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https://www.panoramaaudiovisual.com/en/2021/09/01/cannes-grand-jury-prize-winner-compartment-no-6-davinci-resolve/

戛纳评审团大奖得主“Compartment No. 6”，使用 DaVinci Resolve 调色

6 号隔间 - DaVinci Resolve

Colorist Sandra Klass decided to color grade the film Compartment no. 6, winner of the Grand Jury Prize at the last Cannes Film Festival， 和 Blackmagic Design 的 达芬奇解决软件。

导演是 尤霍·库斯马宁 and with cinematography by J·P·帕西, the film is an adaptation of the novel written by 粉红色喜欢 in 2011. The film, which was shot on 柯达 500T negatives, tells the story of a young Finnish woman who takes a train from Moscow to visit an archaeological site in the Arctic Circle. Forced to travel in the same compartment with a stranger, the chance encounter gradually reconciles these two people at odds.

Klass emphasizes that from the very beginning they pursued the goal of achieving in Compartment no. 6 the “feel of the 90s movies.” “We liked the early scans, over saturated, with different mixed color sources,” she says.

6 号隔间 - DaVinci Resolve

The challenge of night shoots

One of the main challenges for 克拉斯 was the slightly underexposed dark areas, a consequence of filming night shots on the train: “Inevitably, some expressions were lost in those scenes. So, I tracked windows onto faces and lit them up. However, this created digital noise over the existing film grain”.

Fortunately, the colorist was able to overcome this using 达芬奇决心: “I was able to add selective noise reduction, which left some of the grain, so it looked natural with the rest of the frame, but otherwise hid the large push up in exposure.” Klass is fully satisfied with the use of Blackmagic’s software in production: “I am a huge fan of the secondary saturation, hue and luminance controls in DaVinci Resolve. Simple tools that allow for subtle changes.”

6 号隔间 - DaVinci Resolve

Films screened at Cannes that were graded with DaVinci Resolve

Main Competition

  • 有福的 colored by Serge Anthony / M141
  • Bergman Island colored by Peter Bernaers / The Post Republic and Studio L’Equipe
  • Everything Went fine colored by Richard Deusy / M141
  • 卖旗日 colored by Stefan Sonnenfeld / Company 3
  • Hytti nro 6 colored by Sandra Klass
  • 红色火箭 colored by Alastor Arnold / Fotokem
  • The Divide colored by Christophe Bousquet / M141
  • The French Dispatch colored by Gareth Spensley / Molinaire
  • The Restless colored by Veerle Zeelmaekers / Studio L’Equipe

一种关注

  • 蓝河口 colored by Tom Poole / Company 3
  • Gaey Wa’r colored by Junkun Sheng / Cutting Edge Pictures
  • Good Mother colored by Elie Akoka / M141 and won the Un Certain Regard Ensemble Prize
  • 羊肉 colored by Eggert Baldvinsson / TrickShot and won the Un Certain Regard Prize of Originality
  • 小野田 colored by Gadiel Bendelac / Micro Climat Studios
  • The Innocents colored by Emil Eriksson / Zentropa

International Critics’ Week

  • Anaïs in Love colored by Serge Antony / M141
  • 奥尔加 colored by Charles Freville / Micro Climat Studios
  • 软妹 colored by Yov Moor / Micro Climat Studios
  • 一个表现良好的年轻女孩 colored by Richard Deusy / M141
  • Zero Fucks Given colored by Loup Brenta / Cobalt Films

Special Screenings

  • 比我们大 colored by Richard Deusy / Lumières Numériques and Poly-Son
  • 我的爱我的爱, colored by Vincent Amor / Poly-Son
  • The Crusade colored by Richard Deusy / Poly-Son

Short Film

  • 莉莉一个人 colored by Yov Moor / Poly-Son
  • 黑士兵 colored by Charles Fréville / Poly-Son

Out of Competition

  • Bloody Oranges colored by Gadiel Bendelac / Micro Climat Studios
  • Stillwater colored by Tom Poole / Company 3

Midnight Screenings

  • 至尊 colored by Mathieu Caplanne / Poly-Son
  • 特拉拉拉 colored by Yov Moor / M141

戛纳首映

  • Hold me tight colored by Richard Deusy / Poly-Son

海滩电影院

  • 汤姆·梅迪纳 colored by Yov Moor / Poly-Son

Director’s Fortnight

  • A Brighter Tomorrow colored by Christophe Bousquet / Poly-Son
  • 海浪之间 colored by Laurent Ripoll / Poly-Son
  • 克拉拉·索拉 colored by Peter Bernaers / Studio L’Equipe
  • Our Men colored by Peter Bernaers / Cobalt Films
  • Returning to Reims by Amine Berrada / Micro Climat Studios
  • 前方的大海 colored by Peter Bernaers / Cobalt Films

酸

  • 打倒国王 colored by Alex Berman / Goldcrest Post NY
  • 我自由了 colored by Loup Brenta / Cobalt Films
经过，2021 年 9 月 1 日，部分：后处理

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