings together the experience and resources of Sony's imaging arm to help identify and solve customer needs, while developing new standards.

In addition, Hawk-Eye has introduced the first version of its new solution, Hawk-Eye Replay, a suite of products that serves as a cost-effective, high-performance solution for remote trimming, playback and highlight creation. Following the success of “Every Shot Every Hole,” Hawk-Eye's award-winning golf production technology, this new option combines with the company's optical tracking and data platforms to create a powerful production solution.

Access to the NAB 2022 Special