夏季电影阵容受益于 Blackmagic Design 解决方案

A selection of Blackmagic Design products have been used on many of the major productions that have been released this summer.

Beyond the use of different models of digital cameras during the production of the films, the main protagonist has been again the 达芬奇解决工作室 software, used by 杰米·奥布拉多维奇 (Company 3) in Wreewolves Within, 亚历克斯·诺布尔 (Wild Union Post) in 抱怨和 乔·高勒 (Harbor) in 在那之后, among other films. Blackmagic Design solutions have also been used in blockbusters such as The Green Knight, Jungle Cruise, 螺旋和 克鲁埃拉。

Various matrices, monitors, capture and playback devices or 迷你转换器 units have also been used to facilitate the production of films of different genres, such as Old 或者 糖果人。

Feature films made with Blackmagic Design solutions

糖果人 DIT James Notari used UltraStudio 4K recorders, Smart VideoHub 12×12 和 智能视景二重奏 for his onset work;

结尾 DIT Leonard A. Mazzone used 智能视频中心 16×16 和 超工作室4K for his onset work;

打倒国王 DP Daniel Vecchione and Director Diego Ongaro used two Pocket Cinema Camera 6Ks 和两个 Video Assist 12G HDRs for principal photography;

Don’t Breathe 2 cinematographer Pedro Luque used 袖珍电影摄影机 for unique angles during production, and DIT Veljko Vukasovic used 达芬奇解决工作室, UltraStudio 4K 至尊, Mini Monitor 和 迷你录音机 for his onset work;

自由人 DIT Daniel A Hernandez used 达芬奇解决工作室 和 超工作室 capture and playback devices for onset work;

误报 Visual Effects Supervisor John Bair of Phosphene used 袖珍影院摄像机 6K 和 达芬奇解决工作室 to capture VFX elements and plates, and VFX Supervisor Alex Noble of Wild Union Post used 达芬奇解决工作室 as part of his VFX workflow;

F9 DIT Joe Steel used UltraStudio迷你版 capture and playback devices, 智能视频中心 和 达芬奇解决工作室 for onset work.

Jungle 巡航 DIT Jason Bauer used 智能视频中心20×20, 甲板链接二重奏, various 微型转换器 和 达芬奇解决工作室 on set;

Old editor Brett M. Reed used UltraStudio 4K 迷你;

Stillwater DIT Daniel A Hernandez used 达芬奇解决工作室 和 超工作室 for onset work;

杀害两个恋人 cinematographer Oscar Ignacio Jimenez used 达芬奇解决工作室 for onset dailies review;

The Water Man DIT Sean Rawls used 智能视频中心20×20, Multiview 4 HD、Decklink 4K Pro、Decklink HD Extreme 3D、Blackmagic Video Assist 7" 3G、UltraStudio HD Mini、UltraStudio Recorder 3G 和 达芬奇解决工作室 onset;

狼人之内 DIT Brandon Kelley used DaVinci Resolve Studio, UltaStudio Mini Monitor, UltraStudio Mini Recorder 和 泰拉尼克斯;

Wrath of Man DIT Daniele Colombera used a variety of Blackmagic Design capture and playback devices, 迷你转换器、迷你显示器、SmartScope Duo、智能 Videohub 和 达芬奇决心 for on set work.

Editing and color grading with DaVinci Resolve Studio

所有的街道都寂静无声 graded by Samuel Gursky of Irving Harvey;

在那之后 graded by Joe Gawler at HARBOR;

黑寡妇 graded by Jill Bogdanowicz at Company 3;

克鲁埃拉 graded by Tom Poole at Company 3;

打倒国王 graded by Alex Berman at Goldcrest Post;

Dream Horse graded by Rob Pizzey at Goldcrest Post Production;

The Green Knight graded by Alastor Arnold at FotoKem;

在地球上 graded by Rob Pizzey at Goldcrest Post Production;

螺旋 graded by Joanne Rourke at Company 3,

Stillwater graded by Tom Poole at Company 3;

杀害两个恋人 was graded by Drew Tekulve, and the film was edited with DaVinci Resolve Studio by Robert Machoian at 433 Pictures;

门徒 graded by Vanessa Taylor at Nu Boyana Studios, London;

The Hitman’s Wife’s Bodyguard graded by Vanessa Taylor at Nu Boyana Studios, London;

狼人之内 graded by Jamie OBradovich at Company 3.

Visual effects with DaVinci Resolve Studio or Fusion Studio

抓住公平的人 Visual Effects Supervisor Lucien Harriot of Mechanism Digital used Fusion Studio for VFX work;

抱怨 Visual Effects Supervisor Alex Noble of Wild Union Post used DaVinci Resolve Studio as part of his VFX workflow;

Joe Bell Visual Effects Supervisor George Loucas of Baked Studios used DaVinci Resolve Studio as part of his VFX workflow;

The Loneliest Whale: The Search for 52 Visual Effects Supervisor Alex Noble of Wild Union Post used DaVinci Resolve as part of his VFX workflow;

螺旋 Executive Producer Martín López Funes of Malditomaus used DaVinci Resolve Studio and Fusion Studio for the film’s visual effects under the leadership of VFX supervisor Jon Campfens of Switch VFX;

狼人之内 Visual Effects Supervisor Lucien Harriot of Mechanism Digital used Fusion Studio for VFX work;

佐拉 Visual Effects Supervisor Alex Noble of Wild Union Post used DaVinci Resolve Studio as part of his VFX workflow.