70 premieres from the fall TV season, created with Blackmagic solutions

The URSA Mini Pro 12K and Pocket Cinema Camera, or the DaVinci Resolve Studio software, among other products from Blackmagic, have served to shape more than 70 television and internet series and programs released in autumn 2022.

Among them are major premieres such as Baking It, Blue Bloods, CSI:Vegas, Heels, Grey’s Anatomy, Law and Order, Motherland, NCIS, Saturday Night Live, Station 19, The Good Fight, The Peripheral, The Simpsons, Wipeout, Young Sheldon o The Lord of the Rings: The Rings of Power.

The producer of this latest fiction, Ron Ames, transfers its experience with solutions Blackmagic: "In The rings of power, we use Blackmagic Design products throughout our cloud work. From material capture to display, Blackmagic Design teams played an essential role in facilitating the transfer of image information. We use a wide variety of tools, from recording to editing, visual effects and final grading.”

Series shot with Blackmagic cameras

• Big Sky: Cinematographer Ken Glassing used the Pocket Cinema Camera 4K for the accompanying shots.
• CSI: Vegas: Cinematographer Christian Sebaldt used the Pocket Cinema Camera 4K, Pocket Cinema Camera 6K, Pocket Cinema Camera 6K Pro, and URSA Mini Pro 12K for several specialized shots.
• Life By Ella: Cinematographer Steve Gainer used the URSA Mini Pro 12K model.
• The Lord of the Rings: The Rings of Power: Producer Ron Ames used Pocket Cinema Camera 6K Pro units as witness cameras, for background images used in visual effects and to work with the actors' eyelines, as well as various converters for real-time color review.
• Station 19: Cinematographer Christian Sebaldt (episodes 515 and 517) used the Pocket Cinema Camera 4K, Pocket Cinema Camera 6K, Pocket Cinema Camera 6K Pro, and URSA Mini Pro 12K for several specialized shots.
• The Game: Cinematographer Darren Genet (ASC) used the Pocket Cinema Camera 4K model for specific shots.
• Heels: On-set supervisor Josh Stevens (Crafty Apes) used the Pocket Cinema Camera 4K to capture background elements for the actors.
• Young Rock: Cinematographer Judd Overton used URSA Mini Pro 12K and Pocket Cinema Camera 6K Pro units for several shots.

Series whose VFX were created with Blackmagic solutions

• NCIS Season 20, The Neighborhood, What We Do in the Shadows y Wolf Pack: Visual effects supervisors John Gross and Fred Pienkos (Muse VFX) used Fusion Studio for digital image compositing.
• Blue Bloods: Visual effects supervisor Mike Warren (Filmworks/FX NY) used Blackmagic Production Camera 4K units for special effects shots and DaVinci Resolve Studio in his workflow, as well as Intensity Shuttle devices for playback of the clips.
• Home Economics: Shaley Brooks (Iris Digital Post) used Fusion Studio for certain VFX shots.
• The End Is Me: Visual effects supervisors Arthur Mesa and Jeremy Nelson used Fusion Studio in pre- and post-production, as well as to finalize the show.
• The Peripheral: The Crafty Apes editing team used DaVinci Resolve Studio in editing the visual effects.

Series postproducidas con DaVinci Resolve Studio:

