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Postpro

Gibson revive ‘Regreso al futuro’ con la ayuda de DaVinci Resolve

Gibson revives 'Back to the Future' with the help of DaVinci Resolve
16 January 2026

[+]

Blackmagic Design's DaVinci Resolve post-production software has been key to Gibson's latest advertising campaign, which takes as reference the ...

‘Blindsided’: una experiencia de terror impulsada por el audio y soluciones de Blackmagic

‘Blindsided’: a horror experience powered by Blackmagic audio and solutions
13 January 2026

[+]

Blackmagic's Cinema Camera 6K and DaVinci Resolve post-production software have been the technical basis for the creation of the award-winning short film...

RePro desarrolla Pulsar, un codificador de escritorio sin hardware para cine y televisión

RePro develops Pulsar, a hardware-free desktop encoder for film and television
9 January 2026

[+]

RePro Stream has developed Pulsar, a desktop-based live streaming encoder that replaces dedicated hardware with software and is available...

La plataforma colaborativa elevate.io incorpora el banco de música y sonidos de Epidemic Sound

The collaborative platform elevate.io incorporates the Epidemic Sound music and sound bank
8 January 2026

[+]

Blackbird, developer of the browser-based collaborative video editor elevate.io, will integrate Epidemic Sound's extensive catalog of music and sound effects...

El Instituto de Arte de Chicago se abre al mundo con look cine y Blackmagic Design

The Art Institute of Chicago opens to the world with a cinema look and Blackmagic Design
23 December 2025

[+]

Blackmagic Pyxis 6K digital cinema cameras are used to capture the audiovisual content of the prestigious Art Institute of Chicago, a center that initiates ...

Lazona Hub: una iniciativa para hacer de Madrid una factoría de creación y postproducción

Lazona Hub: an initiative to make Madrid a creation and post-production factory
22 December 2025

[+]

The Minister for Digital Transformation and Public Service, Óscar López, has been part of the presentation of Lazona Hub Audiovisual, an initiative...

Colour by Grup Mediapro afianza su posición en el mercado de postproducción uruguayo

Color by Grup Mediapro strengthens its position in the Uruguayan post-production market
19 December 2025

[+]

Uruguay continues to consolidate its position in the audiovisual industry. In the last year alone, companies like Color by Grup Mediapro, a company specialized in post-production...

Pro Tools (Avid) se actualiza a la versión 2025.12: audio inmersivo, mejoras en Soundflow, IA…

Pro Tools (Avid) updates to version 2025.12: immersive audio, improvements in Soundflow, AI...
19 December 2025

[+]

Avid continues to focus on improving Pro Tools with the collaboration of top-level partners with its version 2025.12, which includes improvements such as...

La productora china Media Storm emplea cámaras Blackmagic URSA Cine 17K 65 y conversores IP 2110

The Chinese production company Media Storm uses Blackmagic URSA Cine 17K 65 cameras and 2110 IP converters
12 December 2025

[+]

Media Storm, one of the most prominent digital content creator studios in China (specializing in film and technology), has begun using cameras...

EVA: la creación de una plataforma de postproducción virtualizada y deslocalizada

EVA: the creation of a virtualized and offshore post-production platform
12 December 2025

[+]

South African company Brave Channels has launched EVA, a platform intended to enable sustained remote and virtualized post-production around technology...

El verdadero ‘Yellowstone’ toma forma con DaVinci Resolve como plataforma de edición y etalonaje

The real 'Yellowstone' takes shape with DaVinci Resolve as an editing and grading platform
10 December 2025

[+]

Editor Olivier Peters and grader Matt Hartle use DaVinci Resolve (Blackmagic) for the post-production of 'The Real Yellowstone', the latest documentary ...

PFX resucita ‘Agárralo como puedas’: más de 100 tomas con efectos visuales

PFX resurrects 'Grab it as you can': more than 100 shots with visual effects
2 December 2025

[+]

The remake of Akiva Schaffer's iconic 'The Naked Gun' used a wide variety of visual effects signed by ...

La televisión RTS migra sus procesos de etalonaje a DaVinci Resolve

RTS television migrates its grading processes to DaVinci Resolve
27 November 2025

[+]

DaVinci Resolve Studio (Blackmagic Design) has become the grading tool for Swiss television RTS (Radio Télévision Suisse), pursuing the objectives...

Creando campañas publicitarias para Apple Vision Pro con la URSA Cine Immersive (Blackmagic)

Creating advertising campaigns for Apple Vision Pro with URSA Cine Immersive (Blackmagic)
21 November 2025

[+]

Production company Sandwich Vision has deployed the URSA Cine Immersive camera and Blackmagic Design's DaVinci Resolve Studio software to shape...

