Terry Jones Etalona his latest film, ‘Absolutely anything’, with Davinci Resolve

The objective at the time of ethalonar this new British science fiction comedy was to create an aspect similar to that of a 35 mm film without using a single reference image, so that production retained its unique character.

Given Valentic, founder and main colorist of Mytherapy, Davinci has used to resolve Blackmagic Design In the ethalonage of the new British science fiction comedy Absolutely anything Starring Simon Pegg.

The feature film, directed by Terry Jones (Monty Python) and co -starring Kate Beckinsale and the late Robin Williams, focuses on the history of Neil, a frustrated school teacher who suddenly discovers who possesses the ability to do anything thanks to the powers conferred by a group of aliens that observe him from space.

Valentic worked closely with the filmmaker Peter Hannan to define the aesthetics of the feature film and participated in the previous stage for production for a considerable time before filming began.

"I grew up seeing Monty Python and I knew that this project would not be a conventional comedy, so I was imposed by the challenge of developing a particular appearance for the film that reflected this concept. We began to determine the appearance and style of the feature film using rolled test material during the stage prior to production and, once the main photography was launched, we ethalon from the first to the last one," says Valentic.

The objective was to create an aspect similar to that of a 35 mm film without using a single reference image, so that production retained its unique character.

"We recorded in Arri Raw format with a complete frame sensor because we wanted to take advantage of all the pixels that the camera was able to capture in this type of files. Then we cut the images, we made panoramic shots and master in 2K resolution, since it was mainly a theatrical production," Valentic continued. "We all agree that the realistic style that the camera offers in Rec 709 mode would not work for this project. The images would have an appearance too digital and it would not be nice to work with them. We decided to investigate more thoroughly in the colorimetric techniques of emulation and we managed to create a much clearer and slightly diffuse colors that would better fit the world we were creating."

“Davinci Resolve Studio and its control surface are my favorite tools because they allow me concludes.

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