Zeiss launches new Otus ML 1.4/35 for Sony, Canon and Nikon mirrorless cameras4 March 2026 [+] The Zeiss Otus ML series, manual focus lenses that stand out for their “narrative focus” and natural color reproduction, debut the...
From PTZ to Hyper-PTZ: the technological leap that will reconfigure our production17 February 2026 [+] In this forum, Manu Balseiro, technical trainer and head of Technical and Auxiliary Media at RTVE, advances and conveys his vision on the concept...
Zeiss challenges the vintage lens trend with the mechanical reliability of Aatma11 February 2026 [+] La nueva serie de objetivos fijos cinematográficos T1.5 de Zeiss busca combinar las ventajas del diseño óptico moderno, como la integración de datos o ...
CinCraft: Zeiss virtual lens technology begins its beta phase20 October 2025 [+] Zeiss ha abierto la fase de pruebas beta de la tecnología de lentes virtuales CinCraft, una herramienta que busca llevar a las fases de ...
Brainstorm demonstrates the latest advances in virtual production, real-time 3D graphics and immersive presentations at IBC12 September 2025 [+] Uno de los platos fuertes de Brainstorm en este IBC 2025 están siendo las demostraciones públicas de la Suite 6.2, presentada en NAB 2025, ...
Japanese production company ROM records a Green Da Ka Ra spot with Blackmagic Pyxis 6K30 July 2025 [+] The television spot for Green Da Ka Ra, the popular sports drink from Japan's Suntory, was filmed with a Blackmagic digital film camera...
Zeiss designs new virtual lens technology7 May 2025 [+] Las nuevas lentes virtuales de Zeiss permitirán a los artistas de VFX aplicar un look de objetivo “auténtico” en “un solo paso”, lo que ...
Zeiss launches its new family of Otus ML lenses, aimed at mirrorless cameras27 February 2025 [+] Disponible inicialmente en forma de dos modelos (1,4/50mm y 1,4/85mm), la nueva gama Otus ML de Zeiss llega para ofrecer rendimiento óptico y precisión ...
Bongani Mlambo chooses Zeiss LWZ.3 and CP.3 for his sci-fi film 'We're All Gonna Die'3 July 2024 [+] When filmmakers Freddie Wong and Matt Arnold spoke to Bongani Mlambo about their new film, 'We're All Gonna Die', the cinematographer...
ZEISS CinCraft Scenario Camera Tracking System Adapts to Broadcast Environments23 May 2024 [+] Zeiss CinCraft Scenario software version 2.0 expands its compatibility to lenses outside the Zeiss and Arri/Zeiss ecosystem, expanding its possibilities...
Gina Ferrer: creativity and technology deposited in '20,000 species of bees'25 January 2024 [+] Director of photography Gina Ferrer, nominated for the 2024 Goya Awards for her work on '20,000 species of bees', transfers the creative keys...
Unax Mendia: From the cinema of Urbizu or Mira, to the adaptation of the global success 'Red Queen'7 September 2023 [+] Apasionado de la gran pantalla de la mano de directores como Enrique Urbizu o Eugenio Miras, pero inevitablemente volcado en las series durante los ...
Matt Ryan combines Zeiss Supreme Primes lenses with Alexa 35 camera1 September 2023 [+] Director of photography Matt Ryan has combined the ARRI Alexa 35 camera with Zeiss Supreme Primes lenses to produce the music video...
Zeisss buys Ncam, a company for spatial tracking of cameras in XR environments19 July 2023 [+] Zeiss' portfolio of solutions for the film, broadcast and visual effects industries grows with hybrid camera tracking technology...
The horror thriller 'Barbarian' takes shape with Zeiss optics21 February 2023 [+] Director of photography Zach Kuperstein has opted for a wide selection of Zeiss lenses to shoot 'Barbarian', a horror thriller now available...
Luis Ángel Pérez (AEC): from the breakthrough of ‘La Piedad’ to the solvency of ‘Supernormal’30 June 2022 [+] “Even though the script is shit, I defend it to the death.” This is not the case with the vast majority of jobs in which...
Six Venice cameras inside a real jet: the ambitious filming of 'Top Gun Maverick'30 May 2022 [+] Top Gun: Maverick, the sequel to the eighties classic starring Tom Cruise, returns with an unprecedented display of audiovisual technology: the inclusion of a...
Zeiss CinCraft Mapper – a service that provides lens distortion and shading data to address VFX4 May 2022 [+] The first service in Zeiss' new CinCraft ecosystem, Mapper Lens Data, aimed at VFX studios, is now available. CinCraft Mapper of...
Pablo Rosso: photographing the universe of Álex de la Iglesia ('30 coins', 'Veneciafrenia')17 March 2022 [+] Pablo Rosso, director of photography of two of Álex de la Iglesia's latest works, the 30 coins series and the imminent Venicephrenia, reveals...
Ovide will strengthen its catalog by investing close to 2 million euros in 202225 February 2022 [+] The catalog of Ovide, a filming equipment rental company, will grow in 2022 thanks to a budgeted investment of around 2 million...
‘The Desperate Hour’, shot with Blackmagic’s URSA Mini Pro 12K21 February 2022 [+] Phillip Noyce (director) y John Brawley (director de fotografía) se decantaron por la URSA Mini Pro 12K de Blackmagic para rodar The Desperate Hour. ...
Sandra Valde-Hansen shoots 'Plan B' with the Sony Venice and Zeiss Supreme optics8 February 2022 [+] La combinación entre la cámara cinematográfica Sony Venice y las lentes Zeiss Supreme han dado vida a Plan B, película fotografiada por Sandra Valde-Hansen. ...
Carlos Rigo: breaking the perfection of the video in the photography of 'Cardo'20 January 2022 [+] Carlos Rigo Bellver, director of photography, reveals all the keys to the filming of Cardo, produced by Atresmedia TV, Buendía Estudios and Suma Latina (Suma...
Truths, half-truths and myths of cinematographic optics14 December 2021 [+] Jordi Bransuela, director of photography and director of the Master in Photography Direction at ESCAC, reflects on cinematographic optics and their use...
20th anniversary of 'Tell me how it happened': the technological intra-history of RTVE's flagship28 October 2021 [+] Since its birth in that distant 2001, Cuéntame Como Pasó has narrated the history of Spain with the help of the Alcántara family. In ...
Dave Grohl (Foo Fighters) films the documentary 'What Drives Us' with Blackmagic Design 4K cameras14 June 2021 [+] La URSA Mini Pro 4.6K G2 y la Pocket Cinema Camera 4K de Blackmagic Design fueron los equipos elegidos para rodar What Drive Us, ...
Sky Comedy uses the URSA Mini Pro 12K to film its first original show29 April 2021 [+] Blackmagic Design's URSA Mini Pro 12K camera has been used to film Eine kurze Geschichte des Humors, the first original production of the ...
The new cinematographic camera from LaLiga and Mediapro takes the audiovisual experience of football to another level4 February 2021 [+] The system is based on a Sony A7S II that captures at a very low depth of field thanks to the 35mm sensor, achieving a sensation...
