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Spain | America | International

Articles about 'RED'

La NASA muestra por vez primera en 4K imágenes cotidianas de los astronautas en la Estación Espacial

NASA shows everyday images of astronauts on the Space Station in 4K for the first time
21 June 2016

[+]

The new video titled 'Home' has been recorded with a RED Epic Dragon camera. NASA continues to show its firm commitment to Ultra...

‘El corredor’, de José Luis Montesinos, suma un Goya a su larga lista de premios

'The Runner', by José Luis Montesinos, adds a Goya to its long list of awards
7 February 2016

[+]

The short Cordelias, by Gracia Querejeta, manages to prevail; The Red Thunder, by Álvaro Ron; Inside the Box, by David Martín-Porras, and Os Meninos by ...

La Academia reconoce a Miguel Ángel Amoedo la labor titánica de plasmar en imágenes el mundo lorquiano

The Academy recognizes Miguel Ángel Amoedo for the titanic work of capturing the world of Lorca in images
7 February 2016

[+]

“The challenge was to capture that poetry in a film,” says Amoedo, who has filmed ‘The Bride’ with a RED Epic. Miguel Ángel Amoedo has...

‘Marte (The martian)’: Ridley Scott regresa con una gran producción épica

'Marte (The martian)': Ridley Scott returns with a great epic production
30 September 2015

[+]

Shot at the Korda studios in Budapest and in the Namibian desert, Scott and the cinematographer, Dariusz Wolski, have chosen ...

Raven: la apuesta de RED por una cámara 4K lowcost

Raven: RED's commitment to a low-cost 4K camera
25 September 2015

[+]

It will record 4K video at speeds of up to 120 frames per second, and can record in RedCode RAW format with a compression of 5:1 at 24...

Deluxe Spain crea en ‘Refugiados’ un clima único en esta serie rodada con ARRI Alexa y RED Epic

Deluxe Spain creates a unique atmosphere in 'Refugiados' in this series shot with ARRI Alexa and RED Epic
7 May 2015

[+]

Deluxe has been in charge of managing the filming content and the shaping, color correction and delivery work. Photography has...

RED desvelará en NAB su nueva “arma”

RED will unveil its new “weapon” at NAB
1 April 2015

[+]

The new Weapon camera aims to take full advantage of the color and dynamic range technology of the 19 megapixel RED sensor...

Edmon Roch y Toni Novella se hacen con el Goya a la mejor dirección de producción con ‘El Niño’

Edmon Roch and Toni Novella win the Goya for best production direction with 'El Niño'
8 February 2015

[+]

The award recognizes a complex production with numerous locations and with the sea as an unpredictable element. Edmon Roch and Toni Novella...

Carles Marqués Marcet, por ‘10.000 kilómetros’, despega en su carrera con un Goya a mejor director novel

Carles Marqués Marcet, for '10,000 kilometers', takes off in his career with a Goya for best new director
8 February 2015

[+]

The Catalan filmmaker obtains recognition for a sober film that enjoys the favor of international audiences. The Goya for best New Director was...

Jerome Dolbert rueda con una RED Epic y ópticas Angenieux ‘Las selvas tropicales de Perú bajo amenaza’

Jerome Dolbert shoots with a RED Epic and Angenieux optics 'Peru's rainforests under threat'
22 December 2014

[+]

For the production of this documentary, the director had a camera team that together weighed about twelve kilos made up of a...

Freixenet estrena su nueva campaña de navidad bajo la dirección de Kike Maíllo (Making of)

Freixenet premieres its new Christmas campaign under the direction of Kike Maíllo (Making of)
27 November 2014

[+]

Starring the actress María Valverde and the singer David Bisbal, Kike Maíllo directs the Freixenet Christmas campaign recorded for the first time...

Nace WeLab, una iniciativa centrada en alquiler, formación y postproducción de imagen digital

WeLab is born, an initiative focused on digital image rental, training and post-production
26 November 2014

[+]

The company directed by Pedro F. Fernández and Raúl Prior opens its headquarters in Madrid with 800 m² of facilities. Thinking about offering services...

IO 4K de AJA facilitó la producción de ‘Gone Girl (Perdida)’

AJA's IO 4K facilitated the production of 'Gone Girl (Perdida)'
16 October 2014

[+]

The production flow on the film proved very ambitious from the beginning, as the film was shot in 6K with RED cameras...

