Blackmagic adds more than 300 new features to the new version 17 of DaVinci Resolve

Among them, it includes HDR grading, Magic Mask function with artificial intelligence, optimized editing and greater ease of use in the Fairlight module.

The thousands of users of DaVinci Resolve You are in luck because Blackmagic Design just launched the version 17 (still in beta) that includes more than 300 innovative features such as HDR grading, redesigned primary color controls, a next-generation Fairlight audio engine capable of processing 2,000 tracks in real time, and dozens of time-saving tools such as the new inspector, clip metadata visualization, and a revolutionary way to organize bins.

DaVinci Resolve 17 is a major update to the program with more than 100 new features and 200 improvements. He Color module It offers innovative features that make grading images with high dynamic range easier, as well as redesigned controls for primary corrections and a tool called Magic Mask that works through artificial intelligence.

For his part, the Fairlight module provides more ways to select different ways to edit with the keyboard and mouse, plus Fairlight Audio Core and FlexBus, two next-generation audio engines that can process more than 2,000 tracks. Additionally, a metadata clapperboard with bin dividers, extended waveforms for audio trimming, smart reframing, a unified inspector, and dozens of additional features that streamline workflows are included. In turn, compositions created in the Fusion module can now be used to create effects, titles or transitions in the Editing and Editing modules.

DaVinci Resolve 17 includes extraordinary creative tools for colorists. Furthermore, it has improved bullet layout and Power Window, while the Color module offers more options for split-screen dimming, a luminance vs. additional saturation, optimized graphical representations and support for 17-point three-dimensional conversion tables (LUT).

He nuevo panel HDR allows you to create color wheels with custom fades for specific tonal ranges, giving you greater creative control when making subtle adjustments. These circles include controls for exposure and saturation in each area, in addition to taking into account the color space, in order to achieve more uniform results.

The Grid Chroma Warping tool allows you to modify two parameters simultaneously, for example, hue and saturation, or chrominance and luminance. Adjustments are made by dragging control points, providing the ability to fade gradually for a sharper, more natural look. It's a completely different way to transform color in shots.

It has never been easier to select and track people to make specific adjustments. In this sense, the new function Magic Mask uses DaVinci's neural engine to automatically create masks for an individual's entire body or specific parts, such as the face or arms. Additionally, it includes tools that allow you to make subtle adjustments, add or remove strokes, or perform automatic tracking.

The new space DaVinci Wide Encountert and settings DaVinci Intermediate for intermediate tones they provide an internal and universal chromatic work area. This space covers more than what the cameras can capture and is larger than other options, such as BT.2020, ARRI or even ACES AP1. This way, you will never lose information, no matter where the images come from.

Fairlight module

The update to the Fairlight module in DaVinci Resolve 17 is one of the largest since its inception and includes innovative improvements, tools and features to deliver unparalleled quality during audio post-production.

The innovative selection mode and new key combinations allow access to functions that were previously only possible through the component Fairlight Audio Editor and speed up editing greatly. If you've already used other digital audio workstations, these intuitive and familiar tools will give you the opportunity to get up and running without delay.

Fairlight Audio Core is a next-generation, low-latency engine that intelligently manages the workload by using all CPU cores and threads, as well as the optional Fairlight Audio Accelerator card. This allows you to manage a maximum of 2000 tracks with equalization, dynamics processors and 6 plugins for each of them in a single system.

The FlexBus architecture uses multifunction buses with up to 26 channels instead of fixed ones. In this way, it is possible to assign tracks to buses or vice versa, and even buses to other buses, with as many layers as necessary, to create highly complex mixes without any limitations.

The new tool transient analysis automatically detects words, beats or sound effects and indicates them using vertical lines in the audio waveform. It is possible to switch from one to the other using the arrows on the keyboard. This makes it easier to identify certain parts of a sound for later editing.

Fairlight Audio Core and FlexBus provide the opportunity to work on complex projects with thousands of tracks on a single system. Previously, this required synchronizing multiple IT devices with a primary system. Additionally, DaVinci Resolve's user collaboration tools allow multiple editors to work simultaneously on the same project.

Assembly Module

The Montage module in DaVinci Resolve 17 includes innovative features that allow finish projects faster.

The metadata clapperboard With tray dividers, it simplifies the search and organization of clips according to the scene, shot or camera, among other options. Using this feature in tape mode, you can switch between scenes or groups of shots with ease.

On the other hand, it provides the opportunity to edit in HD 16:9 or UHD and quickly create versions with a square or vertical aspect ratio to post the images to Instagram and other similar applications. DaVinci's Neural Engine identifies faces and automatically relocates them to the new frame.

Now it's much easier to find the right effect, transition or title. The column view displays a greater amount of content and eliminates the need to scroll. In turn, descriptive icons allow you to quickly search for what you need, and you can move the mouse pointer over any object to see a preview in the viewer instantly.

Las live productions recorded with ATEM Mini Pro ISO mixers can be opened in the usual way for editing. In this sense, the synchronization tray allows you to make changes or even replace sockets. In addition, there is the option to use the material obtained through the switcher or relink the Blackmagic RAW files from the camera for UHD editing.

He Editing module includes dozens of innovative features requested by professional editors.

It is now possible to create separate proxy files that are easily organized and not only significantly improve system performance but also project portability. The resolution of these files can be up to 1/16 of that of the original material, and the option to save them in H.264, H.265, ProRes or DNxHR format is provided. It even offers the opportunity to generate them internally or externally, through third-party tools.

