Postpro

Blackmagic Pyxis 6K digital cinema cameras are used to capture the audiovisual content of the prestigious Art Institute of Chicago, a center that initiates ...

The Minister for Digital Transformation and Public Service, Óscar López, has been part of the presentation of Lazona Hub Audiovisual, an initiative...

Uruguay continues to consolidate its position in the audiovisual industry. In the last year alone, companies like Color by Grup Mediapro, a company specialized in post-production...

Avid continues to focus on improving Pro Tools with the collaboration of top-level partners with its version 2025.12, which includes improvements such as...

Media Storm, one of the most prominent digital content creator studios in China (specializing in film and technology), has begun using cameras...

South African company Brave Channels has launched EVA, a platform intended to enable sustained remote and virtualized post-production around technology...

Editor Olivier Peters and grader Matt Hartle use DaVinci Resolve (Blackmagic) for the post-production of 'The Real Yellowstone', the latest documentary...

The remake of Akiva Schaffer's iconic 'The Naked Gun' used a wide variety of visual effects signed by ...

DaVinci Resolve Studio (Blackmagic Design) has become the grading tool for Swiss television RTS (Radio Télévision Suisse), pursuing the objectives...

Production company Sandwich Vision has deployed the URSA Cine Immersive camera and Blackmagic Design's DaVinci Resolve Studio software to shape...

Matthew Celia, co-founder of the production company specialized in the recording and post-production of immersive content Light Sail VR, explains the keys to an industry...

Mixing and mastering engineer, and expert in multimedia productions, Aneek Thapar has begun tackling his projects with the Halo Upmix plug-in from...

The EVA Localization brand, the European arm of Visual Data Media Service, multiplies its reach with the purchase of Sound Station, a studio of...

Blackmagic Design's DaVinci Resolve editing and grading software becomes the main post-production tool for RKB Mainichi television...

‘Haunted Places’, the new documentary series from Mineworks Film for ARTE, commissioned by Saarländischer Rundfunk (SR) and Hessischer Rundfunk (HR), uses solutions from Blackmagic...

Director of photography Pau Esteve Birba reviews all the keys to 'Los Tigres', a feature film by Alberto Rodríguez that proposes an exciting thriller starring...

Adobe and YouTube join forces to bring millions of creators the Create for YouTube Shorts environment, offering within the mobile app...

Mark Todd Osborne relies on DaVinci Resolve (Blackmagic Design) for the color correction of 'Hell House LLC: Lineage', the latest installment of the ...

Three URSA Broadcast G2 cameras, twenty editing stations with DaVinci Resolve and an ATEM 2 M/E Advanced Panel 20 panel, among other products from ...

The Mirror agency leads the production of the four ads in the latest IPlanet campaign, shot in 6K and with a ratio of ...

Zeiss has opened the beta testing phase of CinCraft virtual lens technology, a tool that seeks to bring to the phases of ...

TransPerfect ha organizado en el marco del 58º Festival de Sitges la mesa redonda ‘Crafting the Illusion: When VFX, SFX & MFX Unite’, un ...

The production company Immersive Flashback captured for the first time in immersive format France's National Day, which commemorates the storming of the Bastille, with...

The Lifetime movie “Dead Girl Summer” was shot on a Blackmagic URSA Cine 12K LF digital film camera and produced by Goodform,...

Carlos Cebrián Renau, director of photography, and Teresa Giménez Benavides, colorist, open the door to the universe of 'Furia', an HBO Max original series...

The documentary project 'The Chronicles of Kyoto', an initiative by Frenchman JR that brings together portraits of hundreds of hundreds of residents and workers...

The Blackmagic URSA Cine 12K LF and Cinema Camera 6K digital cinema cameras were the protagonists of the filming of 'Tsukurareta Shinjitsu DEEP FAKE...

Colorist Alastor Arnold (FotoKem) has used Blackmagic Design's DaVinci Resolve software to bring to life the feature film 'Descendent', a kidnapping film...