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Postpro

Esculturas del tamaño de la punta de un lápiz: Blackmagic Pyxis 6K se enfrenta a la obra de Salavat Fidai

Sculptures the size of a pencil tip: Blackmagic Pyxis 6K takes on the work of Salavat Fidai
10 March 2026

[+]

The Blackmagic Pyxis 6K camera's full frame sensor addresses one of its biggest challenges to date: capturing microsculptures...

Halo Vision (Nugen Audio) se posiciona como plugin clave para el diseño de audio 3D con Atmos

Halo Vision (Nugen Audio) is positioned as a key plugin for 3D audio design with Atmos
10 March 2026

[+]

Composer and mixer Michael Phillips Keeley, a reference in the development of immersive narratives through audio with an extensive career in ...

DaVinci Resolve resucita al ‘Frankenstein’ de Guillermo del Toro: entre el hielo y el fuego

DaVinci Resolve resurrects Guillermo del Toro's 'Frankenstein': between ice and fire
9 March 2026

[+]

Colorist Stefan Sonnenfeld (Company 3) carries out the grading of 'Frankenstein', a version of the iconic novel directed by Mexican director Guillermo ...

La vida tras un vertido químico: ‘The Bulldogs’, filmado y editado con Blackmagic Design

Life after a chemical spill: 'The Bulldogs', filmed and edited with Blackmagic Design
5 March 2026

[+]

The production team of ‘The Bulldogs’, shown at the Slamdance Film Festival this year, chooses URSA Mini digital cameras...

DaVinci Resolve: hasta 16 etalonajes en 2D, 3D y HDR para ‘Avatar: Fuego y ceniza’

DaVinci Resolve: up to 16 grading in 2D, 3D and HDR for 'Avatar: Fire and Ash'
2 March 2026

[+]

'Avatar: Fire and Ashes', the third installment of James Cameron's saga, came to life in the grading room under the direction of...

DaVinci Resolve: 16 grades in 2D, 3D, and HDR for “Avatar: Fire and Ash”

DaVinci Resolve: 16 grades in 2D, 3D, and HDR for “Avatar: Fire and Ash”
2 March 2026

[+]

‘Avatar: Fire and Ash’, the third instalment in James Cameron’s saga, came to life in the colour grading room under the direction of Tashi ...

Foundry lanza Nuke 17.0, versión marcada por la integración de Gaussian Splats en los flujos de trabajo

Foundry releases Nuke 17.0, a version marked by the integration of Gaussian Splats into workflows
27 February 2026

[+]

Nuke version 17.0, defined by Foundry itself as one of the “most significant” evolutions of the toolset, will allow users to ...

‘The Cashier’, comedia negra con estética neonoir y sello tecnológico con Blackmagic

'The Cashier', black comedy with neonoir aesthetics and technological seal with Blackmagic
23 February 2026

[+]

The upcoming feature film 'The Cashier' was shot using Blackmagic Design digital cinema cameras, including the URSA Cine 12K LF and...

Blackmagic Cinema Camera 6K captura el detalle extremo de ‘Metanoia’, obra que aúna moda y terror

Blackmagic Cinema Camera 6K captures the extreme detail of 'Metanoia', a work that combines fashion and horror
12 February 2026

[+]

Awarded at the 2026 edition of the London Fashion Film Festival, the short film 'Metanoia' by director Mike Pecci and creative director...

De 17K a 4K sin compromisos: la versatilidad de URSA Cine 17K 65 en producción publicitaria

From 17K to 4K without compromises: the versatility of URSA Cine 17K 65 in advertising production
6 February 2026

[+]

Creative agency Craftshow Digital turned to Blackmagic Design's URSA Cine 17K 65 digital cinema camera to create a campaign...

TransPerfect Media abre una ventana al mercado de los VFX y la postproducción en ISE 2026

TransPerfect Media opens a window to the VFX and post-production market at ISE 2026
4 February 2026

[+]

ISE 2026 Spark creative conference series hosts 'The Art of VFX: Making the Impossible Possible' session

Los límites entre arte, cine y postproducción, al descubierto en el libro ‘The Screen is the Message’

The limits between art, cinema and post-production, revealed in the book 'The Screen is the Message'
30 January 2026

[+]

The collective book 'The Screen is the Message. Proposals from Art, Cinematography and Digital Post-Production', edited by Mario-Paul Martínez and Fran Mateu, proposes a...

La organización global Virtual Effects Society (VES) estrena sección regional en España

The global organization Virtual Effects Society (VES) launches regional section in Spain
28 January 2026

[+]

With the birth of a section in Spain and Japan, the Visual Effects Society (VES) expands its reach to a total of 18 regions,...

Blackmagic Design vuelve a ser protagonista en Sundance participando en 45 proyectos

Blackmagic Design is once again the protagonist at Sundance, participating in 45 projects
27 January 2026

[+]

More than 45 feature films, documentaries and series participating in the 2026 edition of the Sundance Film Festival have chosen various models of ...

