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Spain | America | International

Cine

Andalusian production companies will exhibit their projects in Annecy
9 June 2009

[+]

The Annecy International Animation Market, held in France from June 10 to 12, will have a large representation...

EPC incorporates two new AJ-HPX3700 camcorders
4 June 2009

[+]

These new Varicam P2HDs record without tape and incorporate advanced image correction tools such as Chromatic Aberration Compensation (CAC), ...

ARRI Relativity, full control over texture and timing
2 June 2009

[+]

ARRI introduces a powerful new suite of software tools that offers unprecedented control of texture and timing using...

TPA begins broadcasting in high definition
24 May 2009

[+]

The Television of the Principality of Asturias has broadcast today in high definition the first leg of the promotion phase to Second B...

Apuntolapospo and Ovide BS and i2CAT make the first live 3D broadcast possible
19 May 2009

[+]

A fragment of Beethoven's opera Fidelio broadcast from the Lyceum live and, for the first time in the world, in 3D...

EPC incorpora una Panavised Phantom
17 May 2009

[+]

Thanks to an agreement between Panavision and Vision Research, EPC adds this HD camera to its rental catalog that records at any speed...

Rasputin's Dagger
6 May 2009

[+]

Second job as director of Jesús Bonilla with production by Enrique Cerezo PC and Telecinco Cinema.

Bigas Luna bets on Apuntolapospo for the filming of the teaser of his new movie
6 May 2009

[+]

Four Red One cameras serve as the basis for the stereoscopic production of the film teaser based on The Manuscript of the Second Origin.

Angels and demons: premiere in Rome with Sony's CineAlta 4K
5 May 2009

[+]

The premiere is projected using the Sony Professional SRX-R220 CineAlta-4K digital system, LMT-200 Media Block and control system software...

Quantel Pablo 3D o cómo no perder la cabeza con la estereoscopía

Quantel Pablo 3D or how not to lose your mind with stereoscopy
1 May 2009

[+]

Quantel's development to manage 3D stereo in real time in its Pablo system has made it possible, for the first time, for stereoscopic post-production...

Panasonic bets heavily on 3D
1 May 2009

[+]

A P2 camcorder for stereoscopy, an HD 3D compatible plasma monitor and a work cabinet in close collaboration with Hollywood for the...

Vision3 250D: new Kodak medium sensitivity film for daylight
28 April 2009

[+]

Kodak adds the characteristics of the Vision3 500T color negative film, introduced a year and a half ago, to a daylight balanced emulsion of ...

Thomson Grass Valley reinforces its Infinity range, K2 servers and improves Edius
25 April 2009

[+]

In addition to the Kayenne switcher, Thomson GVG has introduced the LDK 3000 camcorder and version 5.1 of its Edius non-linear editing solution.

Strategic alliance between Quantel and Spatial View
21 April 2009

[+]

Quantel's innovative Stereo 3D technology will thus join the potential of Spatial View's autostereoscopic multiplatform displays. Quantel and Spatial View...

Texture control for digital intermediation
21 April 2009

[+]

ARRI, in collaboration with Cinnafilm, develops software that provides full manipulation and interactive control of image texture in processes...

4K and 8K 3D…without glasses!
21 April 2009

[+]

NHK Science en colaboración con Technical Research Laboratories y el National Institute of Information and Communications Technology llevan cabo en NAB'09 una experiencia de ...

Avid: changes image and strategy
21 April 2009

[+]

Greater interoperability with third parties, new versions of its solutions and a joint brand policy govern the immediate future of a renewed Avid.

Codex Transfer Station, flexible recording in the field
20 April 2009

[+]

Codex Digital presents a new line of products for transfer and back-up that will allow users to carry out from a simple copy...

Avid qualifies Final Cut Pro to work on Unity and ISIS
20 April 2009

[+]

In a historic step for the company, Avid announces that it will open interoperability of its Unity MediaNetowork and ISIS storage systems to Apple, ...

Flare: full integration with Flame and Inferno
20 April 2009

[+]

Autodesk muestra en NAB'09 nuevas versiones de sus sistemas de efectos visuales para cine y televisión y lanza al mercado Flare, una novedad en ...

Avid promises more integration with other brands
20 April 2009

[+]

Avid will strengthen its open solutions with the integration of cameras, servers and automation technology from other brands such as Omneon, Panasonic, Sony or RED.

Cine and streaming and Filmotech
20 April 2009

[+]

EGEDA updates its on-demand cinema portal, launched in March 2007 and which already offers more than a thousand titles. The ...

HDNA: high definition in Sony's DNA
20 April 2009

[+]

The Japanese multinational has presented its new line of XDCAM HD solutions at NAB, which includes the new PDW-700, PDW-800 and ...

Full Avid support
20 April 2009

[+]

All your users, from hobbyists to large enterprises, can now choose flexible packages that meet their support needs. Avid has presented in...

DVS speeds up flow with RED
14 April 2009

[+]

The new Clipster for RED shaping tool allows you to send material in high resolution EDL, ALE, Final Cut Pro XML or Cutlist.

Anton Bauer DT-500 for digital cinema cameras
8 April 2009

[+]

This feeder is designed for the F23 and F35 and the Panavision Genesis, although it can also adapt to the Red One and others.

Filmax bets on the XpanD system for its 3D cinemas
2 April 2009

[+]

XpanD technology, with Christie projection and Doremi server, pillars of the group's new three-dimensional rooms.

Christie: total reliability in its lamps
2 April 2009

[+]

After monitoring ten million passes in two years, Chistie presents a reliability of 99.999% in its digital cinema lamps.

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