The SGAE Foundation celebrates the Goya Awards with a film series at the Sala Berlanga

From January 28 to February 22, the exhibition will host a total of 17 finalist titles in its current edition.

On the occasion of the 31st edition of the awards granted by the Academy of Cinematographic Arts and Sciences of Spain, the SGAE Foundation has organized the 2017 Goya Awards cycle at the Sala Berlanga in Madrid from January 28 to February 22.

The exhibition coincides with the celebration of the Goya Awards ceremony scheduled for February 4 in Madrid and offers a selection of this season's finalist works. Specifically: The man of a thousand faces, by Alberto Rodríguez; Late for anger, by Raúl Arévalo; 1898. The last of the Philippines, by Salvador Calvo; Juliet, by Pedro Almodóvar; Kiki, love is made, by Paco León; May God forgive us, by Rodrigo Sorogoyen; A monster comes to see me, by Juan Antonio García Bayona, and The Olive Tree, by Icíar Bollaín.

The cycle, which includes a total of 17 finalist titles, also includes: The queen of Spain, by Fernando Trueba; Omega, by Gervasio Iglesias and José Sánchez-Montes; One hundred years of forgiveness, by Daniel Calparsoro; fragile balance, by Guillermo García; Close to your house, by Eduard Cortés; Maria (and the others), by Nely Reguera; Hieronymus Bosch, The Garden of Dreams, by José Luis López-Linares; 2016. Born in Syria, by Hernán Rodrigo Zin, and The one-eyed king, by Marc Crehuet Admiral.

In the documentary field, biographies of artists such as Enrique Morente appear in Omega or José Luis López-Linares' study on the Flemish painter Hieronymus Bosch.

fragile balance y 2016. Born in Syria They stand out in the sociopolitical aspect. The comedy is presented under the direction of Paco León and Fernando Trueba while history has provided the guidelines for the stories of 1898. The last of the Philippines o The man of a thousand faces.

For its part, the thriller is consolidated with three of the most applauded films of the year: One hundred years of forgiveness, May God forgive us y Late for anger. The other great generic framework, drama, brings a wide variety of registers to the Sala Berlanga: On the one hand, stories that are born under the protection of renowned directors such as Juan Antonio Bayona, Pedro Almodóvar or Icíar Bollaín. On the other hand, effective but intimate narratives such as The one-eyed king, Mary (and the others) or the musical drama of Close to your house.