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Grandstands

Tendencias del broadcast deportivo para 2025: un año de consolidación

Sports broadcast trends for 2025: a year of consolidation
17 December 2024

[+]

In this forum, Norbert Paquet, head of live production at Sony Europe, analyzes the main trends that will mark sports broadcasting by 2025: ...

RA en creaciones audiovisuales: un consumo más constructivo, participativo y centrado en el espectador

AR in audiovisual creations: a more constructive, participatory and viewer-focused consumption
10 December 2024

[+]

In this forum, Rocío del Pilar Sosa Fernández (University of Santiago de Compostela) analyzes how the use of Augmented Reality (AR) can transform the...

Cuando la creatividad necesita números: gestión, tecnología y visión estratégica en Beta

When creativity needs numbers: management, technology and strategic vision in Beta
3 December 2024

[+]

Alejandro Dantart, financial director of Beta Spain, explains the latest technological transformation of the production company: a digitalization undertaken hand in hand with Arbentia that...

Libertad de expresión y libertad de información: juntos, pero no revueltos

Freedom of expression and freedom of information: together, but not mixed
26 November 2024

[+]

En esta tribuna, Imanol de Hipólito Lorenzo, abogado en Bardají & Honrado, aborda las libertades de expresión y de información en un contexto mediático ...

La producción virtual y la formación de los nuevos roles profesionales que demanda la industria

Virtual production and the training of new professional roles demanded by the industry
19 November 2024

[+]

Miquel García, head of post-production and AV-IT engineer at Gestmusic (Banijay Iberia), and coordinator of the Master in Virtual Fiction Production with Unreal of ...

Sistemas de gestión de negocio en broadcast: evolución y futuro en la tercera generación de BMS

Business management systems in broadcast: evolution and future in the third generation of BMS
12 November 2024

[+]

In this forum, Jorge Pérez López, commercial director of Data Media, addresses in depth the area of ​​business management systems (BMS), ...

La compresión: la variable añadida a definición y resolución que no debemos olvidar en la transición a UHD

Compression: the variable added to definition and resolution that we must not forget in the transition to UHD
5 November 2024

[+]

In this forum, José Manuel Menéndez, professor at the Polytechnic University of Madrid and director of the RTVE – UPM Chair, reflects on the...

Estándares abiertos y conversión IP en directos

Open standards and direct IP conversion
29 October 2024

[+]

In this forum, Dan Maloney, technical marketing manager at Matrox Video, reflects on the possibilities that IP brings to the world of ...

La libertad de información se impone al derecho de autor: el caso de Atresmedia

Freedom of information prevails over copyright: the case of Atresmedia
22 October 2024

[+]

En esta tribuna, Alberto Aduriz Sarabia, abogado en Bardají & Honrado, analiza la reciente sentencia de la Audiencia Provincial de Madrid a favor de ...

¿Y después de la TDT en HD, qué? ¿Es el momento de producir con sonoridad normalizada EBU-R128?

And after DTT in HD, what? Is it time to produce with standardized EBU-R128 loudness?
15 October 2024

[+]

In this forum, Vicente Pla, consulting engineer specializing in audiovisual technology and training at Abacanto, reflects on one of the main novelties introduced by the...

Looks de cinematografía en etalonaje: ¿Dónde y cuándo?

Cinematography looks in color grading: Where and when?
8 October 2024

[+]

In this forum, Luis Ochoa, director of image post-production at Drago (Grupo Secuoya), addresses the application of creative looks in color grading, ...

Hasta que llegó su hora: Motos vs. Broncano

Until their time came: Motorcycles vs. Broncano
1 October 2024

[+]

In this forum, Bartos Javier Cañete Cámara, co-CEO of Interactvty, reflects on the hearing duel between Pablo Motos ('El Hormiguero') and David Broncano ('La ...

Inteligencia artificial generativa y derechos de autor: ¿se puede recrear el estilo artístico?

Generative artificial intelligence and copyright: can the art style be recreated?
24 September 2024

[+]

En esta tribuna, Inés Apode Martín, abogada en Bardají & Honrado, analiza las conclusiones del último informe de la oficina de copyright estadounidense sobre la ...

Las conclusiones tecnológicas de París 2024, por Paul Carter (‘TechXplore’, BBC)

The technological conclusions of Paris 2024, by Paul Carter ('TechXplore', BBC)
10 September 2024

[+]

In this forum, Paul Carter, expert technology journalist and host of the BBC's 'TechXplore' format, conveys his vision of the technology used...

