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Spain | America | International

Artículos sobre ‘Carl Zeiss’

Sony RX10 V: IA y vídeo 4K se dan la mano en una cámara “todo en uno” con un zoom integrado 24-600

Sony RX10 V: AI and 4K video come together in an “all-in-one” camera with an integrated 24-600 zoom
13 July 2026

[+]

Featuring a Zeiss Vario-Sonnar T 24-600mm lens, autofocus with AI-based real-time recognition, an Exmor CMOS image sensor...

Blackmagic Pyxis arroja perspectivas inéditas sobre el mundo del café de especialidad

Blackmagic Pyxis sheds new perspectives on the world of specialty coffee
2 June 2026

[+]

Konstantin Kovalev, head of Filmed by Few, deploys Blackmagic Pyxis 6K and 12K cameras to create several documentary pieces aimed at the brand...

Zeiss simula los efectos y artefactos de sus lentes en la postproducción con CinCraft LensCore

Zeiss simulates the effects and artifacts of its lenses in post-production with CinCraft LensCore
11 May 2026

[+]

Zeiss' CinCraft LensCore plug-in, developed for the Nuke ecosystem, allows you to create cinematic lens effects based on physical elements for effects...

Zeiss lanza el nuevo Otus ML 1.4/35 para cámaras sin espejo Sony, Canon y Nikon

Zeiss launches new Otus ML 1.4/35 for Sony, Canon and Nikon mirrorless cameras
4 March 2026

[+]

The Zeiss Otus ML series, manual focus lenses that stand out for their “narrative focus” and natural color reproduction, debut the...

De PTZ a Hyper-PTZ: el salto tecnológico que reconfigurará nuestra producción

From PTZ to Hyper-PTZ: the technological leap that will reconfigure our production
17 February 2026

[+]

In this forum, Manu Balseiro, technical trainer and head of Technical and Auxiliary Media at RTVE, advances and conveys his vision on the concept...

Zeiss desafía la tendencia de las lentes vintage con la fiabilidad mecánica de Aatma

Zeiss desafía la tendencia de las lentes vintage con la fiabilidad mecánica de Aatma
11 February 2026

[+]

La nueva serie de objetivos fijos cinematográficos T1.5 de Zeiss busca combinar las ventajas del diseño óptico moderno, como la integración de datos o ...

CinCraft: la tecnología de lentes virtuales de Zeiss comienza su fase beta

CinCraft: Zeiss virtual lens technology begins its beta phase
20 October 2025

[+]

Zeiss has opened the beta testing phase of CinCraft virtual lens technology, a tool that seeks to bring to the phases of ...

Brainstorm demuestra en IBC los últimos avances en producción virtual, gráficos 3D en tiempo real y presentaciones inmersivas

Brainstorm demonstrates the latest advances in virtual production, real-time 3D graphics and immersive presentations at IBC
12 September 2025

[+]

One of the highlights of Brainstorm at this IBC 2025 are the public demonstrations of Suite 6.2, presented at NAB 2025, ...

La productora japonesa ROM graba un spot de Green Da Ka Ra con Blackmagic Pyxis 6K

Japanese production company ROM records a Green Da Ka Ra spot with Blackmagic Pyxis 6K
30 July 2025

[+]

The television spot for Green Da Ka Ra, the popular sports drink from Japan's Suntory, was filmed with a Blackmagic digital film camera...

Zeiss diseña una nueva tecnología de lentes virtuales

Zeiss designs new virtual lens technology
7 May 2025

[+]

Zeiss' new virtual lenses will allow VFX artists to apply an “authentic” lens look in “one step”, which...

Zeiss estrena su nueva familia de lentes Otus ML, dirigida a cámaras mirrorless

Zeiss launches its new family of Otus ML lenses, aimed at mirrorless cameras
27 February 2025

[+]

Disponible inicialmente en forma de dos modelos (1,4/50mm y 1,4/85mm), la nueva gama Otus ML de Zeiss llega para ofrecer rendimiento óptico y precisión ...

Bongani Mlambo elige Zeiss LWZ.3 y CP.3 para su película de ciencia ficción ‘We’re All Gonna Die’

Bongani Mlambo chooses Zeiss LWZ.3 and CP.3 for his sci-fi film 'We're All Gonna Die'
3 July 2024

[+]

When filmmakers Freddie Wong and Matt Arnold spoke to Bongani Mlambo about their new film, 'We're All Gonna Die', the cinematographer...

El sistema de seguimiento de cámara ZEISS CinCraft Scenario se adapta a entornos broadcast

ZEISS CinCraft Scenario Camera Tracking System Adapts to Broadcast Environments
23 May 2024

[+]

Zeiss CinCraft Scenario software version 2.0 expands its compatibility to lenses outside the Zeiss and Arri/Zeiss ecosystem, expanding its possibilities...

Gina Ferrer: creatividad y tecnología depositada en ‘20.000 especies de abejas’

Gina Ferrer: creativity and technology deposited in '20,000 species of bees'
25 January 2024

[+]

Director of photography Gina Ferrer, nominated for the 2024 Goya Awards for her work on '20,000 species of bees', transfers the creative keys...

