El 16Digital SR Mag de P+S Technik, en fase de pruebas14 April 2010 [+] Este año P+S Technik tiene previsto dar el gran salto a la resolución digital con el esperado lanzamiento del grabador 16Digital SR Mag, actualmente ...
Alexa, ARRI's new digital camera, dazzles NAB14 April 2010 [+] Simplicity, immediate access to ProRes 422 and 444 brings a new level of productivity for professionals in the film market and...
Play of lights and whites in 'The Griffon'8 April 2010 [+] With photography by Juan Carlos Gómez and direction by Denis Rovira, Continental Producciones shoots an interesting short film with an ARRIFlex D21 supplied by EPC...
'The Pacific': the most expensive series on television returns to 35mm.15 March 2010 [+] Set during the American intervention in the Pacific in World War II, Canal+ premieres today 'The Pacific', the series, produced by HBO, Playtone...
'The Consul of Sodom', immersive atmosphere in Super 16mm20 January 2010 [+] With photography by José David Montero, Sigfrid Monleón's new film was shot in Super 16mm with Kodak Vision film. EPC supplied...
¿Cómo operar con la Canon D5 y D7 como si fuera un camcorder HD profesional?14 January 2010 [+] Las Canon D5 y D7 son mucho más que una cámara de fotos. Muchos profesionales del vídeo están llevando a cabo interesantes rodajes con ...
EPC en las películas finalistas a los Goya13 January 2010 [+] Muchas de las películas que concurrirán a la XXIV edición de los Premios Goya han utilizado en su rodaje equipamiento de EPC. ‘After’, ‘El ...
'V Extraterrestrial Invasion': the lizards return with D-213 December 2009 [+] ‘V’ cinematographer Stephen Jackson is making the most of the ARRIFlex D-21 by incorporating numerous green chroma visual effects. ...
Kodak teaches a 16mm Film Workshop in Alcalá de Henares23 November 2009 [+] The directors of photography Randall J. Tack and Jesús Haro coordinated, coinciding with the Alcalá de Henares Festival, a Film Workshop in ...
Camera on the shoulder and S16, the basis of Alfonso Postigo in 'Yo, also'9 November 2009 [+] "I think the director of photography should be a support for the director. At the end of the day, what our...
ARRI Relativity, full control over texture and timing2 June 2009 [+] ARRI introduces a powerful new suite of software tools that offers unprecedented control of texture and timing using...
Texture control for digital intermediation21 April 2009 [+] ARRI, in collaboration with Cinnafilm, develops software that provides full manipulation and interactive control of image texture in processes...
