Plenary of 'A monster comes to see me' in the technical categories

Mejor dirección de producción, fotografía, montaje, sonido, arte… la película de J.A. Bayona hizo pleno en las categorías técnicas de los Goya.

The Goya for Best Production Direction went to A monster comes to see me and, specifically, for Sandra Hermida Múñoz, who took nearly two years to organize the production plan. Filming lasted 16 weeks and all interior sequences were recorded in Spain.

Óscar Faura won the Goya for Best Cinematography for A monster comes to see me. He dedicated it to his daughter Ariadna. Faura had already worked with the film's director, J.A. Bayona, on previous occasions.

Alejo Saura y Alexandra Jiménez entregaron el premio a la Mejor Dirección Artística a Eugenio Caballero también por el film producido por Telecinco Cinema. Sin embargo no pudo recoger el galardón al encontrarse rodando en México. De nuevo sonó el título de la obra de Bayona en la entrega del Goya al Mejor Maquillaje y Peluquería a Marese Langan y David Martí.

The Canarian Paola Torres won the Goya for Best Costume Design for 1898. Los últimos de filipinas. En esta producción tuvo que supervisar el vestuario de cientos de extras.

The Goya for Best Original Song went to Sylvia Pérez Cruz for her song Ay ay ay, from the movie Close to your house. Al recoger el premio cantó un trozo de la canción y la dedicó a los desahuciados y la gente sin hogar en uno de los momentos más reivindicativos de la Gala.

Fernando Velázquez was awarded the Goya for Best Original Music for Un monstruo bien a verme, quien habló del encargo del director de “componer una música discreta”, que no distrajera de la historia. La música de las películas nominadas fue interpretada en directo por la orquesta.

As for the Special Effects, the Goya went to Pau Costa and Félix Bergésy, who had this task in Bayona's film, a production full of effects to give soul to the monster that stars in it. Pau Costa thanked his father for the award, recently deceased and author of the soundtrack of the film The Good Star, who won the Goya in this same section twenty years ago. Félix Bergés shared the award with all the people who are dedicated to special effects.

The name of the production was heard again A monster comes to see me when Peter Glossop, Oriol Tarragó and Marc Orts collected the Goya for Best Sound. The same film name was repeated with the Goya for Best Editing, which was collected by Bernat Vilaplana and Jaume Martí. Both thanked the team and their families for the award.

Siro Jiménez de Alcázar

Access to the GOYAS 2017 SPECIAL in Panorama