Broadcast cinematográfico: la industria (y la tecnología) ya está preparada

Film broadcast: the industry (and technology) is now ready
3 September 2024

[+]

In this forum, Santiago Sanz, Optical Devices Commercial and Technical Manager at Fujifilm, analyzes the current situation in film broadcast, reviewing his career and...

¿1080p50 HDR o 4K? ¡Derrochemos cuando nos lo podamos permitir!

1080p50 HDR or 4K? Let's splurge when we can afford it!
11 July 2024

[+]

In this forum, Emili Planas, CTO and operations manager of Grup Mediapro, reflects on the debate between HD and 4K that arose as a result of ...

Cómo mejorar la calidad del streaming de los deportes en directo en mercados desatendidos

How to improve the quality of live sports streaming in underserved markets
9 July 2024

[+]

In this forum, Camilla Neves, vice president of sales for Latin America at Qwilt, a company specialized in content distribution, shares her points of view...

La fortaleza de la televisión lineal ante una multitud de feroces competidores

The strength of linear television in the face of a multitude of fierce competitors
2 July 2024

[+]

In this forum, Chema García, CEO of the company specialized in the strategic analysis of television audiences Dos30', dispels the myth of the end...

Las nuevas obligaciones de los influencers: ¿cara a cara con el audiovisual clásico?

The new obligations of influencers: face to face with classic audiovisuals?
25 June 2024

[+]

En esta tribuna, Ángela Estévez, abogada en Bardají & Honrado, sigue profundizando en la nueva Ley de Influencers, que trae consigo unas obligaciones que ...

El futuro de la radio: tecnologías (y consumo) en redefinición

The future of radio: technologies (and consumption) in redefinition
18 June 2024

[+]

Ancor Rodríguez Barranco, technical head of Canarias Radio, draws the main conclusions from his participation in the FORTA Radio Forum, ...

Oportunidades y retos de la IA conversacional para recomendación de contenidos en las plataformas

Opportunities and challenges of conversational AI for content recommendation on platforms
11 June 2024

[+]

En esta tribuna, Carlos Muñoz-Romero y Nieves Ábalos Serrano, cofundadores y CEO y CPO de Monoceros Labs, respectivamente, arrojan luz sobre la llegada de ...

MAM vs. inventory management: the risk of “versionitis”
4 June 2024

[+]

In this forum, Dan Goman, CEO of Ateliere Creative Technologies, identifies some of the main challenges of current asset management through...

Cinco consejos para garantizar la seguridad en la producción audiovisual remota

Five tips to ensure security in remote audiovisual production
28 May 2024

[+]

En esta tribuna, José Claros, especialista en protección de datos y ciberseguridad para el sector público en Dell Technologies España, identifica cinco enfoques que ...

La nueva “Ley de influencers”: el debate está servido

The new “Influencers Law”: the debate is served
21 May 2024

[+]

Imanol de Hípolito Lorenzo, abogado en Bardají & Honrado, analiza la conocida como “Ley de influencers”, la cual extiende las obligaciones de estos comunicadores ...

Claves de la producción de audiolibros, audiorrelatos y ficciones sonoras

Keys to the production of audiobooks, audio stories and sound fictions
15 May 2024

[+]

In this forum, Raúl Montero, CEO and co-founder of Sonido de Ideas and InNovaVoice, sheds light on the production and post-production of audiobooks, audio stories...

Cines y plataformas de vídeo bajo demanda: enemigos íntimos

Cinemas and video-on-demand platforms: intimate enemies
7 May 2024

[+]

In this forum, Fernando Lobo, head of programming and communication at Cines Embajadores, reflects on how the new windows have affected the theaters...

Ser guionista y entender la profesión en la era de las plataformas

Being a screenwriter and understanding the profession in the era of platforms
30 April 2024

[+]

Laura Pousa, screenwriter and director of the online Master's Degree in Film and Television Scriptwriting at The Core-Entertainment Science School, reflects on the figure of...

Claves del III convenio colectivo de técnicos de la industria audiovisual: horarios, retribución, IA…

Keys to the III collective agreement for technicians in the audiovisual industry: schedules, remuneration, AI...
23 April 2024

[+]

En esta tribuna, Ángela Estévez, abodada en Bardají & Honrado, analiza las principales novedades del III convenio colectivo de técnicos de la industria audiovisual, ...

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