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Artículos sobre ‘Panavision’

‘La Odisea’: Christopher Nolan lleva el cine fotoquímico al límite con el mayor desafío técnico de su carrera

'The Odyssey': Christopher Nolan takes photochemical cinema to the limit with the greatest technical challenge of his career
10 July 2026

[+]

'The Odyssey', the long-awaited adaptation of Homer's epic directed by Christopher Nolan, not only aspires to become one of the great...

Fritz Heinzle, nuevo vicepresidente de ventas de Panavision

Fritz Heinzle, new vice president of sales at Panavision
6 May 2026

[+]

Como vicepresidente de ventas, Fritz Heinzle se centrará en impulsar nuevas oportunidades de negocio en Panavision, así como en fortalecer las relaciones con la ...

La fotografía del cine de Almodóvar, reconocida por primera vez en los Goya a través del trabajo de Edu Grau en ‘La habitación de al lado’

Almodóvar's film photography, recognized for the first time at the Goya through the work of Edu Grau in 'The Room Next Door'
9 February 2025

[+]

Edu Grau becomes Pedro Almodóvar's first DOP to receive a Goya award in the Best Cinematography category. ...

Nara (Filmlight) unifica navegación por archivos y transmisión de contenidos en el estudio de postproducción Light Iron

Nara (Filmlight) unifies file browsing and content streaming in the Light Iron post-production studio
9 January 2025

[+]

Light Iron, creative post-production services division of the Panavision group, has decided to integrate the file browsing, content transmission and ...

Pedro Luque: Goya 2024 a Mejor Fotografía con la mezcla analógica y digital de ‘La Sociedad de la Nieve’

Pedro Luque: Goya 2024 for Best Photography with the analog and digital mix of 'The Snow Society'
11 February 2024

[+]

La magistral alternancia de recursos analógicos y digitales de Pedro Luque en ‘La Sociedad de la Nieve’ de J. A. Bayona, exprimidos a límites ...

‘Winning Time’ adaptó cámaras clásicas a flujos digitales con V2Digital de AJA

‘Winning Time’ adaptó cámaras clásicas a flujos digitales con V2Digital de AJA
2 February 2024

[+]

El director de fotografía Mihai Malaimare, responsable de la serie ‘Winning Time: The Rise of the Lakers Dynasty’, empleó el conversor de vídeo digital ...

Panalux Power i-Series: ¿la alternativa al generador diésel?

Panalux Power i-Series: ¿la alternativa al generador diésel?
9 November 2021

[+]

Panalux, la división de soluciones de iluminación de Panavision, ha desarrollado la gama Panalux Power i-Series de baterías portátiles de iones de litio, que ...

El sistema Link HDR de Panavision emplea Leader LV5350 para monitorizar alto rango dinámico

Panavision Link HDR system uses Leader LV5350 to monitor high dynamic range
21 September 2020

[+]

Leader's LV5350 waveform monitor, included as part of the Panavision Link HDR On-Set system, enables productions...

Ben Davis emplea productos de Blackmagic Design en el rodaje de ‘Capitana Marvel’, de Marvel Studios

Ben Davis uses Blackmagic Design products in the filming of 'Captain Marvel', from Marvel Studios
3 June 2019

[+]

“We tested various possibilities in search of a magical combination of size and quality, and the Blackmagic Micro Cinema Camera model took all the...

Netflix actualiza el listado de cámaras homologadas para sus producciones

Netflix updates the list of approved cameras for its productions
13 June 2018

[+]

Among the latest cameras incorporated into the list of approved capture systems, all the RED or the Panasonic AU-EVA1 stand out. Netflix, the service of...

La cámara CineAlta F65 de Sony recibe el Premio a la Ciencia e Ingeniería de la Academia estadounidense

Sony's CineAlta F65 camera receives the American Academy's Science and Engineering Award
15 February 2017

[+]

El sistema Genesis de Panavision y Sony también ha sido galardonado por abrir la era de las cámaras cinematográficas digitales. La cámara cinematográfica digital ...

‘Marte (The martian)’: Ridley Scott regresa con una gran producción épica

'Marte (The martian)': Ridley Scott returns with a great epic production
30 September 2015

[+]

Shot at the Korda studios in Budapest and in the Namibian desert, Scott and the cinematographer, Dariusz Wolski, have chosen ...

