EPC in the Goya finalist films13 January 2010 [+] Many of the films that will compete at the XXIV edition of the Goya Awards have used EPC equipment in their filming. 'After', 'The...
'V Extraterrestrial Invasion': the lizards return with D-213 December 2009 [+] 'V' cinematographer Stephen Jackson is making the most of the ARRIFlex D-21 by incorporating numerous green chroma visual effects. ...
Kodak teaches a 16mm Film Workshop in Alcalá de Henares23 November 2009 [+] The directors of photography Randall J. Tack and Jesús Haro coordinated, coinciding with the Alcalá de Henares Festival, a Film Workshop in ...
Camera on the shoulder and S16, the basis of Alfonso Postigo in 'Yo, also'9 November 2009 [+] "I think the director of photography should be a support for the director. At the end of the day, what our...
ARRI Relativity, full control over texture and timing2 June 2009 [+] ARRI introduces a powerful new suite of software tools that offers unprecedented control of texture and timing using...
Texture control for digital intermediation21 April 2009 [+] ARRI, in collaboration with Cinnafilm, develops software that provides full manipulation and interactive control of image texture in processes...
