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Summer billboard benefits from Blackmagic Design solutions

False Positive - Blackmagic Design

An important selection of products Blackmagic Design They have been used in many of the big productions that have been released this summer.

Beyond using different models of digital cameras during the production of the films, the main protagonist has once again been the program DaVinci Resolve Studio, used by Jaimie O'Bradovich (Company 3) in Werewolves Within, Alex Noble (Wild Union Post) en Holler y Joe Gawler (Harbor) a After that, among other films. Blackmagic Design solutions have also reached blockbusters such as The Green Knight, Jungle Cruise, Spiral o Cruella.

Likewise, various matrices, monitors, capture and playback devices or units have been used. Mini Converter in order to facilitate the production of films of different genres, such as Time o Candyman.

Down with the King - Blackmagic Design

Feature films made with Blackmagic Design solutions

  • Candyman: Digital imaging technician James Notari used recorders UltraStudio 4K, matrices Smart VideoHub 12×12 and monitors SmartView Duo for production.
  • CODA: Digital imaging technician Leonard A. Mazzone used matrices Smart Videohub 16×16 and UltraStudio 4K devices for production.
  • Down with the King: Photography manager Daniel Vecchione and director Diego Ongaro used two units Pocket Cinema Camera 6K and two devices Video Assist 12G HDR on filming.
  • Don't breathe 2: The director of photography Pedro Luque used the model Pocket Cinema Camera to capture specific angles, while digital imaging technician Veljko Vukasovic turned to the program DaVinci Resolve Studio and devices UltraStudio 4K Extreme, Mini Monitor y Mini Recorder during production.
  • Free Guy: Taking Control: Digital imaging technician Daniel A. Hernández used DaVinci Resolve Studio and capture and playback devices UltraStudio for production.
  • False Positive: Visual effects supervisor John Bair (Phosphene) used the model Pocket Cinema Camera 6K y DaVinci Resolve Studio to capture various background elements and images, while Alex Noble (Wild Union Post) used the program as part of his workflow to create special effects.
  • fast and furious 9 (Spanish America) / Fast and Furious 9 (Spain): Digital imaging technician Joe Steel used capture and playback devices UltraStudio Mini, matrices Smart Videohub and the program DaVinci Resolve Studio during production.
  • Jungle Cruise: Digital imaging technician Jason Bauer used matrices Smart Videohub 20×20, cards Decklink Duo, various devices Micro Converters and DaVinci Resolve Studio software during production.
  • old (Spanish America) / Time (Spain): Editor Brett M. Reed used a device UltraStudio 4K Mini.
  • matter of blood: Digital imaging technician Daniel A. Hernández used DaVinci Resolve Studio and devices UltraStudio for production.
  • The Killing of Two Lovers: The director of photography Óscar Ignacio Jiménez used DaVinci Resolve Studio to review copies during production.
  • The water man: Digital imaging technician Sean Rawls used devices Smart Videohub 20×20, Multiview 4 HD, Decklink 4K Pro, Decklink HD Extreme 3D, Blackmagic Video Assist 7″ 3G, UltraStudio HD Mini, UltraStudio Recorder 3G and the program DaVinci Resolve Studio during production.
  • Werewolves Within: Digital imaging technician Brandon Kelley used the program DaVinci Resolve Studio and devices UltaStudio Mini Monitor, UltraStudio Mini Recorder y Teranex.
  • Relentless justice (Spanish America) / Wake up to anger (Spain): Digital imaging technician Daniele Colombera used different Blackmagic Design capture and playback devices, as well as Blackmagic Design products. Mini Converter, Mini Monitor, SmartScope Duo, Smart Videohub and the program DaVinci Resolve during production.

All the streets are silent - Blackmagic Design

Editing and grading with DaVinci Resolve Studio

  • All the Streets Are Silent: Graded by Samuel Gursky in Irving Harvey.
  • After Which: Etalonada por Joe Gawler en HARBOR.
  • Black Widow (Spanish America) / Widow negra (Spain): Graded by Jill Bogdanowicz in Company 3.
  • Cruella: Graded by Tom Poole in Company 3.
  • Down with the King: Graded by Alex Berman in Goldcrest Post.
  • Riding to glory: Etalonada por Rob Pizzey en Goldcrest Post Production.
  • The green knight: Etalonada por Alastor Arnold en FotoKem.
  • In the Earth: Etalonada por Rob Pizzey en Goldcrest Post Production.
  • Spiral: Graded by Joanne Rourke in Company 3.
  • matter of blood: Graded by Tom Poole in Company 3.
  • The Killing of Two Lovers: Graded by Drew Tekulve and edited by Robert Machoian at 433 Pictures.
  • The Protégé: Graded by Vanessa Taylor at Nu Boyana Studios, London.
  • Hard to care for (Spanish America) / The other bodyguard (Spain): Graded by Vanessa Taylor at Nu Boyana Studios, London.
  • Werewolves Within: Graded by Jamie OBradovich in Company 3. Visual effects with DaVinci Resolve Studio or Fusion Studio
  • Catch the Fair One: Visual effects supervisor Lucien Harriot (Mechanism Digital) used Fusion Studio in his workflow.
  • Holler: Visual effects supervisor Alex Noble (Wild Union Post) used DaVinci Resolve Studio as part of his workflow.
  • Joe Bell: Visual effects supervisor George Loucas (Baked Studios) used DaVinci Resolve Studio as part of his workflow.
  • The Loneliest Whale: The Search for 52: Visual effects supervisor Alex Noble (Wild Union Post) used DaVinci Resolve Studio as part of his workflow.
  • Spiral: Executive producer Martín López Funes (Malditomaus) used DaVinci Resolve Studio and Fusion Studio for the film's visual effects, under the supervision of Jon Campfens (Switch VFX).
  • Werewolves Within: Visual effects supervisor Lucien Harriot (Mechanism Digital) used Fusion Studio in his workflow.
  • Zola: Visual effects supervisor Alex Noble (Wild Union Post) used DaVinci Resolve Studio as part of his workflow.

Catch The Fair One - Blackmagic Design - VFX

Visual effects with DaVinci Resolve Studio or Fusion Studio

  • Catch the Fair One: Visual effects supervisor Lucien Harriot (Mechanism Digital) used Fusion Studio in his workflow.
  • Holler: Visual effects supervisor Alex Noble (Wild Union Post) used DaVinci Resolve Studio as part of his workflow.
  • Joe Bell: Visual effects supervisor George Loucas (Baked Studios) used DaVinci Resolve Studio as part of his workflow.
  • The Loneliest Whale: The Search for 52: Visual effects supervisor Alex Noble (Wild Union Post) used DaVinci Resolve Studio as part of his workflow.
  • Spiral: Executive producer Martín López Funes (Malditomaus) used DaVinci Resolve Studio and Fusion Studio for the film's visual effects, under the supervision of Jon Campfens (Switch VFX).
  • Werewolves Within: Visual effects supervisor Lucien Harriot (Mechanism Digital) used Fusion Studio in his workflow.
  • Zola: Visual effects supervisor Alex Noble (Wild Union Post) used DaVinci Resolve Studio as part of his workflow.
By, Aug 30, 2021, Section:Catchment, Cine, Cinema / Technique

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