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Postpro

‘Godzilla’ será mezclada en Dolby Atmos

'Godzilla' will be mixed in Dolby Atmos
27 February 2014

[+]

La versión en Dolby Atmos de Godzilla se mezclará en el estudio 10 de Warner Bros. en Burbank, California. La película llegará a los ...

CSS Audiovisual muestra en Barcelona todo el potencial en postproducción de Nuage

CSS Audiovisual shows in Barcelona all the post-production potential of Nuage
25 February 2014

[+]

Hasta el 28 de febrero, CSS Audiovisual organiza unas jornadas en Barcelona en las que muestra el nuevo sistema de postproducción Nuage, fruto de ...

AJA Mac Software v10.5.1 facilitará el trabajo en postproducción a altas tasas de frame rate

AJA Mac Software v10.5.1 will facilitate work in post-production at high frame rates
19 February 2014

[+]

La nueva actualización de software agrega compatibilidad al Io 4K para 50,59.94 y 60 imágenes por segundo a la capacidad de 4K (4096 x ...

Bluefish444 Ingestore: captura simultánea de cuatro señales SDI con reconocimiento de timecode

Bluefish444 Ingestore: Simultaneous capture of four timecode-aware SDI signals
19 February 2014

[+]

Utilizando un único cable SDI, IngeSTore permite a las workstations capturar material sin comprimir y Avid DNxHD con mínima operación por parte del operador. ...

Leader presentará en NAB 2014 sus últimas novedades para 4K, supervisión de señal y control

Leader will present its latest developments for 4K, signal monitoring and control at NAB 2014
18 February 2014

[+]

Una de las principales novedades será el nuevo FS3140, un nuevo software de control de calidad que combina forma de onda y vectorscopio para ...

NBC Universal opta por la tecnología Promise y Blackmagic para un nuevo entorno 4K

NBC Universal opts for Promise and Blackmagic technology for a new 4K environment
14 February 2014

[+]

LX.TV, una división de NBC Universal, ha aumentado su espacio en disco en RAW en un 1700% con VTrack, alcanzando los 912TB en un ...

David A. Smith imparte un magistral seminario en Madrid y Barcelona

David A. Smith gives a masterful seminar in Madrid and Barcelona
11 February 2014

[+]

Madrid y Barcelona acogen esta semana el seminario ‘Desde la ingesta al iPad’, organizado por Rohde & Schwarz e impartido por uno de los ...

Juan Ramón Molina y Ferrán Piquer logran el Goya a los mejores efectos especiales por ‘Las brujas de Zugarramurdi’

Juan Ramón Molina and Ferrán Piquer win the Goya for best special effects for 'The Witches of Zugarramurdi'
10 February 2014

[+]

“Álex wanted the most visual and spectacular effects possible,” they highlighted after collecting his statuette. The members of the Academy decided with their...

Pablo Blanco: “trabajar con Álex de la Iglesia es muy fácil”

Pablo Blanco: “working with Álex de la Iglesia is very easy”
10 February 2014

[+]

The 2014 Goya for Best Editing remembers when collecting its award the colleagues who “cannot work because there is no production and many...

Gran despliegue técnico de TVE en la noche de los Goya

Great technical display by TVE on the night of the Goya
10 February 2014

[+]

Public television has moved two mobile units to the Príncipe Felipe Congress Center, one in SD and the other in HD, from ...

Los monitores TvLogic darán soporte a la calibración Calman 5.3 de SpectraCal

TvLogic monitors will support SpectraCal's Calman 5.3 calibration
7 February 2014

[+]

Calman 5.3 will connect directly to TvLogic XVM and LEM reference monitors for automatic calibration and 3D LUT generation TVLogic and SpectraCal...

EVS agiliza la producción en el Campeonato Mundial de Rally 2014

EVS streamlines production at 2014 World Rally Championship
6 February 2014

[+]

Varias soluciones de EVS permiten a FilmWorks, productora encargada por la FIA para dar cobertura al Campeonato Mundial de Rally, disponer de inmediato del ...

MagicFrames llevó a cabo la realización audiovisual de la convención del PP en Valladolid

MagicFrames carried out the audiovisual production of the PP convention in Valladolid
6 February 2014

[+]

In this project, MagicFrames invested more than two hundred hours of post-production and 3D animation. The video production company MagicFrames was in charge of making...

Los efectos digitales de Telson, Twinpeans y Oddmood en ‘Los últimos días’ obtienen un Gaudí

Digital effects by Telson, Twinpeans and Oddmood in 'The Last Days' get a Gaudí
5 February 2014

[+]

The post-production and editing of the film was carried out by Apuntolapospo, also from Tres60 Grupo. Telson made 200 plans with digital retouching over four ...