Now it's easier create synchronized multicam clips. Simply stack them on the timeline and use the new auto-align tool to sync them based on timecode or audio waveform. Additionally, it is possible to move clips to a certain position to generate a sync map. It should be noted that timelines can be converted to a multi-camera or composite clip.

The new accessories ResolveFX 3D, HSL y Luma Keyer They allow compositions to be made directly on the timeline of the Editing and Assembly modules. Additionally, support is provided for alpha channels from ResolveFX and OpenFX or other built-in plugins, as well as external skins, to provide a wider range of options.

The local rendering allows rendering any part of the timeline. Once the process is complete, it is possible to move, edit and trim the rendered material without having to do it again. These files are easy to move or organize.

On the other hand, it is possible to modify a clip before editing it in the timeline. This allows you to make changes to RAW settings, add a conversion table (LUT), reassign audio tracks and resize the image before proceeding to edit the footage.

Individual trays and timelines can now be imported and exported, making it easier to collaborate between different users. The files are so small that they can even be sent via email.

The possibility of process timelines with interlaced images allows you to achieve higher quality when creating titles and compositions. DaVinci's Neural Engine analyzes movement between fields to reconstruct frames in progressive format. Additionally, the opportunity is provided to remove inserted frames when performing 3:2 conversions in real time.

It is also possible to save compositions created in the Fusion module as templates to use in the Editing or Assembly module. New animation curve modifiers automatically resynchronize animations when changing their duration. In turn, the display of the waveform when playing the audio makes it easy to create precise animations, and it is possible to share markers with the Edit module.

Likewise, they have been added 27 ResolveFX Addons dynamic through the use of the GPU to the Fusion module, including noise reduction, as well as the sharpening tools used in the Color module. Markers in the node view, meanwhile, simplify navigation in complex compositions. Additionally, the ability to customize the toolbar and organize elements vertically in the node editor is provided.

Los nodal structure markers They allow you to quickly navigate complex compositions. In turn, customizable toolbars provide the opportunity to switch between them depending on the task performed, while, by organizing the nodal structure vertically, it is possible to view keyframe and parametric curve editors when creating animations.

New navigation

The Assembly module provides support for new formats in the Edit module, more delivery options, and a unified inspector in the Assembly, Editing, Media and Fairlight modules. Additionally, it offers consistent timeline navigation, optimized files and metadata, innovative resizing algorithms and smart filters, as well as bin sharing, and more GPU- and CPU-powered ResolveFX plugins.

Now everyone can create their own post production company. In this sense, the free version of the program includes collaboration tools that were previously only available in DaVinci Resolve Studio. In this way, several users can work simultaneously on the same project.

DaVinci Resolve 17 allows you to start edit files while they are being recorded. In this sense, it offers the possibility of decoding clips in QuickTime PNG, uncompressed 8-bit RGB, 10-bit YUV AVI and Panasonic 8K SHV formats.

Furthermore, the program offers camera file metadata support Blackmagic (RAW), ARRI, RED and Sony, also allowing you to decode and render EXR metadata from individual frames.

In addition to the use of languages ​​such as Python and Lua, DaVinci Resolve 17 provides new application programming interfaces (API) that allow you to integrate work dynamics and decode content. These give other developers the ability to combine resource management solutions with program capabilities and code plugins to add custom delivery options.

Grant Petty, CEO of Blackmagic Design, emphasizes that "this important update offers cutting-edge technology for specialists in color, audio, editing and visual effects. Although the new colorimetry, HDR grading and the greater ease of use of the Fairlight module are the highlights of this version, I am very proud of the thousands of small improvements that users will notice when using the program every day."

Main features

• High dynamic range grading with customizable tonal circles and zones.
• Chromatic distortion with a grid that offers an innovative way to transform color.
• Magic Mask function activated by DaVinci's neural engine that allows you to automatically isolate objects.
• Improved color management with tools that vary based on color space and tonal mapping.
• Large color spectrum to process images with better quality.
• Streamlined audio editing with new contextual tools when using the keyboard and mouse.
• Fairlight Audio Core engine with automatic workload compensation and the ability to process 2000 tracks.
• Revolutionary FlexBus architecture to distribute audio without limitations.
• Automatic transient detection for beats, words and sound effects.
• Capable of complex audio projects with thousands of tracks in a single system.
• Viewing metadata in the media panel or the Assembly module.
• Precisely trim audio in the Montage module's graphical tool and timeline.
• Intelligent reframing using DaVinci's Neural Engine in the Editing and Editing modules.
• Preview effects, titles and transitions in the Editing and Editing modules.
• Ability to import and edit project files generated on ATEM Mini Pro ISO mixers.
• Working dynamics with proxy files at 1/16 of the original resolution in H.264, H.265, ProRes or DNxHR format.
• Sync from the timeline to create composite and multi-camera clips.
• Support for alpha channels for creating masks and compositions in the Editing and Editing modules.
• Local rendering for clips with lots of effects in the Editing and Editing modules.
• Ability to modify clips before editing them in the timeline.
• Greater ease when sharing trays and timelines.
• Interlaced rendering and insert frame removal when performing 3:2 conversions.
• Bookmarks in the nodal structure, customizable toolbar in the Fusion module and vertical organization of nodes.
• Support for expandable files in the media panel.
• Support for frame metadata in Blackmagic RAW, ARRI, RED, Sony and EXR formats.
• API interfaces to integrate work dynamics and encode third-party content.