Mo-Sys develops the new generation of the G30 gyro-stabilized head

Designed to provide quiet operation and capture ultra-smooth cinematic shots, the G30 Mo-Sys Engineering It offers precision movement with superior image gyro stabilization along with simple operation.

Incorporating several customer-driven improvements, the new G30 is a radical rethink of the traditional heavy-duty stabilized remote head. Rigid 45˚ frame geometry supports camera payloads up to 30 kilos and has been designed to eliminate the risk of gimbal lockup.

The G30 balancing process has been further improved with the introduction of innovative indexing plungers. These allow the operator lock each axis independently during setup, while facilitating safe transportation.

With the operator in mind, multiple points of contact have been added. 3/8″ accessory mount, while the careful redesign also sees the introduction of measurement marks Engraved on all sliding components for quick deployment and precise adjustment.

An enlarged through-hole on the right side of the tilt motor protects cables and reduces congestion, allowing more cables to pass freely through the center, and customers can now specify a optional wireless control, which allows remote control up to 300 meters.

The G30 comes with an intuitive digital display console. Its design, inspired by the automotive industry, features a shallow menu structure, clear screens showing current parameter values, and physical controls for direct, tactile operation. It can be used with pan bars, cinema wheels or a broadcast console to give the operator the intuitive feedback needed for production.

Michael Geissler, director general de Mo-Sys, comenta que “la G30 ya tiene la reputación de satisfacer las necesidades creativas reales de los directores de fotografía. Al desarrollar la nueva generación de esta cabeza giroestabilizada, hemos escuchado a nuestros usuarios y hemos creado algo que es aún más fácil de montar, más intuitivo de manejar y más preciso y repetible en sus movimientos y posicionamiento. Sabemos que los directores de fotografía siempre están bajo presión para conseguir la toma rápidamente, y por eso les damos herramientas que entienden instintivamente·.