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Articles about 'ARRI'

Los Goya reconocen la dificultad de un montaje que logra el equilibrio entre la acción y lo contemplativo

The Goyas recognize the difficulty of a montage that achieves the balance between action and contemplation
8 February 2015

[+]

For the winner of the Goya for best montage for 'La isla minimal', “one of the challenges of this montage was the use of great...

La excelente fotografía digital de Álex Catalán en ‘La isla mínima’ logra un Goya

Álex Catalán's excellent digital photography in 'La isla minimal' achieves a Goya
8 February 2015

[+]

The film, Goya for best photography, was shot digitally with an ARRI Alexa camera that responded perfectly despite the...

Ovide refuerza sus divisiones de cine digital y broadcast

Ovide reinforces its digital cinema and broadcast divisions
4 February 2015

[+]

Ovide faces 2015 as the Spanish company that offers the most units of ARRI Amira, Sony F55 and Canon CN-E optics for rent to the market. ...

ARRI lanzará en febrero una serie de accesorios profesionales para la PXW-FS7 de Sony

ARRI will launch a series of professional accessories for the Sony PXW-FS7 in February
22 December 2014

[+]

These accessories include the plate adapter compatible with the ARRI BP-8 and BP-9, as well as the ARRI style tripod adapter...

El ‘Making of’ del emotivo spot navideño de Campofrío

The 'Making of' of Campofrío's emotional Christmas spot
22 December 2014

[+]

The McCann agency and the production company La Joya Producciones wink at previous campaigns in a tribute to firefighters and all those...

Nace WeLab, una iniciativa centrada en alquiler, formación y postproducción de imagen digital

WeLab is born, an initiative focused on digital image rental, training and post-production
26 November 2014

[+]

The company directed by Pedro F. Fernández and Raúl Prior opens its headquarters in Madrid with 800 m² of facilities. Thinking about offering services...

‘La Isla Mínima’ postproducida al completo en 3K con Mistika

‘La Isla Mínima’ completely post-produced in 3K with Mistika
28 October 2014

[+]

Juan Ventura Pecellín, colorista y supervisor de efectos digitales, destaca la versatilidad, potencia y el uso de las nuevas tecnologías que ha aportado Mistika ...

Onza Partners y Cliffhanger producen para TVE la nueva serie ‘El Ministerio del Tiempo’

Onza Partners and Cliffhanger produce the new series 'El Ministerio del Tiempo' for TVE
22 October 2014

[+]

This new fiction, created by Pablo and Javier Olivares, is filmed in the Community of Madrid between Talamanca del Jarama, where the...

‘Cuéntame cómo pasó’ inicia el rodaje de su 16ª temporada con ARRI Alexa

'Tell me how it happened' begins filming its 16th season with ARRI Alexa
17 September 2014

[+]

The series, which has just completed 13 years on the air, will film the new episodes for six months in different locations. The series Tell me how...

Las Alexa XR/XT soportarán el nuevo ProRes 4444 XQ

The Alexa XR/XT will support the new ProRes 4444 XQ
1 July 2014

[+]

ProRes 4444 XQ estará disponible en el nuevo paquete de actualización para las cámaras Alexa. ARRI ha anunciado soporte para el nuevo Apple ProRes ...

Ovide muestra todas las posibilidades creativas de Amira, la nueva cámara de estilo documental de ARRI

Ovide shows all the creative possibilities of Amira, ARRI's new documentary-style camera
18 June 2014

[+]

Ovide brings together numerous cinematographers and producers in Madrid and Barcelona to show them the possibilities offered by this versatile camera that combines ...

ARRI lanza sus nuevos sitios web en español y portugués

ARRI launches its new websites in Spanish and Portuguese
18 June 2014

[+]

The site offers technical information on lighting devices, digital camera systems, Pro Camera Accessories or case studies, among other sections. The ...

Ovide presenta en Madrid y Barcelona la nueva ARRI Amira

Ovide presents the new ARRI Amira in Madrid and Barcelona
17 June 2014

[+]

La nueva cámara es capaz de grabar hasta 2K a 120fps con un rango dinámico de 14 steps pero a su vez es más ...

Maléfica, la bruja por excelencia de Disney, cobra vida en la gran pantalla

Maleficent, Disney's quintessential witch, comes to life on the big screen
30 May 2014

[+]

Shot with ARRI Alexa Plus and Studio cameras, with Panavision Primo lenses, and working in an ARRIRAW format (2.8K), Disney premieres the adaptation...

