Zooms Alura de ARRI, disponibles en Redcam5 July 2011 [+] Con focales de 18 a 80mm y de 45 a 250mm, la nueva gama de zooms nacidos de la mejor ingeniería de ARRI, son ...
Ovide colabora con Technicolor en la presentación de DP Lights10 June 2011 [+] Ovide ha estado presente en las Jornadas ‘DP Lights, de la cámara a la televisión’ organizadas por Technicolor aportando una cámara ARRI Alexa y ...
The ARRI Alexa Plus available in Ovid24 May 2011 [+] The first ARRI Alexa Plus in Spain arrive at Ovide, an upgrade that incorporates new utilities and adds a Mon Out output and power...
Ovide participates in 'Palomitas', a new humor space at El Terrat12 May 2011 [+] Telecinco has premiered this week 'Palomitas', a new space produced by El Terrat in a project headed by José Corbacho dedicated to the world of...
ARRI and Cameron-Pace Group sign an agreement to develop 3D12 April 2011 [+] ARRI has announced in Las Vegas a strategic agreement with Cameron-Pace Group to collaborate in the development of the stereoscopic market. Additionally, ARRI will expand the...
Redcam adds another ARRI Alexa to its rental catalog10 February 2011 [+] Redcam, a specialist in ultra-high definition digital cinema, has just added its second ARRI Alexa to its rental catalogue, which will come...
La BBC homologa las cámaras para captación de HD10 January 2011 [+] BBC está acelerando la velocidad a la que está migrando todos sus procesos en un entorno en alta definición. Para unificar criterios, publicó una ...
Mozart Rock Opera on the big screen in 3D with 3ality Digital and ARRI27 December 2010 [+] The Mozart Rock Opera, which has been performed in Paris since November, has been recorded these days in stereoscopic by the Korean broadcaster SK Telecom...
Bet Rourich and his experience with the ARRI Alexa in ’88’ by Jordi Mollà17 December 2010 [+] Bet Rourich has become the first cinematographer who, with '88' directed by Jordi Mollà, has filmed in Spain with the...
Cinedeck Extreme v2: 2K/HD recording anywhere15 December 2010 [+] Cinedeck now has Extreme 2.0 on the market, the new version of the first “all-in-one” solution on the market for recording...
ARRI and Colorfront join forces to facilitate digital dailies14 September 2010 [+] ARRI and Colorfront have launched at IBC 2010 a new digital product for dailies, the Colorfront On-Set Dailies, designed for use with the...
The British Molinare goes from 8 to 200 TB with the help of DVS and Quantum20 August 2010 [+] The first post-production company in the United Kingdom, Molinare, has just renovated its facilities to establish a centralized data workflow, with the maximum ...
Videoreport acquires two ARRI Alexa cameras17 June 2010 [+] The Vértice 360 Group company has acquired two Alexa digital cameras from ARRI. The camera supports Apple ProRes 422 (HQ) and ProRes 4444, ...
Kodak presenta dos nuevas películas Vision315 June 2010 [+] Kodak actualiza su gama de productos con el negativo color, Vision3 5213/7213 y el intermediate digital color 5254/2254, optimizado para trabajar con los actuales ...
Indio Films anticipates the summer for Estrella Damm10 June 2010 [+] The 'Puente de San Juan' spot from Estrella Damm's summer campaign, made like last year's by Fran Torres, is...
'Let the ugly die', country cinema in its purest form5 May 2010 [+] Nacho G. Velilla claims in his second film 'Que se mueran los feos', the right of "the ugly" to be protagonists of a comedy...
El 16Digital SR Mag de P+S Technik, en fase de pruebas14 April 2010 [+] Este año P+S Technik tiene previsto dar el gran salto a la resolución digital con el esperado lanzamiento del grabador 16Digital SR Mag, actualmente ...
Alexa, ARRI's new digital camera, dazzles NAB14 April 2010 [+] Simplicity, immediate access to ProRes 422 and 444 brings a new level of productivity for professionals in the film market and...
Juego de luces y blancos en ‘El grifo’8 April 2010 [+] Con fotografía de Juan Carlos Gómez y dirección de Denis Rovira, Continental Producciones rueda con una ARRIFlex D21 suministrada por EPC un interesante corto ...
'The Pacific': the most expensive series on television returns to 35mm.15 March 2010 [+] Set during the American intervention in the Pacific in World War II, Canal+ premieres today 'The Pacific', the series, produced by HBO, Playtone...
'The Consul of Sodom', immersive atmosphere in Super 16mm20 January 2010 [+] With photography by José David Montero, Sigfrid Monleón's new film was shot in Super 16mm with Kodak Vision film. EPC supplied...
¿Cómo operar con la Canon D5 y D7 como si fuera un camcorder HD profesional?14 January 2010 [+] Las Canon D5 y D7 son mucho más que una cámara de fotos. Muchos profesionales del vídeo están llevando a cabo interesantes rodajes con ...
EPC in the Goya finalist films13 January 2010 [+] Many of the films that will compete at the XXIV edition of the Goya Awards have used EPC equipment in their filming. 'After', 'The...
'V Extraterrestrial Invasion': the lizards return with D-213 December 2009 [+] 'V' cinematographer Stephen Jackson is making the most of the ARRIFlex D-21 by incorporating numerous green chroma visual effects. ...
Kodak teaches a 16mm Film Workshop in Alcalá de Henares23 November 2009 [+] The directors of photography Randall J. Tack and Jesús Haro coordinated, coinciding with the Alcalá de Henares Festival, a Film Workshop in ...
Camera on the shoulder and S16, the basis of Alfonso Postigo in 'Yo, also'9 November 2009 [+] "I think the director of photography should be a support for the director. At the end of the day, what our...
ARRI Relativity, full control over texture and timing2 June 2009 [+] ARRI introduces a powerful new suite of software tools that offers unprecedented control of texture and timing using...
Texture control for digital intermediation21 April 2009 [+] ARRI, in collaboration with Cinnafilm, develops software that provides full manipulation and interactive control of image texture in processes...
