Los Premios Panorama superan ya las 3.000 votaciones

Los lectores de Panorama Audiovisual en votación online hasta las 23.55 horas del próximo 2 de abril y posteriormente un jurado compuesto por once destacados profesionales en votación secreta ante Notario serán los encargados de elegir los ganadores de estos galardones cuya entrega tendrá lugar el 8 de mayo en IFEMA – Feria de Madrid.

Apenas cinco días antes de que concluya el plazo de votaciones para los Panorama Awards 2018, más de 3.000 profesionales han votado online para determinar los tres finalistas en cada una de las trece categorías que conforman estos galardones a la excelencia en el sector audiovisual.

Hasta las 23.55 horas del próximo lunes 2 de abril, quienes lo deseen podrán votar las soluciones tecnológicas, instalaciones y proyectos, así como la ejecución técnica en producciones de televisión, radio, cine y publicidad.

Las tres candidaturas más votadas en cada categoría se harán públicas el martes 3 de abril, pasando a una segunda fase en la que un Jury, compuesto por once profesionales independientes de reconocida solvencia y en votación secreta ante Notario, elegirá a los ganadores.

Durante la gala de entrega de los Premios Panorama que tendrá lugar en la tarde-noche del martes, 8 de mayo de 2018, en IFEMA-Feria de Madrid coincidiendo con la apertura del Salón Profesional de la Tecnología Audiovisual BIT Audiovisual, además de los ganadores en cada una de las trece categorías se hará entrega del Premio Panorama a Toda una Vida.

Este galardón especial otorgado directamente por la redacción de Panorama Audiovisual que se anunciará en los próximos días reconoce la contribución de los hombres y mujeres que han escrito historia en la televisión, el cine, la radio o la publicidad.

In previous editions, Manuel Romero received this award, for his long professional career dedicated to the coverage of the Olympic Games from México 68, both in the summer and winter Olympic events; and Chema Prado, in recognition of his firm commitment to the custody, recovery, research and conservation of cinematographic heritage at the head of the Spanish Film Archive during the last three decades.

Panorama Awards Nominees

Among the nominees for company of the year, stand out a multinational that celebrates one hundred years of history (Panasonic), the EVS subsidiary in Spain and Portugal (which is precisely now celebrating ten years since the opening of its headquarters in Madrid), an integrator that in just four years has managed to position itself as a benchmark in project development (Datos Media); a Madrid company (Summus Render) that has internationally launched a cloud-based virtual animation studio; and a wholesaler, Charmex, with a clear international vocation and a portfolio that is continually expanding.

As for the most outstanding installations, the new set of Telenews (Telemadrid); the renovation of Mediaset España's studios and mobile units, including a new TV sound methodology supported by an integrated audio and communications network, based on Dante, MADI and SIP standards; the new filing system for sports from the British Timeline TV developed by the Spanish Tedial; the Atresmedia performance controls cluster; and the comprehensive digitization of the production and archive of Televisión de Galicia.

Five cameras will compete for the Panorama Award for best capture technology: Venice (Sony), URSA Broadcast (Blackmagic), Epic-W 8K (RED), AU-EVA1 (Panasonic), and 8C-B60A 8K (Sharp).

In the media storage and management category, we find five very diverse options ranging from Fujifilm's tape-based dternity system, to the Dalet orchestration system, through the Ki Pro Ultra Plus (AJA) recorders/players and the T2 series (Grass Valley) or the Xyrus media management, contribution and distribution system from the Spanish Estructure.

In studio solutions, the nominees are the new Bolero intercom system from Riedel, X-One (EVS), Tricaster TC1-4K IP (NewTek), Graphite (Ross Video) and the ATEM 2 M/E Broadcast Studio 4K mixer (Blackmagic).

Ooyala Flex (Ooyala), Media Services Live (Akamai), Selenio One XC (Imagine) RelayCaster (Rohde&Schwartz) y S-Core (EVS) optarán al Premio Panorama a la mejor tecnología de emisión y distribución.

Regarding post-production, Panorama Audiovisual readers and the jury will have to choose between these options: Media Composer Fisrt (Avid), 3DS Max 2018 (Autodesk), Fusion 9 (Blackmagic), IO 4K Plus (AJA) and Edius 9 (Grass Valley).

For the graphic creation category, the proposals from the Panorama editorial team are OnMedia 3D (developed by Brainstorm and Never.no), Live Compositor (ChyronHego), 4Designer (Avid), Virtual Ser (WASP3D) and NVG1 (designed by NewTek and Vizrt).

As far as audio is concerned, three wireless microphone systems (Evolution G4 from Sennheiser, Series 5000 from Audio-Technica and Axient Digital Wireless from Shure), studio monitors (8331, 8341 and 8351 The Ones, from Genelec) and a digital mixing console (Rivage PM7 from Yamaha) are up for prize.
Technical execution

In the section of technical execution in radio, television, film and advertising production, these are the productions that the Panorama Audiovisual editorial team proposes to its readers and jury.

En radio, parten como nominadas un formato innovador como las ficciones sonoras inmersivas de RNE con sonido binaural; dos clásicos de la radio deportiva, Carrusel Deportivo (BE) and Tiempo de juego (COPE); y dos magazines, uno de tarde como Julia on the Wave (Onda Cero) and an “alarm clock” like Good morning Javi and Mar (String 100).

Survivors 2018 (Telecinco), To Fish (Movistar+), The cable girls (Netflix), Operation Triumph (TVE)y Spanish World Heritage Cities (TVE) are among the quintet nominated for best technical production on television.

The Panorama Awards have evaluated the technical execution of these five nominated films: Verónica, Estiu 1993 (Verano 1993), Handia, Oro y Zona Hostil.

Finally, in advertising production the award will go to one of these five productions: Danielle (Lotteries), forever and ever (Audi), Happy Time – Pinball (Endesa), The ceremony (Magnum) y The Future already has memories (AVE).