Grabadores Codex agilizan el workflow en el rodaje de ‘X-Men: días del futuro pasado’

Codex recorders speed up the workflow in the filming of 'X-Men: Days of Future Past'
27 May 2014

[+]

A combination of Onboard recorders, the XR camera recorder and Codex Vault systems have made it possible to streamline the entire process of ...

Amira, la nueva apuesta de ARRI para captación de alta gama, en BIT Broadcast

Amira, ARRI's new bet for high-end acquisition, at BIT Broadcast
21 May 2014

[+]

Video Cine Import brings to BIT Broadcast 2014 one of the great novelties of IBC and NAB, the new ARRI Amira, a versatile camera...

Finaliza el rodaje de ‘Summer Camp’

Filming of 'Summer Camp' ends
1 April 2014

[+]

El proyecto está apadrinado por el cineasta Jaume Balagueró, quien se embarca también por primera vez en la producción ejecutiva. Ayer finalizó el rodaje ...

Phedon Papamichael desvela en la Berlinale algunos aspectos del rodaje con ARRI Alexa en ‘Nebraska’ y ‘The Monuments Men’

Phedon Papamichael reveals at the Berlinale some aspects of filming with ARRI Alexa in 'Nebraska' and 'The Monuments Men'
17 February 2014

[+]

El director de fotografía comparte su experiencia con la cámara ARRI Alexa en formato ARRIRAW anamórfico. En el marco del Festival de Cine de ...

Ovide amplia su stock en ópticas

Ovide expands its stock in optics
13 February 2014

[+]

Ovide, hace una apuesta clara por las ópticas de calidad, tanto de montura PL como EF. Además de aumentar el stock en grandes ópticas, ...

Pau Esteve: “Opté en ‘Caníbal’ por la ARRI Alexa porque te da muchas posibilidades de corrección de color”

Pau Esteve: “I opted for the ARRI Alexa in ‘Caníbal’ because it gives you many possibilities for color correction”
10 February 2014

[+]

Ganador de un Goya, Esteve dirigió con anterioridad la fotografía de la exitosa y claustrofóbica ‘Buried’. El único Goya obtenido por la película Caníbal ...

“Lo más complicado fue rodar en la Puerta del Sol”, reconoce Carlos Bernases, director de producción de ‘Las brujas…’

“The most complicated thing was filming in Puerta del Sol,” acknowledges Carlos Bernases, production director of ‘Las Brujas…’
10 February 2014

[+]

La Academia otorga el Goya 2014 a la Mejor Dirección de Producción a Carlos Bernases por su labor en ‘Las brujas de Zugarramurdi’. Cuando ...

‘Drunktown’s Finest’, rodada con ARRI Alexa, sorprende en Sundance

'Drunktown's Finest', shot with ARRI Alexa, surprises at Sundance
28 January 2014

[+]

La película ha sido filmada con una ARRI Alexa, con lentes ARRI/Fujinon Alura Zooms en Nuevo México. La película de Sydney Freeland, Drunktown’s Finest ...

El grabador Gemini 4:4:4, de Convergent Design, en los Oscars

The Gemini 4:4:4 recorder, by Convergent Design, at the Oscars
21 January 2014

[+]

‘Capitán Phillips’, ‘El lobo de Wall Street’, ‘Nebraska’ y ‘Gravity’ utilizaron la solución para monitorado y grabación de Convergent Design. El grabador/monitor Gemini 4:4:4 ...

Los Goya 2014 estrenan spot de promoción

The Goya 2014 launches promotional spot
15 January 2014

[+]

This year's campaign has involved the Academy team, as well as sixteen technicians in the filming and three in ...

ARRI presenta un nuevo patrón para fotografía de alta velocidad HMI

ARRI introduces new pattern for high-speed photography HMI
5 December 2013

[+]

High Speed ​​Ballats 1,000 Hz technology allows you to capture frame rates above 5,000 fps. The German ARRI has given...

Los Secretos, por vez primera en 3D

The Secrets, for the first time in 3D
4 December 2013

[+]

The veteran Madrid band records a 3D concert coinciding with the 3Dday celebration in Madrid. On the occasion of the celebration of 3Dday...

‘Capitán Phillips’, un rodaje en alta mar al más puro estilo documental

'Captain Phillips', a filming on the high seas in the purest documentary style
18 October 2013

[+]

75% of 'Captain Phillips' was filmed in 60 days on the open sea. The decision to shoot on the high seas, using the same class...

Jim Davis, nuevo Broadcast Sales Specialist en ARRI para las Américas

Jim Davis, new Broadcast Sales Specialist at ARRI for the Americas
2 October 2013

[+]

Su incorporación coincide con el lanzamiento de la nueva cámara Amira destinada a la producción de documentales, noticias, eventos en vivo, realities, producciones corporativas… ...

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