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Final Cut Pro X now supports native RED RAW files

The RED camera's support for the native REDCODE RAW editing format and optional background transcoding to Apple ProRes will undoubtedly speed up working with materials from the RED.

The new version of Final Cut Pro X 10.0.6 will facilitate the workflow for RED camera users with real-time support for all R3D files.

By installing RED Apple Workflow Installer 2.0 it will be possible to import files and metadata in R3D format, modify the RED RAW configuration and export XML files. XML version 1.2 includes metadata import and export for more complete integration with third-party applications.

The RED camera's support for the native REDCODE RAW editing format and optional background transcoding to Apple ProRes will undoubtedly speed up working with materials from the RED.

The new version includes a unified import window for transferring content from both file-based cameras and file folders. It supports Canon DSLR camera cards so it will finally be possible to import only the raw fragments that we want.

MXF module support that allows you to work natively (from import to delivery) with MXF files using third-party modules.

Other features

Among other features of the new version of FCPX, we also find the possibility of expanding multichannel audio files directly in the timeline for greater precision when editing individual audio channels. It also allows editing of multiple audio channels in the storyline.

Range selection now maintains the start and end points of the event browser and allows you to create multiple range selections in a single clip.

Flexible clip connection allows you to maintain the position of connected clips when you skip, slide, or move clips in the main storyline. It also offers editing of multiple audio channels in the storyline, the ability to add a freeze frame to the timeline with a single press, and new controls for combining audio from multiple angles into a MultiCam clip.

Finally, highlight the option to correct stereoscopic clips with incorrect anamorphic.

By, Oct 30, 2012, Section:Cine, Postpro

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