'The Consul of Sodom', immersive atmosphere in Super 16mm20 January 2010 [+] With photography by José David Montero, Sigfrid Monleón's new film was shot in Super 16mm with Kodak Vision film. EPC supplied...
How to operate the Canon D5 and D7 as if it were a professional HD camcorder?14 January 2010 [+] The Canon D5 and D7 are much more than a camera. Many video professionals are carrying out interesting shoots with...
EPC in the Goya finalist films13 January 2010 [+] Many of the films that will compete at the XXIV edition of the Goya Awards have used EPC equipment in their filming. 'After', 'The...
'V Extraterrestrial Invasion': the lizards return with D-213 December 2009 [+] 'V' cinematographer Stephen Jackson is making the most of the ARRIFlex D-21 by incorporating numerous green chroma visual effects. ...
Kodak teaches a 16mm Film Workshop in Alcalá de Henares23 November 2009 [+] The directors of photography Randall J. Tack and Jesús Haro coordinated, coinciding with the Alcalá de Henares Festival, a Film Workshop in ...
Camera on the shoulder and S16, the basis of Alfonso Postigo in 'Yo, also'9 November 2009 [+] "I think the director of photography should be a support for the director. At the end of the day, what our...
ARRI Relativity, full control over texture and timing2 June 2009 [+] ARRI introduces a powerful new suite of software tools that offers unprecedented control of texture and timing using...
Texture control for digital intermediation21 April 2009 [+] ARRI, in collaboration with Cinnafilm, develops software that provides full manipulation and interactive control of image texture in processes...
