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Reports

Los drones y la producción audiovisual: 10 preguntas y respuestas

Drones and audiovisual production: 10 questions and answers
14 July 2022

[+]

In recent times, the use of drones in the filming has multiplied. Ignacio Espinosa, manager of Dronemadrid (Grupo Aflow Movement), traces ...

El futuro de Ciudad de la luz, al descubierto: rodajes en octubre, auditoría, espacios para services…

The future of the City of Light, uncovered: filming in October, auditing, spaces for services...
7 July 2022

[+]

Antonio Rodés, General Director of the Society Thematic Projects of the Valencian Community (SPTCV) and responsible for the City of Luz Project, advances which ...

Luis Ángel Pérez (AEC): del rupturismo de ‘La Piedad’ a la solvencia de ‘Supernormal’

Luis Ángel Pérez (AEC): from the rupture of 'La Piedad' to the solvency of 'Supernormal'
30 June 2022

[+]

“Even though the script is shit, I defend it to the death.” This is not the case with the vast majority of jobs in which...

‘Historias para no dormir’: un renacer cargado de desafíos inéditos

'Stories to keep you from sleeping': a rebirth full of unprecedented challenges
23 June 2022

[+]

The reboot of Stories to Not Sleep, inspired by the eternal format of Chicho Ibáñez Serrador, has brought unprecedented challenges to Spanish production. ...

UGC en el broadcast: claves, soluciones tecnológicas y peligros

UGC in broadcast: keys, technological solutions and dangers
16 June 2022

[+]

The UGC or CGU (User Generated Content) has experienced a gigantic explosion thanks to technological democratization and its own audiovisual education...

5 tecnologías que marcarán (o no) el futuro de las salas de cine

5 technologies that will mark (or not) the future of movie theaters
9 June 2022

[+]

Movie theaters are, in themselves, an experience. But while solution makers are inviting consumers to...

Footters: producción remota y automatizada para difundir el fútbol más auténtico

Footters: remote and automated production to spread the most authentic football
2 June 2022

[+]

Since 2017, the Footters team has squeezed the possibilities of Broadcast solutions to produce thousands of football meetings of all ...

Aragón TV y el HD: una historia de vanguardia y ambición

Aragón TV and HD: a story of avant-garde and ambition
26 May 2022

[+]

Laura San Nicolás Lapuente, technical director of Aragón TV, reviews the journey of the transition from the public entity to HD, which will be completed by ...

Teleonuba: compartiendo la pasión por el Recreativo de Huelva con tecnología Blackmagic

Teleonuba: compartiendo la pasión por el Recreativo de Huelva con tecnología Blackmagic
19 May 2022

[+]

El veterano Recreativo de Huelva, fundado en 1889, mantiene una amplísima base de seguidores a pesar de haber militado durante la presente temporada en ...

TikTok, el audiovisual y el broadcast: una guía para un nuevo universo

TikTok, audiovisual and broadcast: a guide to a new universe
12 May 2022

[+]

Its possibilities are endless, as is its growth perspective, expanding more and more age groups as the months go by. TikTok...

Existir para ser necesario: el paradigma tras el nuevo estudio multimedia de Radio Galega (CRTVG)

Existing to be necessary: the paradigm behind the new multimedia studio of Radio Galega (CRTVG)
5 May 2022

[+]

Tania Fernández Lombao, head of programmes at Radio Galega (CRTVG), addresses the main technological and conceptual keys to the corporation's new multimedia studio. ...

Regreso al pasado: la tecnología con la que ‘Lo de Évole’ ha resucitado la televisión de los 90

Back to the past: the technology with which 'Lo de Évole' has resurrected 90s television
28 April 2022

[+]

Con motivo de la entrevista de Jordi Évole a la periodista Julia Otero, Lo de Evole (Producciones del Barrio) propuso un interesante acabado visual ...