Avid facilitará a NBC la creación acelerada de contenidos y el manejo de recursos de vídeo y edición

Avid to facilitate NBC's accelerated content creation and management of video and editing assets
5 February 2014

[+]

Avid's Interplay media management solution will enable NBC Olympics to accelerate and optimize workflows and elevate its...

‘Jack Ryan: Operación Sombra’, etalonada con DaVinci Resolve

'Jack Ryan: Shadow Operation', graded with DaVinci Resolve
31 January 2014

[+]

The director of the film, Kenneth Branagh, the colorist of the London post-production company Company 3, Rob Pizzey, and the head of photography, Haris Zambarloukos, ...

ZDF y ARD confían en Avid para la cobertura de los Juegos Olímpicos de Sochi

ZDF and ARD trust Avid for coverage of the Sochi Olympic Games
31 January 2014

[+]

Avid ayudará a potenciar la cobertura de Sochi 2014 “en todo momento y en todo lugar” por parte de los broadcasters públicos alemanes. En ...

Matrox Mojito 4K ahora ofrece renderizado intraframe 4K 10-bit H.264

Matrox Mojito 4K now offers 4K 10-bit H.264 intraframe rendering
30 January 2014

[+]

La tarjeta de vídeo 4K para Adobe Creative Cloud permitirá a los profesionales de la postproducción ver cada píxel de cada frame 4K a ...

AJA inicia la comercialización de Io 4K para el nuevo Mac Pro

AJA begins marketing Io 4K for the new Mac Pro
29 January 2014

[+]

Io 4K permite la captura, envío y reproducción de vídeo y audio en 2K y 4K a través de Thunderbolt 2. AJA Video Systems ...

Christie CP2215, brillo superior para proyección sobre pantallas de hasta 15 metros

Christie CP2215, superior brightness for projection on screens up to 15 meters
24 January 2014

[+]

Este proyector resulta idóneo para pantallas pequeñas y aplicaciones de postproducción que requieran un gran rendimiento y fiabilidad en un equipo de reducido tamaño. ...

Rohde & Schwarz DVS vuelve a colaborar con la Berlinale

Rohde & Schwarz DVS vuelve a colaborar con la Berlinale
24 January 2014

[+]

Its Clipster and Sypcer Box solutions will speed up the preparation for screening of the almost one thousand films that will be screened at the International Festival of ...

Quantel maximiza con Genetic Engineering 2 el flujo de trabajo para Pablo Rio

Quantel maximizes Pablo Rio's workflow with Genetic Engineering 2
24 January 2014

[+]

La nueva solución de almacenamiento compartido aumenta la productividad, el trabajo en equipo y la flexibilidad en entornos de postproducción. Quantel acaba de lanzar ...

La gama de monitores de estudio HS de Yamaha, ahora disponible en blanco

Yamaha's HS range of studio monitors, now available in white
23 January 2014

[+]

Los tres modelos principales de la gama que son de rango completo (HS5, HS7 y HS8) están disponibles en un acabado en blanco. Tras ...

DaVinci Resolve 10.1, ahora con mayor compatibilidad con Final Cut Pro X

DaVinci Resolve 10.1, now with greater support for Final Cut Pro
20 January 2014

[+]

La versión 10.1 de DaVinci Resolve incluye funciones de edición innovadoras, importación de archivos XML para usuarios de FCP X 10.1 y FCP 7 ...

Matrox VS4Recorder facilita la producción multicámara

Matrox VS4Recorder makes multi-camera production easy
16 January 2014

[+]

Matrox launches free software aimed at facilitating multi-camera recording at concerts, sports and live events. Matrox has just released VS4Recorder, a...

El ingeniero de mezclas para bandas sonoras, Dennis Sands, utiliza conversores de Focusrite

Soundtrack mixing engineer Dennis Sands uses Focusrite converters
14 January 2014

[+]

While planning the world's first Dolby Atmos-equipped mixing room, soundtrack mixing engineer Dennis...

La japonesa Imagica confía en Quantel para sus flujos de trabajo en 4K y HFR

The Japanese Imagica trusts Quantel for its 4K and HFR workflows
13 January 2014

[+]

Imagica, the largest post-production company in Japan, relies on Pablo Rio and the Neo Nano panel for its 4K and HFR work. The biggest...

Free Your Mind invierte cerca de medio millón de euros en su renovación tecnológica

Free Your Mind invests nearly half a million euros in its technological renewal
13 January 2014

[+]

The studio expands its advertising post-production business area by incorporating a Flame 2014, and three Smoke Advanced 2014. In the color area...

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