Light Sail VR: aprendizajes tras una década de contenidos inmersivos

Light Sail VR: learnings after a decade of immersive content
12 November 2025

[+]

Matthew Celia, co-founder of the production company specialized in the recording and post-production of immersive content Light Sail VR, explains the keys to an industry...

Aneek Thapar se vuelca en las posibilidades de Dolby Atmos con el plug-in Halo Upmix de Nugen Audio

Aneek Thapar turns to the possibilities of Dolby Atmos with the Halo Upmix plug-in from Nugen Audio
11 November 2025

[+]

Mixing and mastering engineer, and expert in multimedia productions, Aneek Thapar has begun tackling his projects with the Halo Upmix plug-in from...

Visual Data adquiere el estudio de doblaje y postproducción de audio portugués Sound Station

Visual Data acquires Portuguese audio post-production and dubbing studio Sound Station
11 November 2025

[+]

The EVA Localization brand, the European arm of Visual Data Media Service, multiplies its reach with the purchase of Sound Station, a studio of...

RKB adquiere 20 licencias de DaVinci Resolve para editar su contenido televisivo

RKB acquires 20 DaVinci Resolve licenses to edit its television content
10 November 2025

[+]

Blackmagic Design's DaVinci Resolve editing and grading software becomes the main post-production tool for RKB Mainichi television...

ARTE une terror y arte en ‘Haunted Places’ con soluciones de Blackmagic Design

ARTE unites horror and art in 'Haunted Places' with solutions from Blackmagic Design
3 November 2025

[+]

‘Haunted Places’, the new documentary series from Mineworks Film for ARTE, commissioned by Saarländischer Rundfunk (SR) and Hessischer Rundfunk (HR), uses solutions from Blackmagic...

Pau Esteve Birba y la fotografía de ‘Los Tigres’: la luz y el color, dentro y fuera del agua

Pau Esteve Birba and the photography of 'Los Tigres': light and color, in and out of the water
30 October 2025

[+]

Director of photography Pau Esteve Birba reviews all the keys to 'Los Tigres', a feature film by Alberto Rodríguez that proposes an exciting thriller starring...

Create for YouTube Shorts: la alianza entre Adobe y YouTube para fomentar la creación de vídeos cortos

Create for YouTube Shorts: the alliance between Adobe and YouTube to promote the creation of short videos
29 October 2025

[+]

Adobe and YouTube join forces to bring millions of creators the Create for YouTube Shorts environment, offering within the mobile app...

La terrorífica ‘Hell House LLC: Lineage’, etalonada con DaVinci Resolve

The terrifying 'Hell House LLC: Lineage', graded with DaVinci Resolve
27 October 2025

[+]

Mark Todd Osborne relies on DaVinci Resolve (Blackmagic Design) for the color correction of 'Hell House LLC: Lineage', the latest installment of the ...

Castaic estrena un estudio 100% Blackmagic: cámaras URSA Broadcast G2, mezcladores ATEM…

Castaic launches a 100% Blackmagic studio: URSA Broadcast G2 cameras, ATEM mixers...
24 October 2025

[+]

Three URSA Broadcast G2 cameras, twenty editing stations with DaVinci Resolve and an ATEM 2 M/E Advanced Panel 20 panel, among other products from ...

La Blackmagic Pyxis 6K captura la innovadora campaña 3:2 de IPlanet en 6K

Blackmagic Pyxis 6K Captures IPlanet's Groundbreaking 3:2 Campaign in 6K
21 October 2025

[+]

The Mirror agency leads the production of the four ads in the latest IPlanet campaign, shot in 6K and with a ratio of ...

CinCraft: la tecnología de lentes virtuales de Zeiss comienza su fase beta

CinCraft: Zeiss virtual lens technology begins its beta phase
20 October 2025

[+]

Zeiss has opened the beta testing phase of CinCraft virtual lens technology, a tool that seeks to bring to the phases of ...

El Festival de Sitges reflexiona sobre la evolución de los VFX de la mano de TransPerfect

The Sitges Festival reflects on the evolution of VFX with the help of TransPerfect
20 October 2025

[+]

TransPerfect ha organizado en el marco del 58º Festival de Sitges la mesa redonda ‘Crafting the Illusion: When VFX, SFX & MFX Unite’, un ...

Los desafíos de un rodaje en formato inmersivo durante el Día de la Bastilla

The challenges of filming in an immersive format during Bastille Day
14 October 2025

[+]

The production company Immersive Flashback captured for the first time in immersive format France's National Day, which commemorates the storming of the Bastille, with...

“Dead Girl Summer”: una historia de misterio contada a través de la URSA Cine 12K LF de Blackmagic

“Dead Girl Summer”: a mystery story told through Blackmagic's URSA Cine 12K LF
9 October 2025

[+]

The Lifetime movie “Dead Girl Summer” was shot on a Blackmagic URSA Cine 12K LF digital film camera and produced by Goodform,...

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