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Soundub launches room with the new Dolby Atmos format

It is the first mixing room of its kind in Spain and the second in Europe. ‘The Body’, by Oriol Paulo, was the first production mixed in Dolby Atmos in this room.

The body

Soundub The implementation of the new multichannel audio system has just been completed Dolby Atmos in one of the rooms that the company has at its headquarters in Barcelona. It is the first mixing room of its kind in Spain and the second in Europe and has already successfully completed the mixing of two feature films, Mother by Andy Muschietti produced by Toma 78 and distributed by Universal and The body, by Oriol Paulo produced by Rodar y Rodar and distributed by Sony.

Dolby Atmos technology is the new value proposition that we want to convey to the viewer in terms of the sound experience. The multichannel exhibition format par excellence until now has been the traditional 5.1 or 5.1-Ex (Extended, or known as 6.1), also owned by Dolby, where the number of discrete channels (group of speakers to which sound can be sent) was 6.

Dolby Atmos today presents a huge change by extending the number of discrete channels to which sound can be directed beyond 64. As a result, the number of speakers in the exhibition rooms is expanded by adding two rows suspended from the ceiling in addition to expanding the number on the sides of the room, a screen and two additional units to generate subwoofers.

El resultado perceptual es una mayor inmersión del espectador en el entorno sonoro de la película…”ahora los disparos silban por encima de nuestras cabezas mientras el viento mece la copa de los árboles y el tronar de la tormenta agita nuestras butacas; conceptualmente la sonorización de las películas cambia en el modo de plantear los elementos sonoros, lo que tradicionalmente eran panoramizaciones bidimensionales ahora se tratan como objetos tridimensionales añadiendo un nuevo grado de libertad a la ecuación creativa de las películas”.

Soundub organizará en breve una jornada de puertas abiertas para mostrar el potencial creativo de esta nueva tecnología.

By, Dec 20, 2012, Section:Audio, Cine, Postpro

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