• X
  • LinkedIn
  • Youtube
  • Follow us with our newsletter
Go to the front page of Panorama Audiovisual

Spain
America
International

Go to the front page of Panorama Audiovisual
  • Cover
  • News
    • Accessories
    • Storage
    • Rental / Services
    • AR/VR/XR
    • Audio
    • Automation
    • Catchment
    • Cinema
    • Film / Production
    • Film / Technique
    • Control
    • Digital Signage
    • Emission
    • Interviews
    • ESP1
    • ESP2
    • eSports
    • I am a student
    • Events
    • Formation
    • Media Management
    • Graphics
    • Lighting
    • Integration
    • IP
    • Business
    • Screens
    • Postpro
    • Foreground
    • Projection
    • Radio
    • RF
    • Satellite
    • DTT
    • Television
    • TV Corporate
    • Local TV
    • Mobile TV
    • TV Production
    • UHD TV
  • Reports
  • Special
  • Interviews
  • Grandstands
  • Agenda
  • Videos

Spain | America | International

Artículos sobre ‘Company 3’

El etalonador Siggy Ferstl apoya a los equipos de VFX de ‘Avatar: The Last Airbender’ con DaVinci Resolve

Colour Grader Siggy Ferstl Supports 'Avatar: The Last Airbender' VFX Teams with DaVinci Resolve
14 June 2024

[+]

The visual effects managers of Netflix's 'Avatar: The Last Airbender' series have relied on DaVinci Resolve's knowledge of the ...

Siggy Ferstl crea un universo ochentero de humor y terror para ‘Totally Killer’ con DaVinci

Siggy Ferstl crea un universo ochentero de humor y terror para ‘Totally Killer’ con DaVinci
19 January 2024

[+]

‘Totally Killer’, película estrenada en Prime Video que homenajea en su tratamiento de color a los slashers de los 80s y 90s, fue ejecutada ...

El nuevo tráiler de Christie, protagonizado por la nueva generación de cineastas

El nuevo tráiler de Christie, protagonizado por la nueva generación de cineastas
12 December 2023

[+]

El nuevo tráiler de cine de Christie, estrenado en CineAsia, ha sido creado por Mila Paulman, estudiante de cuarto curso de cine y producción ...

‘Barbie’, mejor etalonaje del año según los premios FilmLight Colour Awards 2023

‘Barbie’, mejor etalonaje del año según los premios FilmLight Colour Awards 2023
13 November 2023

[+]

Los ganadores de los premios FilmLight Colour Awards 2023, liderados por la película Barbie de Greta Gerwig, han sido desvelados en una ceremonia por ...

Company 3 y SpinVFX emplean DaVinci Resolve Studio en la película ‘Big George Foreman’

Company 3 y SpinVFX emplean DaVinci Resolve Studio en la película ‘Big George Foreman’
3 July 2023

[+]

‘Big George Foreman’, dirigida por George Tillman Jr., empleó la solución DaVinci Resolve Studio (Blackmagic Design) para crear imágenes de los espectadores por parte ...

‘El señor de los anillos: los anillos de poder’, finalizada en la nube con DaVinci Resolve Studio

‘The Lord of the Rings: The Rings of Power’, finished in the cloud with Davinci Resolve Studio
22 February 2023

[+]

Blackmagic Design y Company 3 desarrollaron una herramienta de etalonaje basada en la nube, cuyos resultados se implementaron en DaVinci Resolve Studio 18, para ...

El sádico Santa Claus de ‘Violent Night’, etalonado con DaVinci Resolve Studio

El sádico Santa Claus de ‘Violent Night’, etalonado con DaVinci Resolve Studio
22 December 2022

[+]

David Husset (Company 3) ha decidido etalonar con DaVinci Resolve Studio Violent Night, película de acción dirigida por Tommy Wirkola y protagonizada por una ...

‘No mires arriba’ (Netflix), etalonada con DaVinci Resolve Studio

'Don't Look Up' (Netflix), graded with DaVinci Resolve Studio
18 February 2022

[+]

Matt Wallach (Company 3) recurrió al software de postproducción DaVinci Resolve Studio de Blackmagic Design para etalonar No mires arriba (Netflix). La película No ...

‘Alerta Roja’ (Netflix), etalonada con DaVinci Resolve Studio

‘Alerta Roja’ (Netflix), etalonada con DaVinci Resolve Studio
19 January 2022

[+]

DaVinci Resolve Studio de Blackmagic Design ha sido el programa elegido para la corrección de color de Alerta Roja, una de las últimas producciones ...