‘Misión imposible: Nación secreta’ empleó en su rodaje el sistema de video asistencia Ovide Smart Assist HD2

‘Misión imposible: Nación secreta’ empleó en su rodaje el sistema de video asistencia Ovide Smart Assist HD2
21 August 2015

[+]

Uno de los grandes éxitos de taquilla de la temporada fue rodada con cámaras ARRI y Panavision. Misión Imposible: Nación secreta, la quinta entrega ...

Panavision inicia un proceso de recapitalización

Panavision begins a recapitalization process
29 June 2015

[+]

Los acreedores de alto nivel de Panavision acordaron por unanimidad convertir la mayoría de la deuda a largo plazo en acciones ordinarias de la ...

¿Qué cámaras se emplearon en el rodaje de las películas más nominadas a los Oscars?

¿Qué cámaras se emplearon en el rodaje de las películas más nominadas a los Oscars?
23 February 2015

[+]

ARRI Alexa fue la cámara mayoritariamente elegida por los directores de fotografía de las películas más nominadas este año a los Oscars. Como ya ...

Panavision compra Light Iron

Overview purchase Light Iron
5 December 2014

[+]

The post-production company will help expand the services offered by both brands. Panavision has closed an agreement to acquire Light Iron, a...

Maléfica, la bruja por excelencia de Disney, cobra vida en la gran pantalla

Maleficent, Disney's quintessential witch, comes to life on the big screen
30 May 2014

[+]

Rodada con las cámaras ARRI Alexa Plus y Studio, con lentes Panavision Primo, y trabajando en un formato ARRIRAW (2,8K), Disney estrena la adaptación ...

Panavision presenta sus nuevas lentes Primo V optimizadas para cámaras digitales

Panavision presents its new Primo V lenses optimized for digital cameras
15 November 2013

[+]

Primo V lenses are designed to bring the already typical Panavision Primo lens look to digital cinematography. Panavision has...

AJA recoge el último viaje del Endeavour

AJA captures the last voyage of Endeavor
22 October 2012

[+]

La Sociedad de Operadores de Cámara de EE.UU. emplea los AJA Ki Pro junto con cámaras Panavision Genesis para documentar el último viaje del ...

Panavision simplifica el 3D

Panavision simplifies 3D
22 February 2011

[+]

Panavision proposes a stereoscopic system for movie theaters without changing the projector, analog or digital, or the screen. Based on the technology of...

La BBC homologa las cámaras para captación de HD

The BBC approves the cameras for HD capture
10 January 2011

[+]

BBC is accelerating the speed at which it is migrating all of its processes into a high-definition environment. To unify criteria, he published a...

Cinedeck Extreme v2: grabación 2K/HD en cualquier lugar

Cinedeck Extreme v2: 2K/HD recording anywhere
15 December 2010

[+]

Cinedeck now has Extreme 2.0 on the market, the new version of the first “all-in-one” solution on the market for recording...

Transmedia y cine 3D en el IX Encuentro Internacional de Estudiantes de Cine

Transmedia and 3D cinema at the IX International Meeting of Film Students
15 September 2010

[+]

Co-organized by the San Sebastián Film Festival and Tabakalera, International Center for Contemporary Culture, the program of the IX International Student Meeting...

Kodak presenta dos nuevas películas Vision3

Kodak introduces two new Vision3 films
15 June 2010

[+]

Kodak updates its product range with the color negative, Vision3 5213/7213 and the color digital intermediate 5254/2254, optimized to work with current ...

Global Television actualiza una treintena de servidores EVS XT[2] para adaptarlos al 3D

Global Television updates around thirty EVS XT[2] servers to adapt them to 3D
4 June 2010

[+]

Global Television has upgraded around thirty EVS XT[2] servers to respond to the growing demand for live 3D productions. This update...

Vision Research planta cara a la RED con la Phantom Flex

Vision Research stands up to the NETWORK with the Phantom Flex
15 April 2010

[+]

Vision Research has just surprised NAB with the launch of the Phantom Flex, a new professional camera based on a CMOS sensor of ...

EPC en las películas finalistas a los Goya

EPC in the Goya finalist films
13 January 2010

[+]

Many of the films that will compete at the XXIV edition of the Goya Awards have used EPC equipment in their filming. 'After', 'The...

VIII Encuentro Internacional de Escuelas de Cine en San Sebastián

VIII International Meeting of Film Schools in San Sebastián
11 September 2009

[+]

The producer and director Lluís Miñarro will preside over the jury of the VIII International Meeting of Film Schools in which this year sixteen...

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