采用 Blackmagic Design 工作流程的 Scorpions 世界巡演

URSA Broadcast G2 cameras and an ATEM Constellation 8K mixer from Blacmagic Design are proving to be an essential element in the multi-camera production of the Scorpions’ Rock Believer world tour.

这 Rock Believer World Tour follows the band’s Las Vegas residency at Planet Hollywood’s Zappos Theater, with Manfred Nikitser developing the creative concept, including video design and lighting.

“制作设计的一个关键考虑因素是演出必须在 Zappos 剧院和竞技场巡演日期进行，”尼基瑟开始说道。 “同样，Zappos 的舞台比传统场馆更宽，形状更呈椭圆形，这在开发视频概念时也提出了挑战。”

现场视频元素是围绕多摄像头设置设计的，其中包括 五个 URSA Broadcast G2 摄像机。其中两个是长镜头 (99x) 的前场 (FOH) 摄像机，以及三个用于低角度动态拍摄的附加坑摄像机。

“We did a lot of research into the sensor upfront and were impressed with the camera’s low-light performance,'” says Nikitser. “Likewise, we also employ the accompanying camera and studio fiber converters, with everything controlled using the ATEM Camera Control Panel. The workflow’s cabling requirements are much lower than other SMPTE systems.”

所有实时摄像机信号都通过 Smart Videohub 40×40 12G 路由器馈送到 ATEM星座8K。 “矩阵允许我将其发送到外部多视图单元，并直接输出到媒体服务器，”Niitser 指出。

节目源和一个 FOH 摄像机源（作为舞台的广角镜头捕获）是使用多个 HyperDeck Studio HD Plus 广播甲板。

LED屏

The tour’s LED screen setup is based on a rear screen and two IMAG screens in portrait mode left and right of the stage, all of which are fed outputs from a series of media servers. “This means we are sending multiple outputs of the ATEM Constellation via SDI into our media server where they are manipulated before they go on to the screens.”

The entire show is programmed into CuePilot, which feeds commands to the production switcher. “Each operator has a tablet and camera, and they can see when their next cut is and for how long. So, wherever the audience looks, they see something different,” explains Nikitser.

“我们实际上正在为每个单独的屏幕制作一系列迷你视频混合，”他继续说道。 “我使用媒体服务器中的效果来安排每个摄像机源出现的位置。然而，真正的魔力发生在使用切换器的四个混合层时，这些混合层都是同时操作的。最重要的是，我可以通过灯光控制台更改任何剪辑。”

“我们用少量的技术举办了一场非常复杂的演出，既灵活又可靠。目前没有其他巡演作品具有这样的设置，”尼基瑟总结道。 “尽管很复杂，但我们已经实施了一个稳定且简单的系统，确保我们能够专注于提供令人惊叹的性能。”