Projects of the Iberseries Platino Industria Co-production Forum

He Platino Industria Co-production Forum in collaboration with the San Sebastián Festival of Iberseries & Platino Industria It already has the ten titles that will star in its sessions.

Love, sex and tears, from Argentina, Antarctica, from Chile, Spain and Argentina, here are dragons, from Mexico and Colombia, under the same sun, from the Dominican Republic, The Kingdom, from Colombia and France, Evasion, from Chile, Brazil and Spain, the ballad of the phoenix, from Mexico, They burn the same way, from Argentina, A week in Madrid, from Argentina and Spain, and Veteran, from Mexico, will be part of the Platinum Industry Co-production Forum – SSIFF.

Love, sex and tears tells the story of a thirty-something French woman who, after going through multiple love relationships that only lead to monotony, and after the sudden death of her mother, decides to travel to Buenos Aires with her aunt Rita, a retired psychoanalyst who lives alone but accompanied by her seven rabbits. Under the framework of global warming, Antarctica tells how geologist Miguel Maturana is hired to rescue Manuel Elorrieta, who disappeared under strange circumstances at the South Pole. Along the way, he will discover that the reason for the expedition is something else: the search for an anomaly that is underground and which turns out to be a pyramid. here are dragons tells in first person the drama of the military coup in Mexico under the gaze of a young man rescued by Fidel, a character who will take him on a dark descent with no return to the dragon's cave.

In under the same sun, Lázaro, the introverted son of a reckless deceased merchant, must carry out his father's last wish: a silk factory in the inhospitable center of the island of Santo Domingo. To do this, he has the help of Mei, a silk master from China, and Baptiste, a deserter from the Haitian army who is hiding in the Dominican forests. The Kingdom tells the story of Candelaria, a Catholic teenager who studies at a nuns' school for girls and belongs to a conventional family, and the arrival at her school of a young teacher who makes her think beyond her environment. In Evasion Two parallel stories are told: on the one hand, that of a group of political prisoners who try to escape from a prison in Santiago de Chile in 1988 and whose escape coincides with the end of the dictatorship; and on the other, with the filming in 2028 of a film that aims to recreate the armed struggle of the 80s.

The animation project the ballad of the phoenix follows Virian, a young and selfish goblin princess who, under the tutelage of a wise phoenix, travels the kingdom to decipher the truth that rests on her crown after discovering that her father is a tyrant. They burn the same way tells the story of Ezequiel, who experiences the recent death of his father and, somewhat later, that of his boyfriend in a wave of fires in the city of Corrientes, Argentina. He will be accompanied in the duel by Melany and Juana, two friends who begin a love bond crossed by external gazes and by an imminent operation that will change Melany's body. A week in Madrid focuses on Antonio, an Argentine photographer who travels to Madrid to give a seminar on the creative process. Recently settled in Lavapiés, Antonio receives a call from Sara, his ex-girlfriend, a renowned Spanish actress, married and with a small son, who, to his surprise, writes to him to see him. This unexpected reunion opens a new opportunity to explore their most sincere feelings, but they will only have one week in Madrid.

Finally, Veteran tells the life of Dani, an Afghanistan war veteran who is being deported from California to Tijuana after spending two years behind bars for crossing the border illegally. Although he speaks Spanish, he does not identify with Mexican culture, which leads him to desperately try to return to the other side of the border. Furthermore, the titles under the same sun y They burn the same way will be presented both in Iberseries & Platino Industria as in the San Sebastian Festival.

Companies of the Co-production and Series Financing Forum

Another important novelty of Iberseries & Platino Industria 2022 is the celebration of the first Coproduction and Series Financing Forum, in which they will participate Apus Animation and Content (Peru), Horse Films (Spain), Coral Cine (Uruguay), The Studio (Spain), Big Cat Productions (USA-Mexico), World TV (Spain), Onza (Spain), Storylab (Argentina), Zebra Productions – iZen Group (Spain) y Zolking (Mexico), which will carry out serial projects in the advanced production phase, seeking co-production and/or co-financing.

Those responsible for the projects will have the possibility to find production partners, creative partners, financial partners, and international sales agents accredited during the event. Likewise, they will be able to present them to members of the industry in a session with a format one to one and they will have a personalized appointment schedule with professionals interested in your projects.

He most outstanding Ibero-American project of the Series Co-production and Financing Forum will participate in the next edition of the Latin American audiovisual content market South Window (Buenos Aires, November 28 – December 2) in its section SoloSerieS, the result of the agreement between both events and announced in the latest edition of the Marché du Film at the Cannes Festival.

Taller de Showrunners en Iberseries & Platino Industria

He Laboratorio de Contenidos de Iberseries & Platino Industria once again supports the learning of the professionals of the future with the second edition of the Taller de Showrunners, which aims to offer specific training in the work of the showrunner, addressing writing, production and project management, as well as the management and training of the necessary skills to successfully perform the tasks of the showrunner in a premium series today. The workshop is aimed at people with training and/or experience in the field of writing, directing or audiovisual production, who will participate with a series project, whose main language is Spanish, and which will be presented in different phases of development, analyzed by an expert, during the in-person workshop and a second phase with subsequent online work.

He Selection Committee Taller de Showrunners, headed by Joan Alvarez, former director of the Film Academy and the Luis García Berlanga Screenwriters Training Center of the FIA/UIMP, has chosen the following finalist projects to be part of the workshop: April in January, by Horacio Gringberg, (Argentina), Blood frontier, by Tiago Correa (Mexico), Chek y Chan, by Gabriel Bonilla (Peru, Uruguay), Gospeland, by Juan Manuel Buelvas, (Colombia), Inche Kai Che, by Pablo Unda (Chile, Spain), In color, by Fernando Zuloaga, (Mexico, Spain), The Hatless, by Leticia Valle Soriano (Spain), Los Angeles, by Daniel Álvarez Sánchez (Spain), The thousand days of Allende, by Leonor González (Chile), Moose moose, by Dolores Montaño (Argentina), Lonelier than one, by Chus de Castro (Spain) and mother memory, by Lourdes Andrino (Spain, Mexico). The tutors of the Showrunners Workshop will be Carla Guimarães (Why did the men disappear?, Cuatro Caminos) y Tirso Calero (Love in troubled times, Tell me how it happened, Serve and Protect).

The work with the tutors is completed with three debates about the current situation of culture and the series industry in the space of Ibero-American co-production, led by three renowned professionals who are familiar with the situation of the market, the industry and audiovisual culture at this time. In this way, the workshop will have the support and collaboration as lecturers from Conchi Cascajosa, one of the greatest series experts in Spain and professor at UC3M; the screenwriter and producer Guillermo Escalona, which is part of the creative writing program at UCLA; and with Carlos Molinero, screenwriter and director with a successful career in film and television.