2022 年圣丹斯电影节有 40 多个使用 Blackmagic 创建的项目

Over 40 projects featured at the Sundance Film Festival 2022 were created using 黑魔法设计 cameras, software and other devices.

These films and series include several award-winning projects such as the immersive documentary 32 Sounds, which used the Blackmagic URSA Mini Pro 4.6K model was used for certain shots and was colour graded in 达芬奇解决工作室; 892, in which security camera footage was captured with a Blackmagic Pocket Cinema Camera 6K unit and DaVinci Resolve Studio was used to colour grade and process the footage on set; and The Exiles, shot partially with a URSA Mini Pro 4.6K unit and colour graded in DaVinci Resolve Studio.

The virtual reality project Diagnosia 还使用 DaVinci Resolve Studio 来编辑其素材，电影节的大部分故事片也是如此，包括 召唤简、罪犯艾米丽、大师、复活、锋利的棍子 和 当你完成拯救世界时。

使用 Blackmagic 制作的 2022 年圣丹斯电影节项目

32 Sounds：电影摄影师 Shane Thomas McMillan 使用 URSA Mini Pro 4.6K 拍摄一些镜头。

892：摄影总监 Doug Emmett 使用 Pocket Cinema Camera 6K 设备拍摄安全摄像机镜头，而数字成像技术人员 Michael Borenstein 选择 DaVinci Resolve Studio 对样片进行颜色分级。此外，剪辑师 Chris Witt 使用 UltraStudio Monitor 3G 设备作为剪辑工作流程的一部分。

Diagnosia: Mengtai Zhang and Lemon Guo used DaVinci Resolve Studio to edit archival content on the project, as well as the trailer and explainer video, and an Intensity Pro 4K capture and playback card to record the screen.

Emily the Criminal: Cinematographer Jeff Bierman used DaVinci Resolve Studio on set to colour grade some shots.

这 Exiles: Director Ben Klein used a URSA Mini Pro 4.6K unit for certain shots.

God’s Country: Cinematographer Andrew Wheeler used DaVinci Resolve Studio and a DaVinci Resolve Mini Panel device to grade some images on set.

Jihad Rehab: Editor Evan Vetter used a Blackmagic Web Presenter to work remotely with the director during the editing stage.

A Love Song: Colourist Ernie Schaeffer (Splendor Omnia) used the Fusion module in DaVinci Resolve Studio to clean up the visual effects.

Neptune Frost: Assistant editor Skylar Zhang used DaVinci Resolve to create dailies as part of the editing process.

Resurrection: Visual effects supervisor Alex Noble (Wild Union Post) used DaVinci Resolve Studio.

Something In The Dirt: Directors Aaron Moorhead and Justin Benson, and editor Michael Felker used DeckLink 8K Pro capture cards.

Stranger Than Rotterdam: Cinematographer Ben Klein used a Pocket Cinema Camera 6K unit.

TikTok, Boom: DP Steve Acevedo used URSA Mini Pro 4.6K G2 and URSA Mini Pro 4.6K.

Sundance 2022 projects graded with DaVinci Resolve

2nd Chance was graded by Jane Tolmachyov of Goldcrest.

32 Sounds was graded by Natacha Ikoli of Nice Dissolve, with DI Supervisor Pierce Varous also using DaVinci Resolve Mini Panel, DaVinci Resolve Micro Panel, DaVinci Resolve Speed Editor, Smart Videohub 20×20 router, UltraStudio 4K, DeckLink SDI 4K and Mini Converter SDI to HDMI 6G throughout the post production pipeline.

892 was graded by Natasha Leonnet of Company 3.

后哪个 was graded by Joe Gawler of HARBOR.

blood was graded by Roman Hankewycz of HARBOR.

Brainwashed： Sex-Camera-Power was graded by Mike Sowa of FotoKem.

Bring on the Dancing Horses was graded by Bruce Bolden of Sugar Studios LA with a DaVinci Resolve Advanced Panel.

Call Jane was graded by Nat Jencks of PostWorks New York.

这 Cathedral was graded by Steve Beganyi of Goldcrest.

Cha Real Smooth was graded by Nat Jencks of PostWorks New York.

Champ was graded by Luke Cahill of Lightwave Post.

Chiqui was graded by Robert Wagnerman of Haym Pictures.

DOWNFALL: The Case Against Boeing was graded by Luke Cahill of Different By Design.

Emily the Criminal was graded by Walter Volpatto of Company 3.

Every Day in Kaimukī was graded by Abraham Williams with a DaVinci Resolve Mini Panel.

The Exiles was graded by Samuel Gursky of Irving Harvey.

Framing Agnes was graded by Arlene Moelker of Picture Shop Toronto.

Girl Picture was graded, online edited and finished by Petri Falkenberg of Grade One.

Honk for Jesus, Save Your Soul was graded by Billy Gabor of Company 3.

A House Made of Splinters was graded, online edited and finished by Anders Vadgaard Christensen of Kong Gulerod Film ApS.

I Didn’t See You There 由 Nice Dissolve 的 Natacha Ikoli 进行调色，DI 主管 Pierce Varous 还在整个后期制作流程中使用 DaVinci Resolve Mini Panel、DaVinci Resolve Micro Panel、DaVinci Resolve Speed Editor、Smart Videohub 20×20、UltraStudio 4K、DeckLink SDI 4K 和 Mini Converter SDI to HDMI 6G。

简氏族 由 Goldcrest 的 Ken Sirulnick 评分。

Jihad Rehab was graded by Luke Cahill of Different By Design.

莱昂诺永远不会死 由蒂米·托雷斯评分。

活的由 Company 3 的 Joseph Bicknell 评分。

A Love Song 由 Splendor Omnia 的 Ernie Schaeffer 调色。

掌握由 Light Iron 的 Sam Daley 调色。

一百由 Company 3 的 Kath Raisch 评分。

我的老学校 由乔恩·布鲁斯 (Jon Bruce) 调色，并由刘易斯·卡迈克尔 (Lewis Carmichael) 在线编辑和完成，两人都来自 Blazing Griffin 后期制作。

我的西班牙之旅 由 RKM Studios 的 Ryan McNeal 调色。

Resurrection was graded by Nat Jencks of PostWorks New York.

锋利的 戳 was graded by Nat Jencks of PostWorks New York.

警报器 由 Nice Shoes 的 Maria Carretero 评分。