呃！英国使用 Blackmagic 的紧凑现场制作工作流程交付了奥斯卡观看派对

网络广播公司 Alex Pettitt 使用了紧凑的现场制作工作流程，其中包括 ATEM Television Studio HD、HyperDeck Studio Mini 和 Blackmagic Web Presenter。

多产的网络广播员 Alex Pettitt 为广播公司 E! 进行了 Facebook 直播！英国的奥斯卡观看派对使用紧凑的现场制作工作流程，包括 ATEM Television Studio HD、HyperDeck Studio Mini 和 Blackmagic Web Presenter。

呃！为许多备受瞩目的颁奖典礼举办“观看派对”，其中名人被邀请到一家豪华酒店，对所有红地毯动作做出即时反应。然后，内容会实时传输到广播公司的社交媒体上，与粉丝互动并鼓励他们加入对话。

亚历克斯对奥斯卡颁奖典礼的要求是提供流畅且有趣的网络直播，这将有助于吸引观众观看该频道对活动的线性报道并继续观看。考虑到酒店套房的位置，E！ UK 明确表示空间非常宝贵，但 Alex 不能在制作质量上妥协。

“制作区域足够大，可以挤进一张支架桌供我和一位同事工作，所以我知道 Blackmagic 的新网络广播套件将是完美的解决方案，”Alex 解释道。 '一开始，我认为是E！团队担心我只带了一个小行李箱，里面不仅有直播工具包，还有我第二天要穿的衣服！但当所有东西都被拆开包装并在短短几分钟内准备好后，这种感觉很快就变得令人惊讶，他们看到了该套件所提供的令人惊叹的品质。

Three camera sources were fed into the ATEM Television Studio HD, which was controlled by both software and from its front panel buttons. To save further space, Alex made use of the 7′ Blackmagic Video Assist 4K as his multiview monitor during the production. ‘It was the perfect size to see all of the inputs and the preview/program screens, and as a bonus, we fed the audio from the unit into a mini speaker so the production team could hear the live studio audio.’

Blackmagic Web Presenter

The ATEM’s program out was fed into a Blackmagic Web Presenter to convert the live broadcast to 720p, where it was output over USB to a Mac running OBS for distribution via E!’s Facebook page. A clean camera feed from the AUX out was also recorded in ProRes to SD cards using the HyperDeck Studio Mini allowing Alex to produce additional social media clips and teasers as the night unfolded.

‘The ATEM Television Studio HD is a brilliant bit of kit. Having full control via the front panel and source buttons means you can do everything on the switcher itself, so if you had no room for an additional laptop, you could still deliver a professional multicam broadcast,’ concludes Alex.

‘The switcher performed flawlessly during the web broadcast while the HyperDeck Studio Mini and Blackmagic Web Presenter proved incredibly straightforward and easy to set up and operate. Simply put, we couldn’t have delivered this production without Blackmagic, as it met our budget and space requirements perfectly.’