Enxebre amplía su catálogo de servicios 3D con el nuevo rig de rodaje Atom de 3ality Technica

Enxebre expands its catalog of 3D services with the new Atom filming rig from 3ality Technica
4 February 2014

[+]

This rig is made with several pieces of magnesium, an ultra-light material that allows ready-to-roll configurations with RED Epic cameras and weights...

‘Vosotros también sois Hispanos’, primer spot deportivo en 4K

'You are also Hispanics', first sports spot in 4K
14 January 2014

[+]

The Spanish national basketball team stars in the first sports spot filmed in 4K with a RED Epic. During the stay of the Spanish team...

‘Guadalquivir’ lleva por primera vez la naturaleza de España al cine

'Guadalquivir' brings the nature of Spain to the cinema for the first time
12 December 2013

[+]

In its filming, the latest technologies have been used in high-speed cameras that decompose movement and show images that the eye...

‘Pacific Rim’, los secretos de su etalonaje con la colorista Maxine Gervais

'Pacific Rim', the secrets of its grading with colorist Maxine Gervais
18 July 2013

[+]

On July 31 in Los Angeles, FilmLight, Warner Bros. Motion Picture Imaging and RED organize a meeting in which they will share...

El editor Knut Hake emplea AJA T-TAP para lograr una monitorización flexible en HD con Final Cut Pro X

Editor Knut Hake uses AJA T-TAP for flexible HD monitoring with Final Cut Pro
18 April 2013

[+]

T-TAP has become an integral part of Knut Hake's workflow for HD monitoring with Final Cut Pro

Unidad Astronómica y Derivas Films comienzan a rodar ‘Sobrenatural’ en 4K con RED One

Unidad Astronomica and Derivas Films begin filming 'Supernatural' in 4K with RED One
6 February 2013

[+]

The film directed by Juan Figueroa and starring the bullfighter Andrés Vázquez is the second feature film from these production companies. The Salamancan production company Unidad...

La Academia reconoce los efectos visuales y la fotografía de ‘Grupo 7’

The Academy recognizes the visual effects and photography of 'Grupo 7'
11 January 2013

[+]

The film, post-produced with Mistika, was shot with RED One Mysterium X in 4K, several Canon 5D and 7D and a Panasonic HD for...

La serie de la RAI ‘Terra Ribelle, Il Novo Mundo’ emplea lentes Cooke MiniS4

The RAI series 'Terra Ribelle, Il Novo Mundo' uses Cooke MiniS4 lenses
14 December 2012

[+]

Musitelli Film & Digital, una reputada empresa de alquiler con sede en Montevideo, ha suministrado varias cámaras RED y Cooke miniS4/i para este rodaje ...

Final Cut Pro X, ahora compatible con archivos nativos RED RAW

Final Cut Pro X now supports native RED RAW files
30 October 2012

[+]

RED Camera support for the native REDCODE RAW editing format and optional background transcoding to Apple ProRes...

Red Bull Stratos: tecnología audiovisual estratosférica

Red Bull Stratos: stratospheric audiovisual technology
15 October 2012

[+]

Felix Baymgartner is already a legend when he jumped into the void at more than 40,000 meters above sea level, surpassing the sound barrier. The ...

Spiderman regresa con la última tecnología 3D y 5K

Spiderman returns with the latest 3D and 5K technology
2 July 2012

[+]

'The Amazing Spider-man' is the first Hollywood production to be filmed with the RED Epic camera, in 5K. The new installment of the...

James Cameron graba la fosa de las Marianas con RED Epic 5K

James Cameron films the Mariana Trench with RED Epic 5K
28 March 2012

[+]

For the descent to the Marianas, Cameron has chosen to equip the Challenger Deepsea mini-submarine with a RED Epic 5K with a ...

Formación con cámaras RED en Trazos

Training with RED cameras in Trazos
14 February 2012

[+]

Trazos will collaborate with REDLab Spain in training in digital cinematography with internships with RED One, Epic and Scarlet. Strokes has been chosen by...

Assimilate agiliza los dailies con material procedente de la RED Epic a 48 fps

Assimilate speeds up the dailies with material from the RED Epic at 48 fps
10 February 2012

[+]

Now, stereoscopy professionals can have confidence knowing they can maintain image integrity and quality in the...

Workshop de REDLab sobre el universo cinematográfico que propone RED

REDLab workshop on the cinematographic universe proposed by RED
26 January 2012

[+]

Aimed at directors and filmmakers, HD technicians, operators, directors of photography, graders, production managers... REDLab organizes a workshop in Madrid on the...

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