Panorama Audiovisual increased its unique visitors by 65.2% in 2011

Panorama Audiovisual closes 2011 as the absolute leader in professional information on broadcast, cinema and new media with more than 669,000 visits and 492,000 unique users who read close to a million pages.

2011 could be described as an excellent year for Panorama Audiovisual as it consolidates itself as an absolute leader in professional information specialized in broadcast, cinema and new media. In 2011, its Spanish edition alone reached, according to Google Analytics data, an audience of 669,752 visits and 492,071 unique users. These figures represent an increase of 57.8 and 65.2% in 2011 compared to 2010.

Panorama Audiovisual closes the year close to one million page views since our readers accessed a total of 980,257 pages.

According to Google Analytics, all these readers came from 205 countries/territories, the vast majority from Spain, Latin America and other countries such as Japan, the US, France and Italy whose users access the respective native versions (in the case of Spain or Latin America) or under automatic translation into a dozen languages.

The world ranking Alexa, a company owned by Amazon, gives Panorama Audiovisual the world leadership of specialized broadcast websites, even above historical international newspapers in the sector published in English.

To the audiences of Panorama Audiovisual.com we should also add those corresponding to the specific edition for the Brazilian market (PanoramaAudiovisual.com.br), country in which Panorama Audiovisual was launched for the first time last year. This edition, like the one specific to Latin America, is published in multi-media (paper, online and iPad) thanks to the joint venture that the publishing company of Panorama Audiovisual, Underwood Comunicación, reached at the beginning of the year with the Brazilian VP Group.

Digital AV

2011 has also closed with the launch in Spain by Underwood Communication of Digital AV, a new medium specialized in audiovisual solutions focused on non-broadcast professional environments and that collects permanently updated information on AV applications in digital signage, dynamic advertising, telepresence, museums, augmented reality, simulation... and, ultimately, in all those areas outside radio and television broadcasting that make more use of audiovisuals every day.