Esport Factory (Maze): electronic entertainment and production studios meet with Blackmagic
Blackmagic technology powers the broadcasts and daily audiovisual operations at Esport Factory (Maze), a dedicated eSports venue in Osnabrüc, Germany.
The Esport Factory centre stands as one of the first eSports facilities in Europe. Combining overnight accommodation, exclusive studios and a large space for hosting all kinds of events, the cross-cutting nature of this facility allows it to adapt to all kinds of contexts, as well as to offer customised services to numerous companies. For Marvin Rohmann, CEO of Maze, “Blackmagic technology has been fundamental to our success at the Esport Factory”. “It allows us to design efficient workflows and deliver top notch productions across all our gaming and esports projects,” he says.
Esport Factory’s audiovisual production is structured around a fully equipped control room with solutions that can be adapted to the needs of each client. As Rohmann says: “Effective signal distribution across our studios is crucial, especially for large scale productions where multiple spaces need to work seamlessly together. Blackmagic has been a key partner, enabling us to manage both the structural and technical demands of our facility.”
For live webcasts, Maze uses a variety of mixers, including ATEM Constellation 8K models, as well as macro-controlled Videohub switching matrices. This system allows Maze to tackle highly complex projects, such as the Twitch broadcast of the Friendly Fire charity event, which this year alone attracted more than 800,000 viewers and raised almost two million euros.
The production team also receives numerous signals in this control room, including those from cameras in the mobile unit, a studio and the stage, as well as those from Facecam devices or the games themselves: “We rely on an array of Blackmagic hardware, from the Micro Studio Camera 4K G2 for capture to the Smart Videohub CleanSwitch 12×12 and MultiView 16, which let us decide which signals to send to the vision mixer at any given moment.”
Noticias relacionadas:
DoP Blake McClure shoots his next project with Blackmagic's URSA Cine 17K 65
The rebirth of Marvel and other big summer hits, created with Blackmagic Design
Canal+ brings MotoGP to a new immersive experience for Apple Vision Pro with Blackmagic Design
How ‘The Substance’, the unexpected gore phenomenon starring Demi Moore, got its color grading
Anthony Rose: creating the BTS of blockbuster movies with Blackmagic
Blackmagic's new Pyxis 6K takes its first steps with latest Rossetto Campaign
Blackmagic Design to market the Blackmagic URSA Cine 12K body only
Alien: Romulus' space terror amplifies its visual impact with DaVinci Resolve Studio
Disney+ documentary ‘Shark Attack 360’, created with composer Ultimatte (Blackmagic)
Sean McNamara's ‘Reagan’ biopic, shot and post-produced with Blackmagic Design
Hamil Bros. shoots latest Champion Xpress ad campaign with Blackmagic
The Look: full transition to DaVinci for all post-production projects
Coachella Festival 2024: concert streaming with a Blackmagic workflow
Blackmagic Camera app lands on Android
Blackmagic introduces URSA Cine Immersive camera: 8K stereoscopic 3D for Apple Vision Pro
Real-time cloud synchronization for broadcast with Blackmagic Cloud Live Sync
¿Te gustó este artículo?
Suscríbete a nuestro NEWSLETTER y no te perderás nada.



