La programmation de films d'été bénéficie des solutions Blackmagic Design

A selection of Blackmagic Design products have been used on many of the major productions that have been released this summer.

Beyond the use of different models of digital cameras during the production of the films, the main protagonist has been again the DaVinci Resolve Studio software, used by Jaimie O'Bradovich (Company 3) in Wreewolves Within, Alex Noble (Wild Union Post) in Brailler et Joe Gawler (Harbor) in Après cela, among other films. Blackmagic Design solutions have also been used in blockbusters such as The Green Knight, Jungle Cruise, Spiral et Cruelle.

Various matrices, monitors, capture and playback devices or Mini-convertisseur units have also been used to facilitate the production of films of different genres, such as Old ou Bonhomme de bonbons.

Feature films made with Blackmagic Design solutions

Bonhomme de bonbons DIT James Notari used UltraStudio 4K recorders, Smart VideoHub 12×12 et SmartView Duo for his onset work;

CODA DIT Leonard A. Mazzone used Hub vidéo intelligent 16×16 et UltraStudio 4K for his onset work;

A bas le roi DP Daniel Vecchione and Director Diego Ongaro used two Pocket Cinema Camera 6Ks and two Video Assist 12G HDRs for principal photography;

Don’t Breathe 2 cinematographer Pedro Luque used Caméra de cinéma de poche for unique angles during production, and DIT Veljko Vukasovic used DaVinci Resolve Studio, UltraStudio 4K Extreme, Mini Monitor et Mini-enregistreur for his onset work;

Free Guy DIT Daniel A Hernandez used DaVinci Resolve Studio et UltraStudio capture and playback devices for onset work;

Faux positif Visual Effects Supervisor John Bair of Phosphene used Caméra de cinéma de poche 6K et DaVinci Resolve Studio to capture VFX elements and plates, and VFX Supervisor Alex Noble of Wild Union Post used DaVinci Resolve Studio as part of his VFX workflow;

F9 DIT Joe Steel used UltraStudio Mini capture and playback devices, Hub vidéo intelligent et DaVinci Resolve Studio for onset work.

Jungle Cruise DIT Jason Bauer used Hub vidéo intelligent 20×20, Decklink Duo, various Microconvertisseurs et DaVinci Resolve Studio on set;

Old editor Brett M. Reed used UltraStudio 4K Mini;

Stillwater DIT Daniel A Hernandez used DaVinci Resolve Studio et UltraStudio for onset work;

Le meurtre de deux amants cinematographer Oscar Ignacio Jimenez used DaVinci Resolve Studio for onset dailies review;

The Water Man DIT Sean Rawls used Hub vidéo intelligent 20×20, Multiview 4 HD, Decklink 4K Pro, Decklink HD Extreme 3D, Blackmagic Video Assist 7″ 3G, UltraStudio HD Mini, UltraStudio Recorder 3G et DaVinci Resolve Studio onset;

Loups-garous à l'intérieur DIT Brandon Kelley used DaVinci Resolve Studio, UltaStudio Mini Monitor, UltraStudio Mini Recorder et Teranex;

Wrath of Man DIT Daniele Colombera used a variety of Blackmagic Design capture and playback devices, Mini convertisseur, mini moniteur, SmartScope Duo, Smart Videohub et DaVinci résoudre for on set work.

Editing and color grading with DaVinci Resolve Studio

Toutes les rues sont silencieuses graded by Samuel Gursky of Irving Harvey;

Après cela graded by Joe Gawler at HARBOR;

Veuve noire graded by Jill Bogdanowicz at Company 3;

Cruelle graded by Tom Poole at Company 3;

A bas le roi graded by Alex Berman at Goldcrest Post;

Dream Horse graded by Rob Pizzey at Goldcrest Post Production;

The Green Knight graded by Alastor Arnold at FotoKem;

Dans la Terre graded by Rob Pizzey at Goldcrest Post Production;

Spiral graded by Joanne Rourke at Company 3,

Stillwater graded by Tom Poole at Company 3;

Le meurtre de deux amants was graded by Drew Tekulve, and the film was edited with DaVinci Resolve Studio by Robert Machoian at 433 Pictures;

The Protégé graded by Vanessa Taylor at Nu Boyana Studios, London;

The Hitman’s Wife’s Bodyguard graded by Vanessa Taylor at Nu Boyana Studios, London;

Loups-garous à l'intérieur graded by Jamie OBradovich at Company 3.

Visual effects with DaVinci Resolve Studio or Fusion Studio

Attrapez le juste Visual Effects Supervisor Lucien Harriot of Mechanism Digital used Fusion Studio for VFX work;

Brailler Visual Effects Supervisor Alex Noble of Wild Union Post used DaVinci Resolve Studio as part of his VFX workflow;

Joe Bell Visual Effects Supervisor George Loucas of Baked Studios used DaVinci Resolve Studio as part of his VFX workflow;

The Loneliest Whale: The Search for 52 Visual Effects Supervisor Alex Noble of Wild Union Post used DaVinci Resolve as part of his VFX workflow;

Spiral Executive Producer Martín López Funes of Malditomaus used DaVinci Resolve Studio and Fusion Studio for the film’s visual effects under the leadership of VFX supervisor Jon Campfens of Switch VFX;

Loups-garous à l'intérieur Visual Effects Supervisor Lucien Harriot of Mechanism Digital used Fusion Studio for VFX work;

Zola Visual Effects Supervisor Alex Noble of Wild Union Post used DaVinci Resolve Studio as part of his VFX workflow.