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Artículos sobre ‘Company 3’

El etalonador Siggy Ferstl apoya a los equipos de VFX de ‘Avatar: The Last Airbender’ con DaVinci Resolve

Grader Siggy Ferstl Supports 'Avatar: The Last Airbender' VFX Teams with DaVinci Resolve
14 June 2024

[+]

Those responsible for the visual effects of the Netflix series 'Avatar: The Last Airbender' have relied on DaVinci Resolve's knowledge of the ...

Siggy Ferstl crea un universo ochentero de humor y terror para ‘Totally Killer’ con DaVinci

Siggy Ferstl crea un universo ochentero de humor y terror para ‘Totally Killer’ con DaVinci
19 January 2024

[+]

‘Totally Killer’, película estrenada en Prime Video que homenajea en su tratamiento de color a los slashers de los 80s y 90s, fue ejecutada ...

El nuevo tráiler de Christie, protagonizado por la nueva generación de cineastas

El nuevo tráiler de Christie, protagonizado por la nueva generación de cineastas
12 December 2023

[+]

El nuevo tráiler de cine de Christie, estrenado en CineAsia, ha sido creado por Mila Paulman, estudiante de cuarto curso de cine y producción ...

‘Barbie’, mejor etalonaje del año según los premios FilmLight Colour Awards 2023

'Barbie', best grading of the year according to the FilmLight Color Awards 2023
13 November 2023

[+]

Los ganadores de los premios FilmLight Colour Awards 2023, liderados por la película Barbie de Greta Gerwig, han sido desvelados en una ceremonia por ...

Company 3 y SpinVFX emplean DaVinci Resolve Studio en la película ‘Big George Foreman’

Company 3 y SpinVFX emplean DaVinci Resolve Studio en la película ‘Big George Foreman’
3 July 2023

[+]

‘Big George Foreman’, dirigida por George Tillman Jr., empleó la solución DaVinci Resolve Studio (Blackmagic Design) para crear imágenes de los espectadores por parte ...

‘El señor de los anillos: los anillos de poder’, finalizada en la nube con DaVinci Resolve Studio

'The Lord of the Rings: The Rings of Power', finished in the cloud with DaVinci Resolve Studio
22 February 2023

[+]

Blackmagic Design and Company 3 developed a cloud-based grading tool, the results of which were implemented in DaVinci Resolve Studio 18, to...

El sádico Santa Claus de ‘Violent Night’, etalonado con DaVinci Resolve Studio

El sádico Santa Claus de ‘Violent Night’, etalonado con DaVinci Resolve Studio
22 December 2022

[+]

David Husset (Company 3) ha decidido etalonar con DaVinci Resolve Studio Violent Night, película de acción dirigida por Tommy Wirkola y protagonizada por una ...

‘No mires arriba’ (Netflix), etalonada con DaVinci Resolve Studio

‘No mires arriba’ (Netflix), etalonada con DaVinci Resolve Studio
18 February 2022

[+]

Matt Wallach (Company 3) recurrió al software de postproducción DaVinci Resolve Studio de Blackmagic Design para etalonar No mires arriba (Netflix). La película No ...

‘Alerta Roja’ (Netflix), etalonada con DaVinci Resolve Studio

‘Alerta Roja’ (Netflix), etalonada con DaVinci Resolve Studio
19 January 2022

[+]

DaVinci Resolve Studio de Blackmagic Design ha sido el programa elegido para la corrección de color de Alerta Roja, una de las últimas producciones ...

‘Jack Ryan: Operación Sombra’, etalonada con DaVinci Resolve

'Jack Ryan: Shadow Operation', graded with DaVinci Resolve
31 January 2014

[+]

The director of the film, Kenneth Branagh, the colorist of the London post-production company Company 3, Rob Pizzey, and the head of photography, Haris Zambarloukos, ...

Company 3 utiliza DaVinci Resolve en los grandes estrenos de la temporada

Company 3 utiliza DaVinci Resolve en los grandes estrenos de la temporada
21 December 2012

[+]

El software de Blackmagic Design ha sido empleado por la postproductora estadounidense en películas como ‘Skyfall’, ‘Les Misérables’, ‘Zero Dark Thirdy’ o ‘Prometheus’, entre ...

DaVinci Resolve posibilita una estética “muy Ridley Scott” en ‘Prometheus’

DaVinci Resolve enables a “very Ridley Scott” aesthetic in ‘Prometheus’
25 June 2012

[+]

The post-production company Company 3 has used Blackmagic's DaVinci Resolve for the color grading of four different versions of the new film of the ...

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