Creando un formato exclusivo para YouTube desde cero: el caso de Gallery Sessions

Creando un formato exclusivo para YouTube desde cero: el caso de Gallery Sessions
21 April 2022

[+]

White Horse, Folch Studio y Record Play UK impulsaron hace apenas un año las Gallery Sessions, un contenido exclusivo de YouTube, pero con difusión ...

La nueva era de la innovación en RTVE: plataformas abiertas, redacción automática, el imperio del dato…

The new era of innovation in RTVE: open platforms, automatic writing, the empire of the data ...
8 April 2022

[+]

Urbano García Alonso, director de innovación y digital de RTVE, aborda en una extensa conversación el presente y futuro de la radiotelevisión pública, el ...

¿Cómo se transforma un podcast en un formato televisivo? El caso de ‘Mi año favorito’

How is a podcast transforms into a television format? The case of ‘My favorite year’
31 March 2022

[+]

José Miguel Contreras, socio fundador de Lacoproductora (y profesional con una dilatada experiencia en compañías como Canal+, Globomedia, La Sexta o Atresmedia), aborda la ...

NFT y el mundo audiovisual: ¿el futuro o una cortina de humo más?

NFT y el mundo audiovisual: ¿el futuro o una cortina de humo más?
24 March 2022

[+]

Durante los últimos tiempos, nombres destacados del audiovisual han afirmado que los NFT (Non-Fungible-Tokens) podrían representar una fantástica vía de ingresos por parte de ...

Pablo Rosso: fotografiando el universo de Álex de la Iglesia (’30 monedas’, ‘Veneciafrenia’)

Pablo Rosso: photographing the universe of Álex de la Iglesia (’30 coins ’,‘ Venicefrenia ’)
17 March 2022

[+]

Pablo Rosso, director de fotografía de dos de las últimas obras de Álex de la Iglesia, la serie 30 monedas y la inminente Veneciafrenia, desvela ...

Audio inmersivo en MotoGP: el camino de Dorna Sports

Immersive audio in MotoGP: the path of Dorna Sports
10 March 2022

[+]

Dorna Sports is firmly facing a path of technological innovation that will lead them to be able to offer an immersive audio signal by 2024. ...

8 consideraciones técnicas de la retransmisión de la Copa del Rey de Baloncesto 2022

8 Technical considerations of the retransmission of the Copa del Rey of Basketball 2022
24 February 2022

[+]

Alfredo Berdún, technical head of mobile units at Telefónica Broadcast Services (TBS) and responsible for the production of the Copa del Rey de Baloncesto ...

Metaverso y broadcast: ¿Dos mundos obligados a entenderse?

Metaverso and Broadcast: Two worlds forced to understand each other?
17 February 2022

[+]

El metaverso, impulsado por la evolución de Facebook a Meta, está en boca de todos. Pero, ¿realmente hay una gran oportunidad para la industria ...

En los recovecos del true crime: el caso de ‘Lucía en la telaraña’ (RTVE Play)

In the recesses of true crime: the case of 'Lucía en la web' (RTVE Play)
10 February 2022

[+]

Sofía Urwitz, realizadora y directora de fotografía de Lucía en la Telaraña (RTVE Play), desvela todas las claves de la producción, poniéndola en contexto ...

TV Azteca: las 8 claves que definirán el futuro de la televisión

TV Azteca: the 8 keys that will define the future of television
3 February 2022

[+]

Pedro Carmona Ortiz, director de tecnología de TV Azteca, traslada toda la actualidad de la televisión mexicana y adelanta 8 claves que darán forma ...

Televisión Canaria y la cobertura del volcán de La Palma: la historia desde dentro

Canarian television and the coverage of the La Palma volcano: the story from within
27 January 2022

[+]

Óscar Fernández, director of Television Production of Canarian, reveals all the details on how the coverage of the eruption of the volcano of ...

Juan A. Fernández, vicepresidente de AEC: entre el cine de ficción y el cine científico

Juan A. Fernández, Vice President of AEC: between fiction cinema and scientific cinema
24 January 2022

[+]

Juan A. Fernández, vicepresidente de AEC, miembro del comité técnico de Imago ITC, co-chairman de Imago Optics Council y profesor de cinematografía en AFILM ...

