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Grandstands

Revolución en los estudios de Aragón TV: la historia contada desde dentro

Revolution in the Aragón TV studios: the story told from within
13 June 2023

[+]

In this forum, Carlos Martín, head of operations at Aragón TV, explains in first person the keys to the channel's latest renewal,...

TikTok y la ley de la selva: claves para televisiones y productoras

TikTok and the law of the jungle: keys for television and production companies
6 June 2023

[+]

Patricia Mariscal, abogada en Bardají&Honrado, aborda las precauciones que televisiones y productoras deben abordar al generar y compartir contenido en TikTok desde el prisma ...

Slicing y 26 GHz: el verdadero potencial broadcast del 5G, en 2024

Slicing and 26 GHz: the true broadcast potential of 5G, in 2024
30 May 2023

[+]

Juan Cambeiro, an expert in 5G Innovation with clients from the Innovation area of ​​Telefónica Spain, explains how long-awaited concepts such as slicing or the band ...

¿Estamos viviendo ya la era del audio inmersivo?

Are we already living in the era of immersive audio?
23 May 2023

[+]

In this Tribune, Albert Manera, head of the sound post-production company El Camaleón Sonido, analyzes the phenomenon of immersive audio in cinema, ...

IA: ¿la próxima frontera en el doblaje?

AI: the next frontier in dubbing?
16 May 2023

[+]

Jacques Barreau, “Dean of Dubbing” y Vice President – Media & Interactive Entertainment de TransPerfect Media, reflexiona en esta Tribuna sobre la inteligencia artificial y ...

Actores, artistas y otras figuras en TV y cine: una dimensión legal desconocida

Actors, artists and other figures in TV and cinema: an unknown legal dimension
2 May 2023

[+]

Patricia Mariscal e Imanol de Hipólito, de Bardají & Honrado, arrojan luz sobre el concepto de actores y artistas en obras audiovisuales televisivas y ...

Granjas de procesado y postproducción: ¿un destino del que no se puede escapar?

Processing and post-production farms: a destiny that cannot be escaped?
11 April 2023

[+]

Jaume Campos, VFX supervisor at Onirikal, analyzes how the growing demand for visual effects and increasingly demanding resolutions are proposing...

Cuatro narrativas inéditas generadas por la Inteligencia Artificial (IA)

Four unpublished narratives generated by Artificial Intelligence (AI)
28 March 2023

[+]

Lau Delgado, Media consultant, reflects on the unprecedented audiovisual narratives that AI technologies can generate. The impact of Intelligence technologies...

Emplazamiento de producto en cine y televisión: claves, límites y precauciones

Product placement in film and television: keys, limits and precautions
21 March 2023

[+]

Julia Martínez Zaragoza, abogada en Bardají&Honrado, aborda la siempre controvertida cuestión del emplazamiento de producto, la cual puede traer problemas en producciones audiovisuales de ...

Realidad virtual: ¿cuándo será una alternativa real para el mundo del entretenimiento?

Virtual reality: when will it be a real alternative for the world of entertainment?
14 March 2023

[+]

César Urbina, creative director and founding partner of the production company Iralta, analyzes the current situation of virtual reality, breaking down the keys that, every day...

¿Por qué es necesario reivindicar que el corto es cine?

Why is it necessary to claim that the short is cinema?
7 March 2023

[+]

Belén Herrera de la Osa, director, producer and member of Platform New Directors (PNR), reflects on the short film and its role in the ecosystem...

IVERES (RTVE-UAB) da nuevos pasos en la detección de imágenes manipuladas con la UPC

IVERES (RTVE-UAB) takes new steps in the detection of images manipulated with the UPC
28 February 2023

[+]

Montserrat Rigall, RTVE journalist, addresses the next phase of the IVERES project, which will increase its capabilities thanks to the development of detection technologies for ...

Grafismo para televisión: claves para el éxito y caminos para el fracaso

Television graphics: keys to success and paths to failure
21 February 2023

[+]

Álvaro Fornas Silva, project manager at Mozing, a graphic design studio with extensive experience in creating motion graphics for televisions such as...

