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Articles about 'ARRI'

El nuevo modo multicámara de la ARRI AMIRA acerca la cámara al entorno broadcast

The new multi-camera mode of the ARRI AMIRA brings the camera closer to the broadcast environment
16 May 2017

[+]

The AMIRA's SUP 5.0 software update further refines the camera's multicam mode: a flexible and open interface for...

La ARRI Alexa recibe el reconocimiento de la Academia de Cine estadounidense

The ARRI Alexa receives recognition from the American Film Academy
16 February 2017

[+]

One of the arguments on which the Academy has based itself to grant this recognition is that since its release all the films ...

‘Cabezas habladoras’, Goya a un corto documental existencialista

'Talking heads', Goya to a short existentialist documentary
5 February 2017

[+]

Juan Vicente Córdoba, who already won a Goya for 'A Box of Buttons, directs a short film with an existentialist approach. Talking heads, by Juan...

El director de fotografía Óscar Faura supera el reto de integrar la creación digital y las escenas reales

Director of photography Óscar Faura overcomes the challenge of integrating digital creation and real scenes
5 February 2017

[+]

“If in 'The Impossible' we had to learn to generate a tsunami, in 'A Monster Comes to See Me' it was about generating a character through...

‘El Ministerio del Tiempo’ rueda esto días en Peñíscola

'The Ministry of Time' is filming these days in Peñíscola
16 January 2017

[+]

The wild beaches of Peñíscola become, under the direction of Jorge Dorado, the natural setting for the series produced by Onza and TVE. ...

Mota logró una estética de tv movie en su especial de Nochevieja con ARRI y Fujinon

Mota achieved a TV movie aesthetic in his New Year's Eve special with ARRI and Fujinon
11 January 2017

[+]

Two ARRI Alexa cameras with Ultra Prime fixed optics and Fujinon Alura Zoom, among the equipment chosen by the comedian for the special ...

Gareth Edwards rodó ‘Rogue One’ con la Alexa 65 de ARRI

Gareth Edwards filmed 'Rogue One' with the ARRI Alexa 65
9 January 2017

[+]

Para el rodaje de la película, su director, Gareth Edwards, junto al director de fotografía optó por la Alexa 65 de ARRI como cámara ...

Ramiro Civita logra el mejor retrato de la Patagonia con ARRI Alexa en ‘El invierno’

Ramiro Civita achieves the best portrait of Patagonia with ARRI Alexa in 'The Winter'
29 November 2016

[+]

The award-winning film was filmed in extreme conditions in Argentine Patagonia in 2.39:1 scope format with an Alexa EV Classic camera in ProRes...

‘La Catedral del Mar’ se rueda con equipos Ovide

'The Cathedral of the Sea' is filmed with Ovide equipment
2 November 2016

[+]

For filming, Diagonal TV, La Catedral del Mar AIE and Televisió de Catalunya, have several ARRI Alexa XR units equipped with lenses...

ARRI Alexa SXT: HDR nativo para grabaciones hasta ProRes 4K

ARRI Alexa SXT: native HDR for recordings up to ProRes 4K
16 September 2016

[+]

The Alexa SXT has great flexibility in terms of monitoring resources for quality control on set. Announced last year,...

El rodaje de ‘1898, los últimos de Filipinas’ llega a su fin

Filming of '1898, the Last of the Philippines' comes to an end
7 July 2016

[+]

Shot with ARRI, the production has taken place in natural environments in Guinea, Tenerife and Gran Canaria. After nine weeks in locations in Guinea,...

ARRI adquiere a Vitec Group la línea de estabilizadores Artemis

ARRI acquires the Artemis line of stabilizers from Vitec Group
19 April 2016

[+]

ARRI se hace cargo de los sistemas de estabilización de cámara Artemis hasta ahora en manos de Sachtler (Grupo Vitec) y en NAB 2016 ...

‘Kiki, el amor se hace’, de Paco León, rodada con equipos de WeLab

'Kiki, love is made', by Paco León, shot with WeLab equipment
31 March 2016

[+]

Director of photography Kiko de la Rica chose on this occasion to shoot with ARRI Amira cameras and Leica Summicron lenses – C...

La producción extremeña ‘Garantía personal’ se estrena en el Festival Internacional de cine policiaco de Lieja

The Extremaduran production 'Personal Guarantee' premieres at the Liege International Police Film Festival
30 March 2016

[+]

Rodrigo Rivas's debut feature, a co-production of Derivas Films with Estudios Auriga, begins its international career on April 15. Personal Guarantee,...

