'Everything Everywhere All At Once', created with Blackmagic

The 2023 Oscar Best Picture winner ‘Everything Everywhere All At Once’, as well as many other nominated and winning entries in various categories, were created using Blackmagic Design solutions in both production and post-production.

These films, led by the ダニエルズ「 Everything Everywhere All At Once, join hundreds of others that have received awards and Oscar nominations over the past two decades and used a variety of ブラックマジックデザイン digital cameras and ダヴィンチリゾルブ editing, colour grading, VFX, audio post-production and other products.

The 2023 nominations include more than 20 films that made use of Blackmagic Design products and span a variety of genres、含む technical, documentary, short film, international feature film and animated film。

Films with Blackmagic Design products

アルゼンチン、1985 DIT Martin Bendersky used DaVinci Resolve Studio for on set grading;
アバター: 水の道 completed production using Teranex AV, Smart Videohub 12G 40×40, DeckLink 8K Pro, UltraStudio 4K Extreme 3 and ATEM 4 M/E Broadcast Studio 4K;
イニシェリンのバンシー DP Ben Davis, BSC used Blackmagic URSA Mini Pro 12K for select shots; and
Everything Everywhere All at Once DIT Mathew Conrad used DaVinci Resolve Studio for on set grading.

Nominees that used DaVinci Resolve Studio during post-production

All the Beauty and the Bloodshed graded by Nat Jencks of PostWorks New York;
アルゼンチン、1985 graded by Luisa Cavanagh of Quanta Post;
アバター: 水の道 graded by Tashi Trieu of Lightstorm Entertainment;
バビロン graded by Matt Wallach of Company 3;
バビロン Assistant Editor Ryan Chavez used DaVinci Resolve Studio for title treatment and early color passes for select sequences. The editorial team also used the UltraStudio 4K Mini for on set projection and editorial work;
イニシェリンのバンシー graded by Adam Glasman and onlined by Guilhem Coulibaly at Goldcrest Post with on set work and dailies color by Cinelab Film and Digital;
バットマン graded by Philip Beckner of Fotokem;
ブラックパンサー：ワカンダ・フォーエバー graded by Tom Poole of Company 3;
エルヴィス graded by Colorists Kim Rene Bjørge and Kali Bateman and Supervising Colorist Brett Manson;
Empire of Light graded by James Slattery of Company 3;
Everything Everywhere All at Once Color Collective の Alex Bickel がグレーディング。
愛の火 graded by Steven Mercier of Post Moderne;
1年をどのように測りますか graded by Robert Arnold of RDAcolor;
Living graded by Joseph Bicknell of Company 3;
ナワリヌイ graded by Luke Cahill of Different by Design;
門の見知らぬ人 graded by Kath Raisch of Company 3;
TÁR graded by Tim Masick of Company 3;
トップガン：マーベリック graded by Stefan Sonnenfeld and Adam Nazarenko, second colorist, both of Company 3;
Triangle of Sadness graded by Oskar Larsson of Tint;
The Whale graded by Timothy Stipan of Company 3; and
Women Talking graded by Mark Kueper of Picture Shop.