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Spain | America | International

Grandstands

¿Cómo se crea técnicamente un programa de Slow TV?

How is a Slow TV program technically created?
8 March 2022

[+]

Roberto Roldán, content manager at Factoría Henneo, shares the technical keys that shape Slow TV, an emerging and disruptive format...

Transición del SD al HD en televisión: la guía definitiva

Transition from SD to HD on television: the definitive guide
3 March 2022

[+]

Jorge Pérez López, broadcast commercial at Data Media, addresses in depth the keys that will allow television stations to complete their transition to HD before...

The Benefits of SaaS: From Predictability to Innovation

The Benefits of SaaS: From Predictability to Innovation
1 March 2022

[+]

Jens Hasche, partner at Simon-Kucher & Partners, outlines the benefits of the SaaS model for business transformation in this Tribune, provided by Dalet. As ...

Las ventajas del SaaS: de previsibilidad a innovación

The advantages of SaaS: from predictability to innovation
1 March 2022

[+]

Jens Hasche, socio de Simon-Kucher & Partners, expone los beneficios del modelo SaaS para la transformación empresarial en esta Tribuna, facilitada por Dalet. Aún ...

¿Se pueden ceder derechos de formatos audiovisuales inexistentes?

Can rights to non-existent audiovisual formats be transferred?
22 February 2022

[+]

Patricia Mariscal, abogada en Bardají&Honrado, reflexiona sobre la cesiones de derechos en formatos audiovisuales y arroja luz sobre las cláusulas que hacen referencia a ...

¿Nos aproximamos a un único formato de HDR en España o convivirán varios?

Are we approaching a single HDR format in Spain or will several coexist?
15 February 2022

[+]

Vicente Pla (COITT), consulting engineer specializing in technology and training, and member of the production, post-production and broadcast groups of UHD Spain, presents...

La evolución tecnológica y los nuevos retos del montaje audiovisual

Technological evolution and the new challenges of audiovisual assembly
8 February 2022

[+]

Javier Almela-Baeza, socio de AMAE y Doctor en Comunicación Audiovisual en Universidad de Murcia, aborda las principales tendencias del montaje desde un prisma tecnológico ...

¿Cómo se postproduce el color de los anuncios publicitarios?

How is the color of advertisements post-produced?
1 February 2022

[+]

El equipo de Pijama Studio, estudio de postproducción audiovisual en Barcelona que ha trabajado para firmas como American Express, Apple, Audi, Google o Samsung, ...

La lucha contra la piratería de vídeo se ve reforzada por la colaboración

The fight against video piracy is strengthened by collaboration
25 January 2022

[+]

The video streaming sector, in its different modalities, whether OTT, DTC, SVOD, AVOD, vMVPD or PSB, sees the criminal threat growing. ...

Conociendo el fenómeno de los esports: ¿un sector estratégico para España?

Knowing the phenomenon of esports: a strategic sector for Spain?
18 January 2022

[+]

José María Moreno, director general de AEVI (Asociación Española de Videojuegos), comparte claves para entender la relevancia y el potencial económico y broadcast de ...

El podcast en España: de la evolución a la revolución

The podcast in Spain: from evolution to revolution
11 January 2022

[+]

Idoia Cantolla, Head of Content at Podimo, reflects on the present of the podcast in Spain and advances some of the keys to its future...

Claves para la codificación de señales UHD para difusión y enlaces de contribución

Keys to encoding UHD signals for broadcast and contribution links
21 December 2021

[+]

Juan José Anaya Luengo, technical director of Sapec; José Manuel Menéndez, professor at the Polytechnic University of Madrid; and Sonia Valladares, solutions engineer...

Verdades, medias verdades y mitos de las ópticas cinematográficas

Truths, half-truths and myths of cinematographic optics
14 December 2021

[+]

Jordi Bransuela, director of photography and director of the Master in Photography Direction at ESCAC, reflects on cinematographic optics and their use...

Cómo aprovechar las ventajas del modelo de suscripción en la producción de contenidos

How to take advantage of the subscription model in content production
10 December 2021

[+]

Kate Ketcham, senior director of Avid's subscription business line, reflects on the advantages of adopting a subscription model in...

