27 nominees for the 2026 Oscars carry the DaVinci Resolve seal

A wide selection of feature films and short films nominated for the Awards Oscars 2026 have been created with DaVinci Resolve editing, color correction, VFX and audio post-production software (Blackmagic Design).

From big box office hits as K-POP Demon Hunters or the great winner of the night, One battle after another, until documentary tapes as Armed only with a camera: the life and death of Brent Renaud or key films for the projection of Spanish cinema such as Sirât, they entrusted several key phases of their post-production to DaVinci Resolve of Blackmagic Design.

The solution was deployed by creative studios from all over the world mainly for chromatic correction of 27 feature films and short films. However, with increasing frequency, other key functions of the software, such as its programming modules, become part of these projects. editing, VFX or audio.

This is the complete list of films and short films in whose post-production it was deployed DaVinci:

• All empty rooms (known as All the Empty Rooms in Mexico) – Graded by Kath Raisch (Company 3).
• Armed only with a camera: the life and death of Brent Renaud – Graded and composed by Keith Jenson (Brainwomb).
• Avatar: Fire and Ashes (known as Avatar: Fire and Ash in Spain) – Graded by Tashi Trieu.
• damn luck – Graded by Andrew Daniel (The Look).
• Bugonia – Etalonada por Greg Fisher (Company 3).
• Children No More: Were and Are Gone – Graded by Erez Laufer.
• Hold me in the light (known as Come See Me in the Good Light in Spain) – Graded by Stephen Derluguian.
• Cutting Through Rocks – Graded by Pamela Valenzuela (Film Studies).
• F1: The Movie – Graded by supervising colorists Stefan Sonnenfeld and Parker Jarvie (Company 3).
• Frankenstein – Graded by supervising colorists Stefan Sonnenfeld and Dave Muscat (Company 3).
• If I Had Legs I’d Kick You (known as If I could, I would kick you in Mexico and If I could I would kick you in Spain) – Graded by Nat Jencks (PostWorks New York).
• a simple accident (known as It was just an accident in several countries) – Graded by Christophe Bousquet (M141), with final edition by Niels Barroin, Pierre Beautrait, Thomas Debauve and Congnan.
• Jane Austen's period drama – Graded by Andrew Francis, with final editing completed in GABBHA Studios.
• Jurassic World: Renace (known as Jurassic World: Rebirth in Argentina) – Graded by Paul Ensby (Goldcrest Post), with a final edition featuring Ellie Clissett, Guilhem Coulibaly, Harry Field, Colin Foulkes and Isabelle Soole.
• The k-pop warriors – Etalonada por Natasha Leonnet (Picture Shop).
• Amélie and the secrets of the rain (known as Little Amélie in Spain) – Graded by Grégoire Lesturgie, in collaboration with TransPerfect Media.
• through the fire (known as Labyrinth on fire in Spain) – Calibrated by Stephen Nakamura and James Slattery (Company 3).
• One battle after another – Graded by Gregg Garvin (Roundabout Entertainment).
• The Perfect Neighbor (known as The perfect neighbor in Mexico) – Graded by Allie Ames (PostWorks New York).
• The secret agent (known as The Secret Agent in Mexico) – Graded by Dirk Meier BVK CSI in Rotor Film, with final editing by Omri Peled and Max Göbel.
• Valor sentimental – Graded by Julien Alary (TMLS).
• Sirât: Trance in the desert – Graded by Rafa Marmodoro.
• Train dreams – Etalonado by Sergio Pasqualino Jr. (Bleach Color Grading).
• Two people exchanging saliva – Written and directed by Natalie Musteata and Alexandre Singh; graded by Nat Jencks (PostWorks New York); visual effects and shaping by Alexandre Singh; edition by Hanna Park, with LUT created by Alexandra de Saint Blanquat.
• The ugly stepsister – Edited by Axel Rundquist.
• Hind Rajab's voice (known as Hind's voice in Spain) – Graded by Philipp Orgassa (BASE BERLIN post-production), with final editing by Anna-Sophie Voll and Benjamin Meyer.
• The time of disappearance (known as Weapons in Spain) – Graded by Alex Bickel (Color Collective).