Artemis 2 Live, the most compact and agile stabilizer for live performances from ARRI

ARRI has developed the new Artemis 2 Live, a compact and lightweight camera stabilizer optimized for live productions such as sports and event broadcasts.

Providing an accessible entry point to ARRI's Camera Stabilizer Systems (CSS) range, Artemis 2 Live is modular y actualizable, allowing users to adapt their rig to different production demands. The new stabilization combines the operational flexibility with an ergonomic and minimalist design. An exceptionally short pole gives users more legroom and freedom to follow the fast, unpredictable action of live productions, even in tight spaces.

Their lightweight monitor stands They have been specially designed for live applications, and the base stand and monitor jockeys accept 7-inch monitors. A second mount supports the 5-inch on-air monitor often used in live production rigs.

ARRI offers the Artemis 2 Live in a series of ready sets to run, which provide everything needed to integrate the gimbal into live production environments. Among them is an option that allows the Artemis 2 Live to be easily and effectively combined with a There was a gimbal of Tiffen. With its modular system structure, Artemis 2 Live adapts to different power sources, making it easy to match any battery available on location and any camera being used on the rig.

Users can turn their Artemos 2 Live into a full-fledged Artemis 2 for film and drama productions, or even a Trinity 2, which incorporates electronic stabilization for high-end applications involving more complex camera movements. And since stands and accessories are compatible with the full range of CSS products, Artemis 2 and Trinity 2 owners can downgrade their rig to a live configuration with the help of an Artemis 2 Live conversion kit.