Bigas Luna bets on Apuntolapospo for the filming of the teaser of his new movie6 May 2009 [+] Four Red One cameras serve as the basis for the stereoscopic production of the film teaser based on The Manuscript of the Second Origin.
Angels and demons: premiere in Rome with Sony's CineAlta 4K5 May 2009 [+] The premiere is projected using the Sony Professional SRX-R220 CineAlta-4K digital system, LMT-200 Media Block and control system software...
Quantel Pablo 3D or how not to lose your mind with stereoscopy1 May 2009 [+] Quantel's development to manage 3D stereo in real time in its Pablo system has made it possible, for the first time, for stereoscopic post-production...
Panasonic bets heavily on 3D1 May 2009 [+] A P2 camcorder for stereoscopy, an HD 3D compatible plasma monitor and a work cabinet in close collaboration with Hollywood for the...
Vision3 250D: new Kodak medium sensitivity film for daylight28 April 2009 [+] Kodak adds the characteristics of the Vision3 500T color negative film, introduced a year and a half ago, to a daylight balanced emulsion of ...
Thomson Grass Valley reinforces its Infinity range, K2 servers and improves Edius25 April 2009 [+] In addition to the Kayenne switcher, Thomson GVG has introduced the LDK 3000 camcorder and version 5.1 of its Edius non-linear editing solution.
Strategic alliance between Quantel and Spatial View21 April 2009 [+] Quantel's innovative Stereo 3D technology will thus join the potential of Spatial View's autostereoscopic multiplatform displays. Quantel and Spatial View...
Texture control for digital intermediation21 April 2009 [+] ARRI, in collaboration with Cinnafilm, develops software that provides full manipulation and interactive control of image texture in processes...
4K and 8K 3D…without glasses!21 April 2009 [+] NHK Science en colaboración con Technical Research Laboratories y el National Institute of Information and Communications Technology llevan cabo en NAB'09 una experiencia de ...
Avid: changes image and strategy21 April 2009 [+] Greater interoperability with third parties, new versions of its solutions and a joint brand policy govern the immediate future of a renewed Avid.
Codex Transfer Station, flexible recording in the field20 April 2009 [+] Codex Digital presents a new line of products for transfer and back-up that will allow users to carry out from a simple copy...
Avid qualifies Final Cut Pro to work on Unity and ISIS20 April 2009 [+] In a historic step for the company, Avid announces that it will open interoperability of its Unity MediaNetowork and ISIS storage systems to Apple, ...
Flare: full integration with Flame and Inferno20 April 2009 [+] Autodesk muestra en NAB'09 nuevas versiones de sus sistemas de efectos visuales para cine y televisión y lanza al mercado Flare, una novedad en ...
Avid promises more integration with other brands20 April 2009 [+] Avid will strengthen its open solutions with the integration of cameras, servers and automation technology from other brands such as Omneon, Panasonic, Sony or RED.
Cine en streaming en Filmotech20 April 2009 [+] EGEDA actualiza su portal de cine a la carta, lanzado en marzo de 2007 y que ofrece ya hoy más de mil títulos. La ...
HDNA: high definition in Sony's DNA20 April 2009 [+] The Japanese multinational has presented its new line of XDCAM HD solutions at NAB, which includes the new PDW-700, PDW-800 and ...
Full Avid support20 April 2009 [+] All your users, from hobbyists to large enterprises, can now choose flexible packages that meet their support needs. Avid has presented in...
DVS speeds up flow with RED14 April 2009 [+] The new Clipster for RED shaping tool allows you to send material in high resolution EDL, ALE, Final Cut Pro XML or Cutlist.
Anton Bauer DT-500 for digital cinema cameras8 April 2009 [+] This feeder is designed for the F23 and F35 and the Panavision Genesis, although it can also adapt to the Red One and others.
Filmax bets on the XpanD system for its 3D cinemas2 April 2009 [+] XpanD technology, with Christie projection and Doremi server, pillars of the group's new three-dimensional rooms.
Christie: total reliability in its lamps2 April 2009 [+] After monitoring ten million passes in two years, Chistie presents a reliability of 99.999% in its digital cinema lamps.
Basque audiovisual at MIPTV'091 April 2009 [+] Basque Audiovisual's virtual catalog on a large-format screen focuses the eyes of the Cannes public
Kinoton continues its commitment to digital cinema28 March 2009 [+] Its solutions will soon be present in more than twenty-five countries.
Cinesa is strongly committed to 3D in Spain26 March 2009 [+] The exhibition group will face the crisis by inaugurating twenty-five new rooms with three-dimensional projection that will be added to the four existing ones. ...
Christie: new motorized lens mount25 March 2009 [+] All Christie projectors will be compatible with the new motorized lens mounting solution that will allow rooms to easily switch between...
Sony PDW-HR1: portable high definition recorder25 March 2009 [+] The new model offers high file transfer speeds and compatibility with previous formats for more flexible production.
Animated cinema, under debate18 March 2009 [+] The V Audiovisual Conference, organized by the Villanueva University Center, has brought together the main animation film professionals in Spain. The situation...
Third Brazil-Galicia audiovisual meeting15 March 2009 [+] The third meeting promoted by the Audiovisual Consortium of Galicia and the Agência Nacional do Cinema of Brazil concludes today in Salvador de Bahía...
