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Postpro

DaVinci Resolve: 16 grades in 2D, 3D, and HDR for “Avatar: Fire and Ash”

DaVinci Resolve: 16 grades in 2D, 3D, and HDR for “Avatar: Fire and Ash”
2 March 2026

[+]

‘Avatar: Fire and Ash’, the third instalment in James Cameron’s saga, came to life in the colour grading room under the direction of Tashi ...

Foundry lanza Nuke 17.0, versión marcada por la integración de Gaussian Splats en los flujos de trabajo

Foundry releases Nuke 17.0, a version marked by the integration of Gaussian Splats into workflows
27 February 2026

[+]

La versión 17.0 de Nuke, definida por la propia Foundry como una de las evoluciones “más significativas” del conjunto de herramientas, permitirá a los ...

‘The Cashier’, comedia negra con estética neonoir y sello tecnológico con Blackmagic

'The Cashier', black comedy with neonoir aesthetics and technological seal with Blackmagic
23 February 2026

[+]

The upcoming feature film 'The Cashier' was shot using Blackmagic Design digital cinema cameras, including the URSA Cine 12K LF and...

Blackmagic Cinema Camera 6K captura el detalle extremo de ‘Metanoia’, obra que aúna moda y terror

Blackmagic Cinema Camera 6K captures the extreme detail of 'Metanoia', a work that combines fashion and horror
12 February 2026

[+]

Premiado en la edición 2026 del Festival de Cine de Moda de Londres, el cortometraje ‘Metanoia’ del director Mike Pecci y la directora creativa ...

De 17K a 4K sin compromisos: la versatilidad de URSA Cine 17K 65 en producción publicitaria

From 17K to 4K without compromises: the versatility of URSA Cine 17K 65 in advertising production
6 February 2026

[+]

Creative agency Craftshow Digital turned to Blackmagic Design's URSA Cine 17K 65 digital cinema camera to create a campaign...

TransPerfect Media abre una ventana al mercado de los VFX y la postproducción en ISE 2026

TransPerfect Media opens a window to the VFX and post-production market at ISE 2026
4 February 2026

[+]

ISE 2026 Spark creative conference series hosts 'The Art of VFX: Making the Impossible Possible' session

Los límites entre arte, cine y postproducción, al descubierto en el libro ‘The Screen is the Message’

The limits between art, cinema and post-production, revealed in the book 'The Screen is the Message'
30 January 2026

[+]

The collective book 'The Screen is the Message. Proposals from Art, Cinematography and Digital Post-Production', edited by Mario-Paul Martínez and Fran Mateu, proposes a...

La organización global Virtual Effects Society (VES) estrena sección regional en España

The global organization Virtual Effects Society (VES) launches regional section in Spain
28 January 2026

[+]

With the birth of a section in Spain and Japan, the Visual Effects Society (VES) expands its reach to a total of 18 regions,...

Blackmagic Design vuelve a ser protagonista en Sundance participando en 45 proyectos

Blackmagic Design is once again the protagonist at Sundance, participating in 45 projects
27 January 2026

[+]

Más de 45 largometrajes, documentales y series que participan en la edición 2026 del Festival de Cine de Sundance han elegido diversos modelos de ...

Colour (Grup Mediapro) adopts DaVinci Resolve as its editing and colour grading solution

Colour (Grup Mediapro) adopts DaVinci Resolve as its editing and colour grading solution
23 January 2026

[+]

Beyond using DaVinci Resolve (Blackmagic Design) as a colour correction tool, an area in which it has a consolidated position in the industry, the ...

Colour (Grup Mediapro) consolida DaVinci Resolve como solución de montaje y etalonaje

Color (Grup Mediapro) consolidates DaVinci Resolve as an editing and grading solution
23 January 2026

[+]

Más allá de emplear DaVinci Resolve (Blackmagic Design) como herramienta para la corrección de color, área en la que tiene una posición consolidada en ...

Gibson revive ‘Regreso al futuro’ con la ayuda de DaVinci Resolve

Gibson revive ‘Regreso al futuro’ con la ayuda de DaVinci Resolve
16 January 2026

[+]

El software de postproducción DaVinci Resolve de Blackmagic Design ha sido clave para la última campaña publicitaria de Gibson, que toma como referencia la ...

‘Blindsided’: una experiencia de terror impulsada por el audio y soluciones de Blackmagic

‘Blindsided’: a horror experience powered by Blackmagic audio and solutions
13 January 2026

[+]

La Cinema Camera 6K y el software de postproducción DaVinci Resolve de Blackmagic han sido la base técnica para la creación del premiado cortometraje ...

RePro desarrolla Pulsar, un codificador de escritorio sin hardware para cine y televisión

RePro develops Pulsar, a hardware-free desktop encoder for film and television
9 January 2026

[+]

RePro Stream ha desarrollado Pulsar, un codificador de streaming en directo basado en escritorio que sustituye el hardware dedicado por software y está disponible ...

