Fujifilm, together with Mo-Sys, focuses on virtual production at NAB 2022

That virtual production is increasingly popular is evident in the stand that Fujifilm account in NAB 2022 together with Mo-sys where the potential for using lenses, tracking systems and LED walls in a virtual and augmented reality environment is demonstrated.

In Las Vegas you can see how the departure of eXtended data of the Mo-sys and Fujifilm series at NAB 2022 or the encoder UA18x5.5-S10, connected to the Mo-sys virtual reality engine allows you to create a totally realistic virtual reality in real time.

Together with Mo-Sys and APG Media, NAB shows how Fujinon lenses for film and television together with Mo-Sys StarTracker camera tracking technology and a next-generation LED wall with a pixel pitch of 1.5 mm APG Media, allow you to create a hyper-realistic virtual production environment film and television.

On the other hand, it is worth noting that Mo-sys is developing a new PT remote head with the Fujinon AF lens. This proposal eliminates the focusing problem arising from the delay in data transmission between the controller and the PT head (because they are a couple of hundred kilometers away), by using AF.

At NAB 2022, the trend to use film cameras in live production because the image quality is better in film camera. However, until now this option had not been widespread due to the lack of a cinema accessory that would allow broadcast-style filming. Now, a drive unit has the ability to use broadcast zoom/focus demand.

Other solutions

At NAB 2022, Fujinon exhibits a significant number of solutions that adapt to multiple environments within the world of production: the lens UA107x8.4AF (Auto Focus), designed for fast and accurate subject tracking performance, and is mounted on a remote head Mo-Sys U50; los objetivos de cine de gran formato de la serie Premista, los cuales se demuestran con la nueva unidad de accionamiento Chrosziel y Zeiss eXtended Data; los zooms broadcast portátiles de Fujinon, equipados con unidades de accionamiento digital S10 para dar soporte a las modernas necesidades de rodaje remoto y robótico; el objetivo broadcast UA125x8, compatible con 4K; la lente 4K portátil UA46x9.5 con expansor Super 35 Musashi, que ofrece un alcance de 24-1100 mm con un peso relativamente ligero, y controladores de zoom y enfoque actualizados para las lentes portátiles y de caja Fujinon.