¿’La casa de papel’ ha marcado un punto de no retorno en la industria española?

Has 'La casa de papel' marked a point of no return in the Spanish industry?
30 November 2021

[+]

On the occasion of the premiere of the second part of the fifth season of La casa de papel, Enrique Lozano, director of GECA, reflects on...

Ya está bien, ¿no?

That's fine, isn't it?
23 November 2021

[+]

Just nine days before IBC 2021 opened its doors at the RAI Center in Amsterdam, its Board of Directors has finally opted...

Optimizando la inversión en almacenamiento de nueva generación

Optimizing investment in next-generation storage
23 November 2021

[+]

Julián Fernández-Campón, CTO of Tedial, reflects on new generation storage, providing all the keys to the iPaaS concept (integration platform as a service). ...

Los cuatro grandes retos técnicos de los efectos visuales de ‘La Fortuna’ (Movistar+)

The four great technical challenges of the visual effects of 'La Fortuna' (Movistar+)
16 November 2021

[+]

Juanma Nogales and Javier Pacín, supervisors of the digital post-production studio Twin Pines (La Peste, Élite, Akelarre), reveal in this forum the biggest challenges...

No confundamos resolución con definición en la señal de UHD

Let's not confuse resolution with definition in the UHD signal
9 November 2021

[+]

José Manuel Menéndez, professor at the Polytechnic University of Madrid and director of the RTVE – UPM Chair, provides the keys to two concepts especially discussed in...

¿El futuro de los festivales de cine pasa por llegar a las casas de los espectadores?

Does the future of film festivals involve reaching viewers' homes?
2 November 2021

[+]

Cristina Riera, co-director of the Barcelona Independent Film Festival l’Alternativa, addresses in this forum the coexistence of film festivals with the platforms...

Medios de comunicación y cambio climático: problema y solución

Media and climate change: problem and solution
29 October 2021

[+]

A Google search supposes an emission into the atmosphere of between 0.2 and 7 grams of carbon dioxide, a tweet has a...

¿Cuál es el futuro de las salas de cine en España?

What is the future of movie theaters in Spain?
26 October 2021

[+]

Luis Gil Palacios, general director of FECE (Federation of Cinemas of Spain), addresses the current situation and future challenges of movie theaters...

La UHD, un reto inevitable: la cuestión del ancho de banda y la convivencia del SDR y HDR

UHD, an inevitable challenge: the issue of bandwidth and the coexistence of SDR and HDR
19 October 2021

[+]

Xavier Bonet, production at TV3, coordinator of the UHD Spain post-production group and head of the ESCAC technology department, opens the ...

En defensa del doblaje: ¿Cuáles son sus necesidades y desafíos en 2021?

In defense of dubbing: What are your needs and challenges in 2021?
13 October 2021

[+]

ADOMA, Sindicato de Artistas de Doblaje de Madrid, defiende la necesidad y el valor del doblaje en la actualidad, al tiempo que señala algunos de ...

¿Por qué nace el Instituto Universitario del Cine Español – UC3M? Contexto, referencias y metas

Why was the University Institute of Spanish Cinema – UC3M born? Context, references and goals
5 October 2021

[+]

Carmen Ciller, subdirectora del Instituto Universitario del Cine Español-UC3M (Universidad Carlos III de Madrid), expone en esta tribuna las metas de una iniciativa inédita ...

¿El futuro de la iluminación audiovisual es únicamente LED?

Is the future of audiovisual lighting only LED?
28 September 2021

[+]

Jordi Bransuela, director of photography and director of the Master in Photography Direction at ESCAC, addresses the always determining question of lighting...

Realidad mixta: la verdadera revolución de los entornos de producción virtuales

Mixed reality: the true revolution of virtual production environments
21 September 2021

[+]

Director of photography Juan Luis Cabellos, AEC delves into virtual or mixed reality production environments (understood as integrating virtual reality...

Visibilizando los Objetivos de Desarrollo Sostenible en RTVE con Inteligencia Artificial

Making the Sustainable Development Goals visible in RTVE with Artificial Intelligence
14 September 2021

[+]

RTVE is committed to bringing the Sustainable Development Goals (SDGs), set by the United Nations in its 2030 Agenda, closer to the entire...

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