La plataforma colaborativa elevate.io incorpora el banco de música y sonidos de Epidemic Sound

The collaborative platform elevate.io incorporates the Epidemic Sound music and sound bank
8 January 2026

[+]

Blackbird, developer of the browser-based collaborative video editor elevate.io, will integrate Epidemic Sound's extensive catalog of music and sound effects...

El Instituto de Arte de Chicago se abre al mundo con look cine y Blackmagic Design

The Art Institute of Chicago opens to the world with a cinema look and Blackmagic Design
23 December 2025

[+]

Las cámaras cinematográficas digitales Blackmagic Pyxis 6K se emplean para capturar los contenidos audiovisuales del prestigioso Instituto de Arte de Chicago, centro que inicia ...

Lazona Hub: una iniciativa para hacer de Madrid una factoría de creación y postproducción

Lazona Hub: an initiative to make Madrid a creation and post-production factory
22 December 2025

[+]

The Minister for Digital Transformation and Public Service, Óscar López, has been part of the presentation of Lazona Hub Audiovisual, an initiative...

Colour by Grup Mediapro afianza su posición en el mercado de postproducción uruguayo

Color by Grup Mediapro strengthens its position in the Uruguayan post-production market
19 December 2025

[+]

Uruguay continúa consolidando su posición en la industria audiovisual. Solo en el último año, empresas como Colour by Grup Mediapro, compañía especializada en postproducción ...

Pro Tools (Avid) se actualiza a la versión 2025.12: audio inmersivo, mejoras en Soundflow, IA…

Pro Tools (Avid) updates to version 2025.12: immersive audio, improvements in Soundflow, AI...
19 December 2025

[+]

Avid continues to focus on improving Pro Tools with the collaboration of top-level partners with its version 2025.12, which includes improvements such as...

La productora china Media Storm emplea cámaras Blackmagic URSA Cine 17K 65 y conversores IP 2110

The Chinese production company Media Storm uses Blackmagic URSA Cine 17K 65 cameras and 2110 IP converters
12 December 2025

[+]

Media Storm, uno de los estudios creadores de contenidos digitales más destacados de China (especializado en cine y tecnología), ha comenzado a utilizar cámaras ...

EVA: la creación de una plataforma de postproducción virtualizada y deslocalizada

EVA: the creation of a virtualized and offshore post-production platform
12 December 2025

[+]

South African company Brave Channels has launched EVA, a platform intended to enable sustained remote and virtualized post-production around technology...

El verdadero ‘Yellowstone’ toma forma con DaVinci Resolve como plataforma de edición y etalonaje

The real 'Yellowstone' takes shape with DaVinci Resolve as an editing and grading platform
10 December 2025

[+]

Editor Olivier Peters and grader Matt Hartle use DaVinci Resolve (Blackmagic) for the post-production of 'The Real Yellowstone', the latest documentary ...

PFX resucita ‘Agárralo como puedas’: más de 100 tomas con efectos visuales

PFX resurrects 'Grab it as you can': more than 100 shots with visual effects
2 December 2025

[+]

El remake de la icónica ‘Agárralo como puedas’ (‘The Naked Gun’) de Akiva Schaffer recurrió a una gran variedad de efectos visuales firmados por ...

La televisión RTS migra sus procesos de etalonaje a DaVinci Resolve

RTS television migrates its grading processes to DaVinci Resolve
27 November 2025

[+]

DaVinci Resolve Studio (Blackmagic Design) se ha convertido en la herramienta de etalonaje de la televisión suiza RTS (Radio Télévision Suisse), persiguiendo los objetivos ...

Creando campañas publicitarias para Apple Vision Pro con la URSA Cine Immersive (Blackmagic)

Creating advertising campaigns for Apple Vision Pro with URSA Cine Immersive (Blackmagic)
21 November 2025

[+]

Production company Sandwich Vision has deployed the URSA Cine Immersive camera and Blackmagic Design's DaVinci Resolve Studio software to shape...

Light Sail VR: aprendizajes tras una década de contenidos inmersivos

Light Sail VR: learnings after a decade of immersive content
12 November 2025

[+]

Matthew Celia, co-founder of the production company specialized in the recording and post-production of immersive content Light Sail VR, explains the keys to an industry...

Aneek Thapar se vuelca en las posibilidades de Dolby Atmos con el plug-in Halo Upmix de Nugen Audio

Aneek Thapar turns to the possibilities of Dolby Atmos with the Halo Upmix plug-in from Nugen Audio
11 November 2025

[+]

Mixing and mastering engineer, and expert in multimedia productions, Aneek Thapar has begun tackling his projects with the Halo Upmix plug-in from...

Visual Data adquiere el estudio de doblaje y postproducción de audio portugués Sound Station

Visual Data acquires Portuguese audio post-production and dubbing studio Sound Station
11 November 2025

[+]

The EVA Localization brand, the European arm of Visual Data Media Service, multiplies its reach with the purchase of Sound Station, a studio of...

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