Colour (Grup Mediapro) adopts DaVinci Resolve as its editing and colour grading solution

Colour (Grup Mediapro) adopts DaVinci Resolve as its editing and colour grading solution
23 January 2026

[+]

Beyond using DaVinci Resolve (Blackmagic Design) as a colour correction tool, an area in which it has a consolidated position in the industry, the ...

Colour (Grup Mediapro) consolida DaVinci Resolve como solución de montaje y etalonaje

Color (Grup Mediapro) consolidates DaVinci Resolve as an editing and grading solution
23 January 2026

[+]

Beyond using DaVinci Resolve (Blackmagic Design) as a tool for color correction, an area in which it has a consolidated position in...

Gibson revive ‘Regreso al futuro’ con la ayuda de DaVinci Resolve

Gibson revives 'Back to the Future' with the help of DaVinci Resolve
16 January 2026

[+]

Blackmagic Design's DaVinci Resolve post-production software has been key to Gibson's latest advertising campaign, which takes as reference the ...

‘Blindsided’: una experiencia de terror impulsada por el audio y soluciones de Blackmagic

‘Blindsided’: a horror experience powered by Blackmagic audio and solutions
13 January 2026

[+]

Blackmagic's Cinema Camera 6K and DaVinci Resolve post-production software have been the technical basis for the creation of the award-winning short film...

RePro desarrolla Pulsar, un codificador de escritorio sin hardware para cine y televisión

RePro develops Pulsar, a hardware-free desktop encoder for film and television
9 January 2026

[+]

RePro Stream has developed Pulsar, a desktop-based live streaming encoder that replaces dedicated hardware with software and is available...

La plataforma colaborativa elevate.io incorpora el banco de música y sonidos de Epidemic Sound

The collaborative platform elevate.io incorporates the Epidemic Sound music and sound bank
8 January 2026

[+]

Blackbird, developer of the browser-based collaborative video editor elevate.io, will integrate Epidemic Sound's extensive catalog of music and sound effects...

El Instituto de Arte de Chicago se abre al mundo con look cine y Blackmagic Design

The Art Institute of Chicago opens to the world with a cinema look and Blackmagic Design
23 December 2025

[+]

Blackmagic Pyxis 6K digital cinema cameras are used to capture the audiovisual content of the prestigious Art Institute of Chicago, a center that initiates ...

Lazona Hub: una iniciativa para hacer de Madrid una factoría de creación y postproducción

Lazona Hub: an initiative to make Madrid a creation and post-production factory
22 December 2025

[+]

The Minister for Digital Transformation and Public Service, Óscar López, has been part of the presentation of Lazona Hub Audiovisual, an initiative...

Colour by Grup Mediapro afianza su posición en el mercado de postproducción uruguayo

Color by Grup Mediapro strengthens its position in the Uruguayan post-production market
19 December 2025

[+]

Uruguay continues to consolidate its position in the audiovisual industry. In the last year alone, companies like Color by Grup Mediapro, a company specialized in post-production...

Pro Tools (Avid) se actualiza a la versión 2025.12: audio inmersivo, mejoras en Soundflow, IA…

Pro Tools (Avid) updates to version 2025.12: immersive audio, improvements in Soundflow, AI...
19 December 2025

[+]

Avid continues to focus on improving Pro Tools with the collaboration of top-level partners with its version 2025.12, which includes improvements such as...

La productora china Media Storm emplea cámaras Blackmagic URSA Cine 17K 65 y conversores IP 2110

The Chinese production company Media Storm uses Blackmagic URSA Cine 17K 65 cameras and 2110 IP converters
12 December 2025

[+]

Media Storm, one of the most prominent digital content creator studios in China (specializing in film and technology), has begun using cameras...

EVA: la creación de una plataforma de postproducción virtualizada y deslocalizada

EVA: the creation of a virtualized and offshore post-production platform
12 December 2025

[+]

South African company Brave Channels has launched EVA, a platform intended to enable sustained remote and virtualized post-production around technology...

El verdadero ‘Yellowstone’ toma forma con DaVinci Resolve como plataforma de edición y etalonaje

The real 'Yellowstone' takes shape with DaVinci Resolve as an editing and grading platform
10 December 2025

[+]

Editor Olivier Peters and grader Matt Hartle use DaVinci Resolve (Blackmagic) for the post-production of 'The Real Yellowstone', the latest documentary ...

PFX resucita ‘Agárralo como puedas’: más de 100 tomas con efectos visuales

PFX resurrects 'Grab it as you can': more than 100 shots with visual effects
2 December 2025

[+]

The remake of Akiva Schaffer's iconic 'The Naked Gun' used a wide variety of visual effects signed by ...

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