‘Jack Ryan: Operación Sombra’, etalonada con DaVinci Resolve

'Jack Ryan: Operation Shadow', graded with DaVinci Resolve
31 January 2014

[+]

The film's director, Kenneth Branagh, the colorist of the London post-production company Company 3, Rob Pizzey, and the head of photography, Haris Zambarloukos, ...

Company 3 utiliza DaVinci Resolve en los grandes estrenos de la temporada

Company 3 utiliza DaVinci Resolve en los grandes estrenos de la temporada
21 December 2012

[+]

El software de Blackmagic Design ha sido empleado por la postproductora estadounidense en películas como ‘Skyfall’, ‘Les Misérables’, ‘Zero Dark Thirdy’ o ‘Prometheus’, entre ...

DaVinci Resolve posibilita una estética “muy Ridley Scott” en ‘Prometheus’

DaVinci Resolve posibilita una estética “muy Ridley Scott” en ‘Prometheus’
25 June 2012

[+]

La postproductora Company 3 ha utilizado DaVinci Resolve de Blackmagic para la gradación de color de cuatro versiones diferentes de la nueva película del ...

Traducción

Automatic Translation/Traducción automatizada

Videoteca

Provys EN IBC 2025


Bantec En Ibc 2025


Sapec at IBC 2025

  • Free RSS subscription Free RSS subscription
  • Directly in your feed reader
  • Recommend website to a friend
  • Subscribe to the free newsletter

Agenda

  • » INTERBEE 2025
    19 11 2025 - 21 11 2025 | Tokyo (Japan) | Fair
    » more info
  • EITB renews its news set and the main Radio Euskadi studio, betting on spectacularity
  • Spotify's path in podcasts: from the era of originals to the video revolution
  • CrossMedia plays a key role in the consolidation of RTVE Play
  • RTVE will launch its Catalan channel on October 13: this is the 2Cat
  • The production of 376 feature films in 2024 certifies the success of the Spain Audiovisual Hub model
  • Yamaha to take over Steinberg's hardware business
  • Stage Servicios deploys Wisycom's RF solutions to cover the Viña del Mar Festival
  • «Dead Girl Summer»: a mystery story told through Blackmagic's URSA Cine 12K LF
  • Actus (LiveU) and Pikolo create a unified monitoring solution for broadcast environments
  • 'How much, how much, how much' reaches prime time on La 1

Most read of the last 30 days

  • Who is who in the new management organization chart of RTVE
  • Pioneer technology on the new 3Cat news set
  • RTVE breaks barriers in virtual production with Unreal Engine
  • Creating for content creators: an audiovisual market to exploit
  • Trends and future of movement systems in Broadcast environments
  • Ross: A look at integrated news flows and automation potential
  • Warner Bros. Discovery separates into two companies: study and streaming, and television
  • The Floor (RTVE): the technical keys to a unique staging
  • Pedro Almodóvar begins the filming of ‘Bitter Christmas’
  • Ted Saraonds (Netflix): «For the next four years we will invest more than one billion euros in Spain»

RSS Last minute with Europa Press

  • Former ZeniMax Online Studios employees join Sackbird Studios, which is already working on a new original title
  • New scam on WhatsApp: the 'Vote for my son' fraud steals accounts to send fake messages and ask for money
  • realme teams up with Ricoh to recover authenticity in mobile photography with the realme GT 8 Pro
  • Discord clarifies that the cyberattack on a third-party provider has exposed official documents of 70,000 users
  • We tested Google Pixel Buds 2a: everyday headphones with clear sound and good isolation with noise cancellation
  • We tried the roborock q10 s5+, which is called to be a brand sales of the brand
  • We tested OnePlus Nord 5, a very attractive option of the mid -range that stands out for its performance, drums and photography
  • How to connect my mobile to the wifi without having to put the password: three fast and easy methods
  • Thus you can prevent Facebook from accessing the photos of the mobile with your AI to make suggestions
  • So you can join the extended security updates program for Windows 10
  • X
  • LinkedIn
  • Youtube
Cookies policy | Who we are | Advertising | Legal Notice | Collaborate with us | Send press release | Contact

© 2024 Audiovisual Panorama - Underwood Comunicación SL

UnderWood Communication
×