Fujifilm, together with Mo-Sys, focuses on virtual production at NAB 2022

That virtual production is increasingly popular is evident in the stand that Fujifilm account in NAB 2022 together with Mo-sys where the potential for using lenses, tracking systems and LED walls in a virtual and augmented reality environment is demonstrated.

In Las Vegas you can see how the departure of eXtended data of the Mo-sys and Fujifilm series at NAB 2022 or the encoder UA18x5.5-S10, connected to the Mo-sys virtual reality engine allows you to create a totally realistic virtual reality in real time.

Together with Mo-Sys and APG Media, NAB shows how Fujinon lenses for film and television together with Mo-Sys StarTracker camera tracking technology and a next-generation LED wall with a pixel pitch of 1.5 mm APG Media, allow you to create a hyper-realistic virtual production environment film and television.

On the other hand, it is worth noting that Mo-sys is developing a new PT remote head with the Fujinon AF lens. This proposal eliminates the focusing problem arising from the delay in data transmission between the controller and the PT head (because they are a couple of hundred kilometers away), by using AF.

At NAB 2022, the trend to use film cameras in live production because the image quality is better in film camera. However, until now this option had not been widespread due to the lack of a cinema accessory that would allow broadcast-style filming. Now, a drive unit has the ability to use broadcast zoom/focus demand.

Other solutions

At NAB 2022, Fujinon exhibits a significant number of solutions that adapt to multiple environments within the world of production: the lens UA107x8.4AF (Auto Focus), designed for fast and accurate subject tracking performance, and is mounted on a remote head Mo-Sys U50; the Premista series large format cine lenses, demonstrated with the new drive unit Chrosziel y Zeiss eXtended Data; los portable broadcast zooms from Fujinon, equipped with S10 digital drive units to support modern remote and robotic filming needs; the broadcast objective UA125x8, 4K compatible; the portable 4k lens UA46x9.5 with Super 35 Musashi expander, offering a range of 24-1100mm with a relatively light weight, and czoom and focus controllers Updated for Fujinon portable and box lenses.