JVC to showcase new HD and 4K PTZ for first time at NAB 202210 March 2022 [+] The new JVC KY-PZ400N 4K PTZ and KY-PZ200/N HD PTZ cameras will make their global debut at NAB 2022 (23-27 April). From a suite ...
JVC will show its new HD and 4K PTZ for the first time at NAB 202210 March 2022 [+] JVC's new KY-PZ400N 4K PTZ and KY-PZ200/N HD PTZ cameras will make their global debut at NAB 2022 (April 23-27). From the suite of...
How is a Slow TV program technically created?8 March 2022 [+] Roberto Roldán, content manager at Factoría Henneo, shares the technical keys that shape Slow TV, an emerging and disruptive format...
International Chopin Competition comes to YouTube with Blackmagic URSA Broadcasts7 March 2022 [+] Polish production company Transmisje Live chose the Blackmagic URSA Broadcast 4K cameras to stream the concerts of the International Chopin Competition. The international event, ...
The International Chopin Competition travels around the world with Blackmagic's URSA Broadcast7 March 2022 [+] La productora polaca Transmisje Live se decantó por las cámaras 4K URSA Broadcast de Blackmagic para producir el streaming de los conciertos del Concurso ...
Transition from SD to HD on television: the definitive guide3 March 2022 [+] Jorge Pérez López, broadcast commercial at Data Media, addresses in depth the keys that will allow television stations to complete their transition to HD before...
Fujifilm Premista lenses bring the feature film 'The Quiet Days of Mr. Stevens' to life3 March 2022 [+] The Quiet Days of Mr. Stevens, a feature-length documentary directed by César Souto, was shot with Fujifilm Premista 19-45/80-250 zoom lenses. El director ...
Blackmagic Design solutions bring horror film ‘Alone With You’ to life28 February 2022 [+] The film Alone With You, directed by Justin Brooks and Emily Bennett, was shot with Blackmagic Design cameras and edited in DaVinci Resolve Studio. ...
Blackmagic Design Solutions Bring Horror Movie 'Alone With You' to Life28 February 2022 [+] The film Alone With You, directed by Justin Brooks and Emily Bennett, was shot with Blackmagic Design cameras and edited in DaVinci...
Sony Venice transforms ESPN's live multi-camera production28 February 2022 [+] ESPN redefines its live multi-camera television production by opting for multiple units of Sony's Venice film camera. ESPN has updated three studies...
FOX Sports brings cinematic look to ‘Field of Dreams’ (MLB) with the help of FS-HDR from AJA28 February 2022 [+] The AJA FS-HDR has helped FOX Sports achieve a cinematic look for the broadcast of the MLB ‘Field of Dreams’ special. The main technical ...
Fox Sports Brings Cinematic Look to ‘Field of Dreams’ (MLB) with the Help of AJA FS-HDR28 February 2022 [+] AJA FS-HDR has helped Fox Sports achieve a cinematic look for the broadcast of the Field of Dreams special match of ...
Ovide will strengthen its catalog by investing close to 2 million euros in 202225 February 2022 [+] The catalog of Ovide, a filming equipment rental company, will grow in 2022 thanks to a budgeted investment of around 2 million...
8 technical considerations for the broadcast of the 2022 Copa del Rey de Baloncesto24 February 2022 [+] Alfredo Berdún, technical head of mobile units at Telefónica Broadcast Services (TBS) and responsible for the production of the Copa del Rey de Baloncesto...
Shotoku to present new Orbit mode for SmartPed and TR-XT at NAB 202222 February 2022 [+] NAB Show 2022 (April 23-27) will feature Shotoku, showcasing new capabilities for solutions such as the TR-XT control panel,...
The new Lumix GH6 incorporates a 25 MP sensor, 5.7K video at 60p and internal Apple ProRes recording22 February 2022 [+] Panasonic estrena la Lumix GH6, con un nuevo sensor de imagen de 25.2 megapíxeles, grabación ilimitada hasta 5.7K/60p, 4:2:2 de 10 bits, un flujo ...
‘The Desperate Hour’, filmed with the URSA Mini Pro 12K by Blackmagic21 February 2022 [+] Phillip Noyce (director) and John Brawley (director of photography) chose the Blackmagic URSA Mini Pro 12K to shoot The Desperate Hour. The Desperate Hour ...
‘The Desperate Hour’, shot with Blackmagic’s URSA Mini Pro 12K21 February 2022 [+] Phillip Noyce (director) y John Brawley (director de fotografía) se decantaron por la URSA Mini Pro 12K de Blackmagic para rodar The Desperate Hour. ...
Canal Sur will renew its content management platform, ENGs and backpacks in 202221 February 2022 [+] Throughout 2022, Canal Sur will continue to deepen its action plan to renew its technological equipment, updating solutions such as ENGs, backpacks...
NBC broadcasts the Olympics. Beijing Winter Festival 2022 with the support of the broadcast industry17 February 2022 [+] The NBC Sports broadcast of the Olympics. OO. Beijing Winter Festival has relied on technology from manufacturers such as Sony, Mediakind, Calrec, ...
Ikegami bets on UHD with its new UHK-X700 and UHL-F4000 cameras17 February 2022 [+] UHD HDR, HFR and IP will be the leading concepts of Ikegami at NAB 2022 (April 23-27). The company will present a wide selection of...
Ross Video and Van Wagner return to produce the biggest game in the NFL15 February 2022 [+] Possibly one of the biggest annual sporting events, the big NFL game at SoFi Stadium in Inglewood, California, was produced by Ross Video and ...
Ross Video and Van Wagner once again produce the big NFL game15 February 2022 [+] What is possibly one of the biggest annual sporting events, the big NFL game that took place a few days ago in...
S. Pellegrino Young Chef Academy final hits YouTube with URSA Broadcast cameras10 February 2022 [+] The grand final of the S. Pellegrino Young Chef Academy competition was produced by STS Communication with several Blackmagic URSA Broadcast cameras. STS Communication, ...
The final of the S. Pellegrino Young Chef Academy comes to YouTube with URSA Broadcast cameras10 February 2022 [+] The grand finale of the S. Pellegrino Young Chef Academy competition was produced by STS Communication with several Blackmagic URSA Broadcast cameras. The STS production company...
En los recovecos del true crime: el caso de ‘Lucía en la telaraña’ (RTVE Play)10 February 2022 [+] Sofía Urwitz, director and director of photography of Lucía en la Telaraña (RTVE Play), reveals all the keys to the production, putting it in context...
Sandra Valde-Hansen shoots ‘Plan B’ with Sony Venice and Zeiss Supreme lenses8 February 2022 [+] The combination of a Sony Venice film camera and Zeiss Supreme lenses has brought Plan B, a film photographed by Sandra Valde-Hansen, to life. ...
Sandra Valde-Hansen shoots 'Plan B' with the Sony Venice and Zeiss Supreme optics8 February 2022 [+] La combinación entre la cámara cinematográfica Sony Venice y las lentes Zeiss Supreme han dado vida a Plan B, película fotografiada por Sandra Valde-Hansen. ...
