Marvel's revival and other summer hits take shape with Blackmagic Design

45 films released this summer, including 'Fantastic Four: First Steps', 'Final Destination: Blood Ties' and 'I Know What You Did Last Summer', were created with different Blackmagic Design, whether cameras or DaVinci Resolve post-production software.

The model URSA Mini Pro 12K and other cameras Blackmagic Design were featured in films such as Final Destination: Blood Ties o Spinal Tap II: The End Continues, while the application Blackmagic Camera It was used in feature films like I know what you did last summer, 28 years later o Friendship. Additionally, DaVinci Resolve Studio It reaffirmed itself as the reference grading software with its participation in dozens of films.

This is the complete list:

• 28 years later – Director of photography Anthony Dod Mantle used the Blackmagic Camera application combined with iPhone 15 Pro phones adapted for cinematographic lenses.
• The accountant 2 – Graded by Yvan Lucas (Company 3). Post-production company 22DOGS used DaVinci Resolve Studio to oversee sequence continuity and quality control, under the direction of special effects supervisor Matteo Corbi.
• The Alto Knights – Graded by Stefan Sonnenfeld (Company 3). Digital imaging technician Daniele Colombera used DaVinci Resolve, a Blackmagic MultiView 4 device, SmartView monitors, and several Blackmagic Design converters.
• Amateur – Etalonada por Stefan Sonnenfeld (Company 3).
• another small favor – Etalonada por Stefan Sonnenfeld (Company 3).
• Ash – Post-producer PRPVFX carried out the visual effects using Fusion Studio.
• Ballerina – Graded by Jill Bogdanowicz (Company 3). Digital imaging technician Dániel Farkas used DaVinci Resolve Studio on set.
• Stray bullet (España) – Etalonada por Tim Stipan (Picture Shop).
• The chronology of water – Etalonada por Natasha Leonnet (Picture Shop).
• Clown in a Cornfield – Graded by David Tomiak (Elemental Post).
• Dangerous Animals (Spain) – Graded by Ferg Rotherham.
• Downton Abbey: The Grand Finale – Digital imaging technician Matthew Hicks used DaVinci Resolve software and DeckLink capture and playback cards.
• Eddington – Digital imaging technician Gabriel Kolodny used DeckLink Duo 2 and DeckLink Quad 2 capture and playback cards, as well as DaVinci Resolve software.
• The Fantastic Four: Getting Started – Etalonada por Stefan Sonnenfeld (Company 3).

• Terror Street: The Dancing Queen – Etalonada por Mark Kueper (Picture Shop).
• Final Destination: Blood Ties – Graded by Paul Westerbeck (Picture Shop). Director of photography Christian Sebaldt used the URSA Mini Pro 12K and Pocket Cinema Camera 6K Pro digital cinema cameras for segments of the principal shoot.
• Freaky Tales – Etalonada por Tony Dustin (Company 3).
• Friendship – The production used the Blackmagic Camera app on iPhone phones.
• Heads of State – Graded by colorist Adam Glasman (Goldcrest Post). Maria Chamberlain and Sara Buxton worked on additional grading and Guilhem Coulibaly did the final editing. DaVinci Resolve was also used in the digital copy laboratory and grading (Cinelab UK).
• From heaven to hell– Graded by Alex Bickel (Color Color Collective).
• Horsegirls – Etalonada por Natasha Leonnet (Picture Shop).
• How to train your dragon – Graded by Adam Glasman (Goldcrest Post). Maria Chamberlain provided additional grading and Harry Field provided final editing (Goldcrest Post).
• I know what you did last summer – Morgan Wright (Repeater Productions) used the Pocket Cinema Camera 6K Pro model to shoot VFX footage. Digital imaging technician Ben Hunt also used a variety of Blackmagic Design converters and matrix switchers.
• Jurassic World: Rebirth – Graded by colorist Paul Ensby (Goldcrest Post). Additional grading was done by Laura Pavone and final editing by Colin Foulkes, Harry Field, Ellie Clissett and Isabelle Soole.
• Lilo y Stitch – Graded by Alex Bickel (Color Collective).
• The Luckiest Man in America – Etalonada por Alastor Arnold (FotoKem).
• M3GAN 2.0 – Digital imaging technician Caleb Staines used several UltraStudio capture and playback equipment, as well as various Blackmagic Design converters.
• A Minecraft movie – Graded by Jill Bogdanowicz (Company 3). A. Kyo Moon, digital imaging technician, used DaVinci Resolve Studio, as well as UltraStudio and DeckLink capture and playback solutions.
• Oh, Hi! – Etalonada por Sam Daley (Picture Shop).
• Paradise Records - Etalonada por Frederik Bokkenheuser (Picture Shop).

• Pinch – Etalonada por Natasha Leonnet (Picture Shop).
• The Plague – Etalonada por Natasha Leonnet (Picture Shop).
• Ponyboy – Graded by Kath Raisch (Company 3). Digital imaging technician Michael Ashley used several Blackmagic Design Micro Converters, Blackmagic Videohub matrix switchers, and DeckLink capture and playback cards.
• Screamboat. The ship of terror (Spain) – Editor Patrick Lawrence used DaVinci Resolve for finishing.
• She Dances – Etalonada por Chris Boyer (Picture Shop).
• The Shrouds – Graded by Company 3. VFX Production Supervisor Peter McAuley used DaVinci Resolve software and various capture and playback devices from Blackmagic Design.
• Sketch – Cinematographer Megan Stacey used the Blackmagic Cinema Camera 6K for some shots. Colorist Loren White performed color grading using DaVinci Resolve Studio, and digital imaging technician Anthony Guerrero used a Video Assist 7” 12G HDR monitor and recorder, DaVinci Resolve, DeckLink Mini Recorder 4K and DeckLink Mini Monitor 4K, Blackmagic Smart Videohub 20×20 matrix switchers, and a Blackmagic MultiView 4K.
• Skillhouse – Post-production was carried out by David Prindle using DaVinci Resolve to complete the finishing and various aspects of editing.
• Pitufos – Etalonada por Mitch Paulson (Picture Shop).
• Spinal Tap II: The End Continues – Graded by Siggy Ferstl (Company 3). Digital imaging technician Robert Barr used a variety of Videohub devices and DeckLink capture and playback cards.
• Superman – Graded by Stefan Sonnenfeld (Company 3). Editor Craig Alpert also used Blackmagic Design capture and playback devices.
• The Surfer – Graded by Gary Curran. The finishing was done by Arnaud Rigaud (Outer Limits).
• Thunderbolts* – Etalonada por Stefan Sonnenfeld (Company 3).
• Together – Graded by CJ Dobson (At Soundfirm, Moodlab's digital intermediate studio).
• The wedding banquet – Digital imaging technician Richard McSweeney used a Blackmagic Videohub 20x20 12G matrix switcher, a SmartScope Duo 4K monitor, and an UltraStudio 4K Mini device.
• The shadow woman – Graded by Mitch Paulson (Company 3). Digital imaging technician Justin Paul Warren used DaVinci Resolve software, as well as various DeckLink capture and playback cards and converters.