Carlos Rigo: rompiendo la perfección del vídeo en la fotografía de ‘Cardo’

Carlos Rigo: breaking the perfection of the video in the photography of 'Cardo'
20 January 2022

[+]

Carlos Rigo Bellver, director de fotografía, desvela todas las claves de la filmación de Cardo, producción de Atresmedia TV, Buendía Estudios y Suma Latina (Suma ...

EITB Media: nueva etapa radiofónica con un sistema de producción preparado para el futuro

EITB Media: New radio stage with a production system prepared for the future
13 January 2022

[+]

El presente y futuro de la radio de EITB Media pasa por un nuevo sistema de Dalet que coordinará todo el flujo técnico de ...

TBS supera con nota el reto de la producción multisede de la Copa Davis

TBS exceeds with note the challenge of multise production of the Davis Cup
17 December 2021

[+]

La Federación Internacional de Tenis (ITF) y Kosmos, la compañía de eventos deportivos creada por Gerard Piqué, han vuelto a confiar en Telefónica Broadcast ...

De la radio a la pantalla: el recorrido de Cadena SER en la radio visual con ‘La vida moderna’, ‘Estirando el chicle’…

From radio to the screen: the chain route being on the visual radio with ‘Modern life’, ‘stretching the gum’…
16 December 2021

[+]

La Cadena SER ha marcado un antes y un después en el podcast español dotando de vídeo a sus formatos de humor y creando ...

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Agenda

  • » INTERBEE 2025
    19 11 2025 - 21 11 2025 | Tokyo (Japan) | Fair
    » more info
  • EITB renews its news set and the main Radio Euskadi studio, betting on spectacularity
  • Mediaset reaches an agreement with the NFL to broadcast the historic Madrid Game and Super Bowl LX
  • RTVE will launch its Catalan channel on October 13: this is the 2Cat
  • Spotify's path in podcasts: from the era of originals to the video revolution
  • The BBC Player platform debuts in Spain with Movistar Plus+
  • CrossMedia plays a key role in the consolidation of RTVE Play
  • Luis Oliveira: “Datos Media and VANTeC promote an independent business unit specialized in BMS”
  • Yamaha to take over Steinberg's hardware business
  • The production of 376 feature films in 2024 certifies the success of the Spain Audiovisual Hub model
  • Sony and Visual Media Spain integrate digital cinema in Multicámara production of the Dellafuente concert

Most read of the last 30 days

  • Who is who in the new management organization chart of RTVE
  • Pioneer technology on the new 3Cat news set
  • RTVE breaks barriers in virtual production with Unreal Engine
  • Creating for content creators: an audiovisual market to exploit
  • Trends and future of movement systems in Broadcast environments
  • Ross: A look at integrated news flows and automation potential
  • Warner Bros. Discovery separates into two companies: study and streaming, and television
  • The Floor (RTVE): the technical keys to a unique staging
  • Pedro Almodóvar begins the filming of ‘Bitter Christmas’
  • Ted Saraonds (Netflix): «For the next four years we will invest more than one billion euros in Spain»

RSS Last minute with Europa Press

  • It only takes a few malicious documents to "poison" an AI model
  • Google defends the use of Gemini on YouTube and Maps against the veto proposed by the US Department of Justice
  • YouTube will give canceled creators a second chance
  • Netflix se lanza a los videojuegos para TV con 5 nuevos 'party games'
  • We tested Google Pixel Buds 2a: everyday headphones with clear sound and good isolation with noise cancellation
  • We tried the roborock q10 s5+, which is called to be a brand sales of the brand
  • We tested OnePlus Nord 5, a very attractive option of the mid -range that stands out for its performance, drums and photography
  • How to connect my mobile to the wifi without having to put the password: three fast and easy methods
  • Thus you can prevent Facebook from accessing the photos of the mobile with your AI to make suggestions
  • So you can join the extended security updates program for Windows 10
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