Coproducciones España – Latinoamérica: retos para un mercado audiovisual emergente

Co-productions Spain – Latin America: challenges for an emerging audiovisual market
14 February 2023

[+]

Daniel Hernández Bocanegra, general director of Secuoya Latin America, analyzes the good moment of the audiovisual industry in the Latam market, the importance of ...

¿Cómo protejo un formato de televisión?

How do I protect a television format?
7 February 2023

[+]

Imanol de Hipólito Lorenzo, abogado en Bardají&Honrado, arroja luz sobre la protección jurídica de los formatos de televisión, una temática compleja sobre la cual todavía ...

El streaming siguió creciendo en 2022… con algunas sorpresas

Streaming continued to grow in 2022… with some surprises
31 January 2023

[+]

In an extraordinarily successful year for streaming, audiences challenged content publishers and streaming companies with some...

El presente y futuro de las televisiones pasa por el IP

The present and future of televisions goes through IP
24 January 2023

[+]

José María Casaos, CTO of RTVM, explains the reasons why Telemadrid has embarked on the transition from SDI to IP...

En defensa de las unidades móviles: un futuro asegurado

In defense of mobile units: a secure future
16 January 2023

[+]

Ignasi Jauset Berrocal, project manager/investment manager of CCMA's TV exploitation area, shares his vision of mobile units in a world in ...

La televisión, más digital que nunca: el equilibrio (no) es imposible

Television, more digital than ever: balance (no) is impossible
10 January 2023

[+]

José Pereira Fariña, director of the innovation and business area of ​​CRTVG, addresses in this forum the overwhelming commitment of television networks to ...

¿Y si hacemos un podcast basado en la película?

What if we make a podcast based on the movie?
20 December 2022

[+]

Julia Martínez Zaragoza, abogada en Bardají&Honrado, aborda desde el prisma jurídico la adaptación de obras audiovisuales a podcast, un vía de explotación cada vez ...

Sostenibilidad y flujo de trabajo modular: nuevas claves para la producción en directo

Sustainability and modular workflow: new keys for live production
13 December 2022

[+]

Norbert Paquet, head of live production at Sony Europe, addresses with renewed perspective the great opportunities that companies have in front of them...

Europa ante la desinformación: inteligencia artificial y alianzas

Europe in the face of disinformation: artificial intelligence and alliances
30 November 2022

[+]

Montserrat Rigall, RTVE journalist, shares in this forum the main milestones extracted from the first international meeting of CEDMO (Central European Digital Media Observatory), ...

Los grandes desafíos de los clústeres audiovisuales de España

The great challenges of audiovisual clusters in Spain
29 November 2022

[+]

Jorge Algora, president of the Galician Audiovisual Cluster, shares the important challenges that audiovisual clusters (and the Spanish industry) will face in the future more...

Realización televisiva y videojuegos de fútbol: ¿quién influencia a quién?

Television production and football video games: who influences whom?
22 November 2022

[+]

Iván Justel, Head of Communications and Social Media at Mediapro, reflects on the growing influence of video games in the coverage of football matches.

Privacidad, datos y usuarios: ¿existe el derecho a la intimidad en las nuevas plataformas?

Privacy, data and users: is there a right to privacy on new platforms?
8 November 2022

[+]

Imanol de Hipólito Lorenzo, abogado en Bardají&Honrado, reflexiona sobre la consolidación de las nuevas plataformas como adalides del consumo televisivo multicanal y cómo esta se ...

¿El DAB en España, cada vez más cerca? La licitación llega al Tribunal Constitucional

Is DAB in Spain getting closer? The tender reaches the Constitutional Court
2 November 2022

[+]

En esta tribuna, Jaime Rodríguez Díez, abogado – socio de Díez & Romeo Abogados, comparte las últimas novedades del estado del DAB en España. Entre ...

Subtitulado automático bilingüe: la idea es sencilla, la solución no tanto

Automatic bilingual subtitling: the idea is simple, the solution not so much
25 October 2022

[+]

Offering the viewer automatic live subtitling is not new, but can artificial intelligence technologies be trusted enough to...

El broadcast y el color ampliado: ¿a las puertas de una nueva era?

Broadcast and expanded color: on the threshold of a new era?
18 October 2022

[+]

Luis Ochoa, director of image post-production at Drago (Grupo Secuoya), writes this forum in which he analyzes the evolution of color in the...

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