Efectista combinación de producción audiovisual y mapping en el videoclip de la canción favorita en Eurovisión 2016

Effective combination of audiovisual production and mapping in the video clip of the favorite song at Eurovision 2016
17 March 2016

[+]

Russian singer Sergey Lazarev jumps to first place in all pools ahead of the next Eurovision Song Contest. Much of this...

Así se rodó la primera promo, de un total de tres, que animarán la carrera hasta los Goya

This is how the first promo was filmed, of a total of three, which will liven up the race to the Goya
29 December 2015

[+]

Dani Rovira, Penélope Cruz and Antonio Resines star in the Goya spot directed by Fernando Colomo. The Film Academy has launched the...

Así se hizó el spot de Campofrío que estremece estas navidades

This is how the Campofrío spot that shakes this Christmas was made
28 December 2015

[+]

Director of photography Álex Catalán used an AlexaXT in a time trial shoot. Campofrío has once again struck a chord this Christmas...

El Corral de Comedias de Almagro y Alcalá de Henares, escenarios naturales de ‘El Ministerio del Tiempo’

The Corral de Comedias de Almagro and Alcalá de Henares, natural settings for 'The Ministry of Time'
24 September 2015

[+]

A team made up of more than 70 technicians and actors travels to the Ciudad Real town to recreate the atmosphere of the time with...

‘Misión imposible: Nación secreta’ empleó en su rodaje el sistema de video asistencia Ovide Smart Assist HD2

'Mission Impossible: Rogue Nation' used the Ovide Smart Assist HD2 video assistance system in its filming
21 August 2015

[+]

Uno de los grandes éxitos de taquilla de la temporada fue rodada con cámaras ARRI y Panavision. Misión Imposible: Nación secreta, la quinta entrega ...

La nueva Alexa Mini, ya disponible en Ovide

The new Alexa Mini, now available at Ovide
22 June 2015

[+]

The ARRI camera is perfect for shoulder-mounted, handheld, multicopter and “handheld” gimbals like the Freefly Mövi. It has...

ARRI vuelve a brillar en Cannes

ARRI shines again in Cannes
4 June 2015

[+]

60% of the feature films that were presented in the different sections of the festival were shot with different equipment from the German brand. UP...

Deluxe Spain crea en ‘Refugiados’ un clima único en esta serie rodada con ARRI Alexa y RED Epic

Deluxe Spain creates a unique atmosphere in 'Refugiados' in this series shot with ARRI Alexa and RED Epic
7 May 2015

[+]

Deluxe has been in charge of managing the filming content and the shaping, color correction and delivery work. Photography has...

¿Una ARRI Alexa para relanzar el formato IMAX?

An ARRI Alexa to relaunch the IMAX format?
15 April 2015

[+]

ARRI e IMAX trabajan en el desarrollo de una cámara IMAX partiendo de la Alexa 65 con soporte para este formato panorámico. Impulsar el ...

SkyPanel: la luminaria LED que establece un nuevo referente en la industria

SkyPanel: the LED luminaire that sets a new benchmark in the industry
15 April 2015

[+]

Con un atractivo diseño, esta fuente ofrece especificaciones únicas en cuanto color, amplitud de campo y proyección. ARRI ha presentado en NAB 2015, SkyPanel, ...

ARRI Alexa SXT: un nuevo paso en la familia Alexa, ahora con grabación ProRes 4K UHD y 4K

ARRI Alexa SXT: a new step in the Alexa family, now with ProRes 4K UHD and 4K recording
20 March 2015

[+]

Un sensor 3.4K ALEV III y una electrónica de alto rendimiento que ofrecen una calidad de imagen mejorada, una potente gestión del color y ...

ARRI sorprende con el anuncio de la Alexa Mini

ARRI surprises with the announcement of the Alexa Mini
24 February 2015

[+]

Esta cámara dará, sin duda, mucho juego en tomas aéreas desde drones o, con carcasa, en producciones submarinas. La popular cámara Alexa de ARRI ...

¿Qué cámaras se emplearon en el rodaje de las películas más nominadas a los Oscars?

What cameras were used in the filming of the most Oscar-nominated films?
23 February 2015

[+]

ARRI Alexa was the camera most chosen by the cinematographers of the most nominated films this year at the Oscars. As already...

La actualización de la ARRI Amira desbloquea la grabación en 4K

ARRI Amira upgrade unlocks 4K recording
19 February 2015

[+]

También permitirá la captura de archivos MXF utilizando el codec MPEG-2 en 422 y a 50Mbit/s. Esto hará posible que la Amira se acerque ...

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