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Artículos sobre ‘Cooke’

‘Lost in Space’ encuentra el contraste en la oscuridad con la RED Monstro y lentes Cooke 5/i

‘Lost in Space’ finds contrast in the dark with the RED Monstro and Cooke 5/i lenses
2 June 2020

[+]

Director of photography Sa McCurdy shot the first season with RED Helium cameras and Leica Summilux C lenses, but has opted for a...

Las lentes Cooke Anamorphic/i SF sacan belleza de oscuridad en ‘Pinocchio’

Cooke Anamorphic/i SF lenses bring beauty out of darkness in 'Pinocchio'
4 March 2020

[+]

In the film, although much of the VFX work was based on makeup and prosthetics, the metadata from the Anamorphic/i lenses...

Las lentes Cooke miniS4/i y la cámara RED Helium capturan imágenes únicas para ‘Seven Worlds, One Planet’

Cooke miniS4/i lenses and RED Helium camera capture unique images for 'Seven Worlds, One Planet'
17 December 2019

[+]

Director of photography Mark MacEwen traveled from Antarctica to the Congo to film spectacular shots for the new BBC series. ...

Ovide incorpora a su catálogo de alquiler la cámara ARRI Alexa Mini LF y los objetivos Cooke Anamorphic/i Full Frame

Ovide adds the ARRI Alexa Mini LF camera and Cooke Anamorphic/i Full Frame lenses to its rental catalog
28 October 2019

[+]

The first rental of the Alexa Mini LF will be the filming of Bandoleros, a series co-produced by LaZona and Movistar+, directed by Enrique Urbizu...

La Panasonic Varicam Pure junto a los objetivos S7/i Full Frame Plus dan dimensión a la película de Netflix ‘The Perfection’

The Panasonic Varicam Pure together with the S7/i Full Frame Plus lenses give dimension to the Netflix film 'The Perfection'
14 June 2019

[+]

Cinematographer Vanja Cernjul combines the S7/i and Anamorphic/i lenses to create multiple looks in the same universe. The S7/i Full lenses...

Cooke Optics promueve a Catherine Crawley a directora de marketing

Cooke Optics promotes Catherine Crawley to marketing director
23 April 2019

[+]

En su nuevo cargo, Crawley continuará construyendo la estrategia de marketing digital de Cooke, así como asumiendo la estrategia y ejecución de elementos de ...

Josu Incháustegui, Goya a la mejor fotografía, supera el reto de la luz en tomas muy críticas en ‘La sombra de la ley’

Josu Incháustegui, Goya for best photography, overcomes the challenge of light in very critical shots in 'The Shadow of the Law'
3 February 2019

[+]

Entre las herramientas que permitieron a Incháustegui afrontar este trabajo, el director se valió de una cámara ARRI Alexa Mini con ópticas Cooke, así ...

Cooke dará conocer en IBC sus últimas innovaciones en lentes

Cooke will present his latest innovations in lenses at IBC
23 August 2018

[+]

El fabricante de ópticas estrenará en Ámsterdam nuevas distancias focales para la gama Panchro/i Classic, además de S7/i full frame, Anamorphic/i zoom y Anamorphic/i ...

El fondo de inversión Caledonia Investments adquiere Cooke Optics

The investment fund Caledonia Investments acquires Cooke Optics
17 July 2018

[+]

Cooke Optics mantendrá a su equipo directivo tras la entrada en el capital de Caledonia cuya inversión permitirá un crecimiento más rápido de la ...

Cooke exhibirá en Cine Gear 2018 sus nuevas lentes para fotograma completo

Cooke will exhibit its new full-frame lenses at Cine Gear 2018
21 May 2018

[+]

La gama de objetivos S7/i de fotograma completo está diseñada desde cero para cubrir los sensores de cámara de cine de fotograma completo emergentes ...

‘Travelers’, la nueva apuesta de Netflix, logra un peculiar look cinematográfico en 4K con RED Dragon

'Travelers', Netflix's new bet, achieves a peculiar cinematic look in 4K with RED Dragon
15 December 2016

[+]

Director of photography Neville Kidd ('Doctor Who', 'Outlander', 'Sherlock Holmes'...) opts for the RED camera with a 35 sensor along with a complete ...

Ovide ya dispone de las ópticas Cooke Anamorphic

Ovide already has the Cooke Anamorphic optics
17 November 2015

[+]

Ovide significantly increases the stock of anamorphic lenses in addition to the stock of Cooke lenses, a brand on the rise in all types of film productions...

Smart Assist ya es partner de /i Technology de Cooke

Smart Assist ya es partner de /i Technology de Cooke
15 April 2015

[+]

Esta tecnología desarrollada por Cooke Lenses que permite leer la metadata del objetivo en cada frame y transmitirlo a post-producción digitalmente. Coincidiendo con NAB ...

Ovide amplia su stock en ópticas

Ovide expands its stock in optics
13 February 2014

[+]

Ovide makes a clear commitment to quality optics, both PL and EF mounts. In addition to increasing the stock in large optics,...

La serie de la RAI ‘Terra Ribelle, Il Novo Mundo’ emplea lentes Cooke MiniS4

The RAI series 'Terra Ribelle, Il Novo Mundo' uses Cooke MiniS4 lenses
14 December 2012

[+]

Musitelli Film & Digital, una reputada empresa de alquiler con sede en Montevideo, ha suministrado varias cámaras RED y Cooke miniS4/i para este rodaje ...

‘Un mundo sin fin’ bajo la lente Cooke 54 y ARRI Alexa

'A world without end' under the Cooke 54 and ARRI Alexa lens
23 October 2012

[+]

Director Michael Caton-Jones worked closely with filmmaker Denis Crossan to bring a recreation of the Middle Ages to the screen...

Redcam incorpora otra ARRI Alexa a su catálogo de alquiler

Redcam adds another ARRI Alexa to its rental catalog
10 February 2011

[+]

Redcam, a specialist in ultra-high definition digital cinema, has just added its second ARRI Alexa to its rental catalogue, which will come...

‘Héroes’, de Pau Freixas, primera película rodada en España con F35

'Héroes', by Pau Freixas, the first film shot in Spain with F35
25 November 2010

[+]

'Héroes' is the first feature film to be shot in Spain with the Sony F35, a camera that EPC had just acquired and supplied with...

Juego de luces y blancos en ‘El grifo’

Play of lights and whites in 'The Griffon'
8 April 2010

[+]

With photography by Juan Carlos Gómez and direction by Denis Rovira, Continental Producciones shoots an interesting short film with an ARRIFlex D21 supplied by EPC...

Later articles »
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