• A Million Little Things, Young Rock y Reboot: Graded by Russell Lynch (ColorTime).
• Abbott Elementary, Anne Rice’s Interview With the Vampire, Kung Fu y The Walking Dead (season 11): Graded by Chris Boyer (Picture Shop).
• American Gigolo: Etalonada por Shane Harris (Picture Shop).
• Baking It y Wipeout: Edited by Yoram Tal C.S.I.
• Big Sky, DC’s Stargirl y The Cleaning Lady: Graded by Paul Allia (Picture Shop).
• Blue Bloods: Etalonada por Andrew Geary (Company 3).
• Bob Hearts Abishola: Etalonada por Sparkle (Picture Shop).
• Chef vs. Wild y Rat in the Kitchen: Graded by Ricardo Martinez.
• Chesapeake Shores: Graded by Achim Kapitza (24 Frames).
• Yellowjackets: Etalonada por Patrick Woodard (Point.360).
• Grey’s Anatomy y How We Roll: Graded by Randy Starnes and Andrew Starnes (Arsenal FX Color).
• Growing Up: Graded by Sal Malfitano (Nice Shoes).
• Legacies, Vampire Academy y Roswell, New Mexico: Etalonadas por Charlie Tucker (Point.360).
• Home Economics: Graded by Shaley Brooks (Iris Digital Post).
• Joe Pickett, New Amsterdam y The Good Doctor: Graded by Larry Field (Arsenal FX Color).
• Law and Order, Law and Order: Organized Crime y The Lord of the Rings: The Rings of Power: Graded by Skip Kimball (Company 3).
• Murdoch Mysteries: Etalonada por Michael Dobroski (Picture Shop).
• Ms. Marvel: Etalonada por Matt Watson (Marvel Studios Finishing).
• NCIS (Season 20) and NCIS Hawaii: Graded by George Delaney (Picture Shop).
• NCIS: Los Angeles: Graded by Thomas Galyon (DigitalFilm Tree).
• Our Kind of People, Rapsh!t y With Love: Graded by Rory Gordon (Arsenal FX Color).
• Reginald The Vampire: Editor Lisa Binkley used a Blackmagic eGPU to do remote post-production.
• Saturday Night Live: Filmed parts graded by Elias Nousiopoulos.
• Station 19: Graded by Roy Vasich (Picture Shop).
• SWAT: Etalonada por Siggy Ferstl (Company 3).
• Tell Me Lies: Etalonada por Mark Kueper (Picture Shop).
• The Endgame: Graded by Aidan Stanford (Arsenal FX Color).
• The Good Fight: Etalonada por Steven Bodner (Picture Shop).
• The Next Thing You Eat: Etalonada por Scott Klein (Light Iron).
• The Rookie: Graded by Dave Hussey (Company 3).
• Los Simpsons: Graded by Jason Fabbro (Picture Shop).
• Walker: Etalonada por Tony D’Amore (Picture Shop).
• Yellowstone: Etalonada by Bob Festa (Company 3).
• Young Sheldon: Etalonada por George Manno (Picture Shop).

Series produced with other Blackmagic products

• Los Goldbergs: Digital Imaging Technician Kevin Mills used DaVinci Resolve and Smart Videohub CleanSwitch 12×12, SmartView Duo, DeckLink Mini Monitor, DeckLink Mini Recorder, Mini Converter, and Blackmagic MultiView 4 HD devices.
• All American: Digital imaging technician Urban Olsson used DaVinci Resolve Studio and Smart Videohub 20x20, DeckLink Duo 2, DeckLink 4K Extreme 12G, UltraStudio HD Mini, UltraStudio 4K, Multiview 4, and Micro Converter SDI to HDMI 12G.
• Gossip Girl: Digital imaging technician Chloe Walker used Smart Videohub 20×20 and UltraStudio Express devices.
• Anne Rice’s Interview With the Vampire: Digital imaging technician Imanuel Smith used DaVinci Resolve Studio and UltraStudio 4K Mini devices.
• Kung Fu: Digital Imaging Technician Jonathan Yip used DaVinci Resolve and Smart Videohub 20×20, Smart Videohub Master Control Panel, Videohub Smart Control Pro, MultiView 4, DeckLink 8K Pro, DeckLink Duo 2, Micro Converter BiDirectional SDI/HDMI 12G, Mini Converter SDI Distribution 4K, and SmartView Duo 4K.
• La Brea: Digital imaging technician Reece Flemming used DaVinci Resolve and Smart Videohub, Video Assist 5” 12G HDR and Blackmagic MultiDock devices.
• Life By Ella: Cinematographer Steve Gainer used DaVinci Resolve to grade images on set.
• Motherland y 911: Digital imaging technician Michael Sanchez (Lonestar) used UltraStudio 4K and Smart Videohub 20×20 devices.
• Reasonable Doubt: Digital imaging technician Rob Rogers used several ATEM mixers.
• Station 19: Digital imaging technician John Reyes used DaVinci Resolve Studio to grade images on set.
• Wedding Season: Digital imaging technician Kerr Loy used DaVinci Resolve Studio and DeckLink Mini Monitor 4K devices.
• Wellington Paranormal: Digital imaging technician Alex Boyd used UltraStudio Mini Monitor and Mini Converter SDI to Audio devices.