Unax Mendia: Del cine de Urbizu o Mira, a la adaptación del éxito mundial ‘Reina Roja’

Unax Mendia: From the cinema of Urbizu or Mira, to the adaptation of the global success 'Red Queen'
7 September 2023

[+]

Passionate about the big screen with the help of directors like Enrique Urbizu or Eugenio Miras, but inevitably focused on series during the ...

Matt Ryan combina las lentes Zeiss Supreme Primes con la cámara Alexa 35

Matt Ryan combines Zeiss Supreme Primes lenses with Alexa 35 camera
1 September 2023

[+]

Director of photography Matt Ryan has combined the ARRI Alexa 35 camera with Zeiss Supreme Primes lenses to produce the music video...

Zeisss compra Ncam, empresa de seguimiento espacial de cámaras en entornos XR

Zeisss buys Ncam, a company for spatial tracking of cameras in XR environments
19 July 2023

[+]

Zeiss' portfolio of solutions for the film, broadcast and visual effects industries grows with hybrid camera tracking technology...

El thriller de terror ‘Barbarian’ toma forma con ópticas Zeiss

The horror thriller 'Barbarian' takes shape with Zeiss optics
21 February 2023

[+]

Director of photography Zach Kuperstein has opted for a wide selection of Zeiss lenses to shoot 'Barbarian', a horror thriller now available...

Luis Ángel Pérez (AEC): del rupturismo de ‘La Piedad’ a la solvencia de ‘Supernormal’

Luis Ángel Pérez (AEC): from the breakthrough of ‘La Piedad’ to the solvency of ‘Supernormal’
30 June 2022

[+]

“Even though the script is shit, I defend it to the death.” This is not the case with the vast majority of jobs in which...

Seis cámaras Venice dentro de un jet real: el ambicioso rodaje de ‘Top Gun Maverick’

Six Venice cameras inside a real jet: the ambitious filming of 'Top Gun Maverick'
30 May 2022

[+]

Top Gun: Maverick, the sequel to the eighties classic starring Tom Cruise, returns with an unprecedented display of audiovisual technology: the inclusion of a...

Zeiss CinCraft Mapper: un servicio que proporciona datos de distorsión de lente y sombreados para abordar los VFX

Zeiss CinCraft Mapper – a service that provides lens distortion and shading data to address VFX
4 May 2022

[+]

The first service in Zeiss' new CinCraft ecosystem, Mapper Lens Data, aimed at VFX studios, is now available. CinCraft Mapper of...

Pablo Rosso: fotografiando el universo de Álex de la Iglesia (’30 monedas’, ‘Veneciafrenia’)

Pablo Rosso: photographing the universe of Álex de la Iglesia ('30 coins', 'Veneciafrenia')
17 March 2022

[+]

Pablo Rosso, director of photography of two of Álex de la Iglesia's latest works, the 30 coins series and the imminent Venicephrenia, reveals...

Ovide reforzará su catálogo invirtiendo cerca de 2 millones de euros en 2022

Ovide will strengthen its catalog by investing close to 2 million euros in 2022
25 February 2022

[+]

The catalog of Ovide, a filming equipment rental company, will grow in 2022 thanks to a budgeted investment of around 2 million...

‘The Desperate Hour’, rodada con la URSA Mini Pro 12K de Blackmagic

‘The Desperate Hour’, shot with Blackmagic’s URSA Mini Pro 12K
21 February 2022

[+]

Phillip Noyce (director) and John Brawley (director of photography) opted for the Blackmagic URSA Mini Pro 12K to shoot The Desperate Hour. ...

Sandra Valde-Hansen rueda ‘Plan B’ con la Sony Venice y las ópticas Zeiss Supreme

Sandra Valde-Hansen shoots 'Plan B' with the Sony Venice and Zeiss Supreme optics
8 February 2022

[+]

La combinación entre la cámara cinematográfica Sony Venice y las lentes Zeiss Supreme han dado vida a Plan B, película fotografiada por Sandra Valde-Hansen. ...

Carlos Rigo: rompiendo la perfección del vídeo en la fotografía de ‘Cardo’

Carlos Rigo: breaking the perfection of the video in the photography of 'Cardo'
20 January 2022

[+]

Carlos Rigo Bellver, director de fotografía, desvela todas las claves de la filmación de Cardo, producción de Atresmedia TV, Buendía Estudios y Suma Latina (Suma ...

Verdades, medias verdades y mitos de las ópticas cinematográficas

Verdades, medias verdades y mitos de las ópticas cinematográficas
14 December 2021

[+]

Jordi Bransuela, director de fotografía y director del Máster en Dirección de fotografía de la ESCAC, reflexiona sobre las ópticas cinematográficas y su uso ...

20º aniversario de ‘Cuéntame cómo pasó’: la intrahistoria tecnológica del buque insignia de RTVE

20th anniversary of 'Tell me how it happened': the technological intra-history of RTVE's flagship
28 October 2021

[+]

Since its birth in that distant 2001, Cuéntame Como Pasó has narrated the history of Spain with the help of the Alcántara family. In ...

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