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https://www.panoramaaudiovisual.com/en/2013/05/02/primera-sala-para-dolby-atmos-con-monitores-reflexion-arts/

NTV Kino launches the first cinema mixing room, designed and built from the ground up for Dolby Atmos with Reflexion Arts monitors

Sala Dolby Atmos con Euphonix

NTV Kino, in Moscow, has just achieved something hitherto unthinkable: certification Dolby Premier in just over 24 hours.

For this to be possible, it was necessary to combine the efforts of a human team of great quality and professionalism.

Hace algo más de un año, Philip Newell había sido contactado por directivos de la empresa rusa de cine y televisión Gazprom Media para la consecución de un proyecto de enorme envergadura, que incluía una sala de mezclas para películas, una sala de control de calidad de imagen y color con un completo sistema surround para 7.1, un estudio para foley y música con un sistema surround 7.1 y 3 salas de grabación y edición de diálogos. Su cometido sería diseñar el mejor complejo de estudios en la capital rusa.

The project began with the demolition of the old facilities, wall to wall with Mosfilm, the state film company. Well into 2012, in February, the construction work would begin with Julius Newell directing it, with the support of Eliana Valdigem and a local team of professionals.

Reflexion Arts 240M y SU108In less than ten months the work was completed, becoming the first room specially designed for the new three-dimensional Dolby Atmos surround system and equipped with a high-speed monitor system. Reflexion Arts composed of four RA BX1 sub-woofers, five RA234 monitors built into the wall behind the screen and 34 SU108 monitors for surround. All room amplification is carried out with Reflexion Arts Studio I or Studio II stages, manufactured by Neva Audio and Neva Audio NA3200 stages for the sub-woofers. The projector prepared for digital cinema is the top of the range from the Belgian Barco.

Once the project was completed, it took Dolby a little more than 24 hours, after listening to and analyzing the study, to grant it the Dolby Premier certification.

Sergey Bolshakov, the chief engineer of the new studios, has assured that "it is the best monitor system we have ever heard. And that has just been confirmed by the fact that Dolby has granted us Premier certification in less than two days."

Control Foley

The installation

Mientras, en la sala de control de imagen se ha instalado un sistema idéntico con tres monitores frontales RA234, dos sub-woofers RABX1 y 12 SU108. Al igual que en la sala Atmos, un proyector Barco proporciona la posibilidad de realizar mezclas de películas que no necesiten mas que 7.1. El estudio Foley y debido a la existencia de una ventana que permite el contacto visual con la sala de grabación, donde se ubica una autentica piscina, ha sido equipado con dos RA239 pero, para el canal central, Reflexion Arts ha creado el nuevo RA244, un monitor en formato alargado, que incluye la trompeta axis-simétrica AX2, en el centro acústico, entre dos 12” de JBL. The equipment in this room is completed with only 6 SU108 for surround.

Sala Dolby Atmos con EuphonixThe SU108 has been designed entirely by Julius Newell, from the box to the passive divider, taking into account that all the boxes existing to date on the market do not present directivity characteristics or output capacity suitable for Dolby Atmos requirements. Today, Lisbon, Barcelona and, now, Dubai have mixing rooms with these same boxes.

But the big news is the new RA240M, which replaces the second edition of Philip Newell's classic design, RA240, although in this case from three channels (RA240 and RA240B) it becomes two active channels. Compatibility with larger systems is absolute and, interestingly, the use of the Manger gives you an extension in the high frequencies, of which compression drivers are incapable, including the TAD TD2002. These 3 rooms are intended for editing and recording dialogue.

By, May 2, 2013, Section:Audio, Postpro, Supplements

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